The New Yorker offers a signature mix of reporting and commentary on politics, international affairs, and the arts, along with fiction, poetry, humor, and cartoons. Founded in 1925, The New Yorker has received more National Magazine Awards than any other magazine. Notable work in recent years includes coverage of the war on terror by George Packer, Jane Mayer, Lawrence Wright, Steve Coll, and Seymour M. Hersh; reports from the front lines of the Middle East by Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson; Malcolm Gladwell on "the tipping point"; Anthony Lane on movies; James Wood on books; Elizabeth Kolbert on the environment; Atul Gawande on health care; fiction by Jonathan Franzen, Edwidge Danticat, Zadie Smith, and Haruki Murakami; humor by David Sedaris and Andy Borowitz; and cartoons by Roz Chast.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    “Driving Up” follows an American woman’s late-in-life journey to Canada to bid good-bye to a lost love now facing the end of his life. “The Run of Yourself,” a novella, sees a New Orleans lawyer navigating the difficulties of living beyond his Irish wife’s death. And “Nothing to Declare” follows a man and a woman’s chance re-meeting in the New Orleans French Quarter, after twenty years, and their discovery of what’s left of love for them.Replete with Ford’s emotional lucidity and lyrical precision, Sorry for Your Trouble is a memorable collection from one of our greatest writers.

    Released less than a year earlier from San Quentin, he’s trying to make a living the only way he knows how: theft. His latest heist goes perfectly until his car breaks down. Sirens are closing in when an old black preacher stops to give him a lift. The police at the roadblock kill the elderly couple, but in the eyes of the law it’s Roger’s fault. And he will die in the gas chamber at San Quentin—unless he can break out first. Roger’s incredible story anchors this collection of short fiction by Edward Bunker, who knew better than anyone what it means to be a criminal, inside and outside of prison. In these stories, which were unpublished at the time of his death in 2005, he shows again the talent that made him such a remarkable writer.

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future.When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.Silvia Moreno-Garcia is one of the most exciting voices in fiction, and with her first crime novel, UNTAMED SHORE, she crafts a blazing novel of suspense with an eerie seaside setting and a literary edge that proves her a master of the genre.

    Imprisoned for mass-murder, he escapes with the help of two strange men and a mysterious benefactor. Unfortunately for Drake, they don’t just want a piece of the action. They want it all. Gift Horse: Mutilated by rival convicts, Marco Vance is brought back from the brink of death. Outfitted with the latest cybernetic enhancements, he returns to the Regional Atlanta Metroplex as the conquering criminal kingpin. But, his savior demands that he deliver a message to repay his debt. A message that no one will forget.Money Is Everything: Street gangs hunt a deposed crime boss carrying a case of cash. Pursued and friendless, he can trust no one. Except someone he can buy. Luckily, Noose the genetically engineered dwarf mercenary is always for hire. But, what is his price?Total length about 15,000 words.Includes a free 8000 word excerpt of the full-length novel DEAD DWARVES DON'T DANCE.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    He buys his suits in Beverly Hills and wins his cases in court. But one day he's approached by a friend to handle the split with his wife. That's the day things start to go very wrong for Andrew Chamberlain . . . up to and including murder."James Scott Bell is at his best in One More Lie. Fast paced, this novella will leave you breathless to the unforeseen end. Once I started reading, I couldn't put it down. Novel Rocket and I give it our highest recommendation. It's a must read!"Ane Mulligan, V. P./Sr. EditorNovel RocketPLUS, three stories full of the suspense twists James Scott Bell is known for:"A Great Man" - The Reverend Mike Rickland was not expecting one of New Jersey's most notorious mobsters to pay him a visit. All Angelo Scapelli wanted was to offer Mike's church ten million dollars. On one condition."Some Hero" - Garth Himmelfarb, middle aged and paunchy, was only trying to work off a few pounds by jogging in his neighborhood. He didn't expect to help a woman in distress, a beautiful woman, a woman he could be a hero for. He didn't expect to step in to a situation that could get him beaten up or killed. But he did."How to Make Living as a Freelance Writer" - A struggling author, once popular, now on the way out, comes up with a last attempt to make enough money to live on as a writer . . . . and actually finds it. Let's just say it's not the "traditional" route."James Scott Bell is a master storyteller. In a few short words he can make you care about a character, cause you to wave your hands in warning as they speed toward disaster, or root for them to win the day." - Susan May Warren, bestselling authorJames Scott Bell is the #1 bestselling author of Plot & Structure (Writer's Digest Books) and numerous novels and stories of suspense. Among these are Watch Your Back and Try Dying. Writing as K. Bennett he is also the author of the zombie legal thriller Pay Me in Flesh.

