The entries of this diary are a record of his mad adventures: his ill-fated debut as an amateur boxer fighting as ‘The Herring Wonder', a faltering liaison with a Cuban prostitute, his public outing of George Plimpton as a Jew, his discussion with Eve Ensler about his dear friend The Mangina, a renegade mission as a Jew into the heart of Waspy Maine, and other such harrowing escapades. Whether trying to round up a partner for an orgy, politely assisting in an animal sacrifice, or scamming tickets to the WWF's Royal Rumble for his son, Jonathan Ames proves himself a ballsier Everyman whose transgressions and compassionate meditations will satisfy the voyeur and encourage the halfhearted. But be warned. As Jonathan says, "I don't like to be a bad influence. It's bad enough that I have influence over myself." "...Ames has always been one of my favorite contemporary writers ... for his ... fearless commitment to the most demanding psychosexual comedies."—Rick Moody

    She’s the person taking charge– the one who knows instinctively how things should be. Today, Thelma would be described as an alpha personality. But while growing up, her daughter, Peggy, saw her as a dictator– albeit a benevolent, loving one. They clashed from the beginning– Peggy, the horse-crazy tomboy, and Thelma, a genteel controlling mother, committed to raising two refined, ladylike daughters.When major league baseball came to town in the early 1950s and turned sophisticated Thelma into a crazed Baltimore Orioles groupie, nobody was more surprised and embarrassed than Peggy. Life became a series of compromises– Thelma tolerating a daughter who pitched manure and galloped the countryside, while Peggy learned to tolerate the whacky Orioles fan who threw her underwear at the TV, shouted insults at umpires, and lived by the orange and black schedule taped to the refrigerator door…

    Inside, storytellers from around the world share times when, in the face of seemingly impossible situations, they found moments of beauty, wonder, and clarity that shed light on their lives and helped them find a path forward.From a fifteen-year-old saving a life in Chicago to a mother of triplets trekking to the North Pole to a ninety-year-old Russian man recalling his standoff with the KGB, these storytellers attest to the variety and richness of the human experience, and the shared threads that connect us all. With honesty and humor, they stare down their fear, embrace uncertainty, and encourage us all to be more authentic, vulnerable, and alive.

    They share their knitting triumphs and disasters as well as their life triumphs and disasters…These essays will break your heart. They will have you laughing out loud." —Ann Hood, from the introductionWhy does knitting occupy a place in the hearts of so many writers? What’s so magical and transformative about yarn and needles? How does knitting help us get through life-changing events and inspire joy? In Knitting Yarns, twenty-seven writers tell stories about how knitting healed, challenged, or helped them to grow. Barbara Kingsolver describes sheering a sheep for yarn. Elizabeth Berg writes about her frustration at failing to knit. Ann Patchett traces her life through her knitting, writing about the scarf that knits together the women she’s loved and lost. Knitting a Christmas gift for his blind aunt helped Andre Dubus III knit an understanding with his girlfriend. Kaylie Jones finds the woman who used knitting to help raise her in France and heals old wounds. Sue Grafton writes about her passion for knitting. Also included are five original knitting patterns created by Helen Bingham.Poignant, funny, and moving, Knitting Yarns is sure to delight knitting enthusiasts and lovers of literature alike.

    But no matter where she was transplanted--no matter how awkward the fit or forbidding the landscape--she was able to turn to our world's fierce and funny creatures for guidance."What the peacock can do," she tells us, "is remind you of a home you will run away from and run back to all your life." The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world's gifts.Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.

    From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

    From awkward handshakes to having a girlfriend and everything in between, Shane handles his situation with humor and a "you-only-live-once" perspective on life. While he does talk about everyday issues that are relatable to teens, he also offers an eye-opening perspective on what it is like to have a life threatening disease.

    She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.

    Now the bestselling author of Darth Vader and Son and Vader's Little Princess brings his witty comic observations to terrestrial parenting in this perceptive book celebrating the more surreal moments of raising a child. In charming colorful panels, Brown wryly illustrates his fiveyear- old son's take on the world around him, from watching TV ("Elton John looks pretty in that shirt") to playing with toys ("This truck can survive on very little water") to odd requests ("Don't feel happy at me"), capturing the sweetly weird times that mothers and fathers everywhere experience with their own curious, pure-minded kids.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    But on her forty-sixth birthday she decided to stop running and start reading.Catalyzed by the loss of her sister, a mother of four spends one year savoring a great book every day, from Thomas Pynchon to Nora Ephron and beyond. In the tradition of Gretchen Rubin's The Happiness Project and Joan Dideon's A Year of Magical Thinking, Nina Sankovitch's soul-baring and literary-minded memoir is a chronicle of loss,hope, and redemption. Nina ultimately turns to reading as therapy and through her journey illuminates the power of books to help us reclaim our lives.

    Karen, Cathy, Angela, Sally, Diana. Sheila. Meet the Ames Girls: eleven childhood friends who formed a special bond growing up in Ames, Iowa. As young women, they moved to eight different states, yet managed to maintain an enduring friendship that would carry them through college and careers, marriage and motherhood, dating and divorce, a child’s illness and the mysterious death of one member of their group. Capturing their remarkable story, The Girls from Ames is a testament to the deep bonds of women as they experience life’s joys and challenges — and the power of friendship to triumph over heartbreak and unexpected tragedy.The girls, now in their forties, have a lifetime of memories in common, some evocative of their generation and some that will resonate with any woman who has ever had a friend. Photograph by photograph, recollection by recollection, occasionally with tears and often with great laughter, their sweeping and moving story is shared by Jeffrey Zaslow, Wall Street Journal columnist, as he attempts to define the matchless bonds of female friendship. It demonstrates how close female relationships can shape every aspect of women’s lives – their sense of themselves, their choice of men, their need for validation, their relationships with their mothers, their dreams for their daughters – and reveals how such friendships thrive, rewarding those who have committed to them.The Girls from Ames is the story of a group of ordinary women who built an extraordinary friendship. With both universal insights and deeply personal moments, it is a book that every woman will relate to and be inspired by.

    In her two decades of writing, Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they’re old friends. Now she shares an even more intimate world with us—her own—in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics.Here you’ll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick’s Day, a hilariously unflinching account of her tiptoe into online dating. But she also tackles the serious and profound in eloquent stories of unexpected widowhood and caring for elderly parents that use her struggles to illuminate ours. Whether for Lipman’s longtime readers or those who love the essays of Nora Ephron or Anna Quindlen, I Can't Complain is a diverting delight.

    That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen ("You look retarded"). She confided her tale of woe to her friend Felicity Huffman, who made Annabelle laugh with her own stories