    Two feuding crime families with blood on their hands need our hard-boiled hero, The Redeemer, to broker peace. Both his instincts and the vacant streets warn him to stay indoors, but The Redeemer ventures out into the city’s underbelly to arrange for the exchange of the bodies they hold hostage.Yuri Herrera’s novel is a response to the violence of contemporary Mexico. With echoes of Romeo and Juliet, Roberto Bolaño and Raymond Chandler, The Transmigration of Bodies is a noirish tragedy and a tribute to those bodies – loved, sanctified, lusted after, and defiled – that violent crime has touched.

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...

    Her works dwell on obsessions: erotic love, evil, purity, perversion, prostitution, tragic separation, and death. Most of her characters are involved in ill-fated searches for the Absolute through both excessively passionate and sadomasochistic relationships. Inevitably, the perfect, pure dyad of two youthful lovers is interrupted or corrupted through the interference of a third party (a rival lover or a child), aging, death, or public morality. Set at the beginning of the twentieth century in the tropical northwestern Mexican state of Sinaloa, the stories collected in Underground River and Other Stories focus on female subjectivity. Arredondo’s adult male characters are often predators, depraved collectors of adolescent virgins, like the plantation owners in “The Nocturnal Butterflies” and “Shadows in the Shadows” and the dying uncle in “The Shunammite,” who is kept alive by incestuous lust. Since the young female protagonists rarely have fathers to protect them, the only thing standing between them and these lechers are older women. Perversely, these older women act as accomplices–along with the extended family and the Roman Catholic Church–in the sordid age-old traffic in women.Underground River and Other Stories is the first appearance of Arredondo’s stories in English.

    Mayra had no shortage of ardent, deluded, and downright dangerous admirers, and Lefty himself is haunted by one steamy night he spent in her generous company. So begins an investigation that will bring him ever closer to the murderous world of the narcos, who are waging a war of bloody attrition against the Mexican state. The country is a powder keg, waiting for a spark, and Mendieta is about to enter the darkest days of his life. Corrupt politicians, failed boxers, and unscrupulous arms dealers all lie in wait along the path to justice. But none of this can prepare him for his run-in with the FBI, when the father of the president of the United States is attacked while on vacation in Mexico. For all these perils it is the weight of his own murky past that Lefty finds hardest to bear. And as he scratches around for clues, faced with a gallery of suspects who all have a motive and none of whom is a stranger to the dark arts of murder, the reappearance of Samantha Valdés, now the boss of the Cartel del Pacífico, adds one more jagged piece to an already unsolvable puzzle.

    Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

    It's a common occurrence in the region--prime narco territory--but the girl's parents are rich and powerful, and determined to find their daughter at any cost. When they call upon Carlos Trevino, he tracks the missing heiress north to the town of La Eternidad, on the Gulf of Mexico not far from the U.S. border--all while constantly attempting to evade detection by La Eternidad's chief of police, Commander Margarito Gonzalez, who is in the pockets of the cartels and has a score to settle with Trevino.A gritty tale of murder and kidnapping, crooked cops and violent gang disputes, Don't Send Flowers is an engrossing portrait of contemporary Mexico from one of its most original voices.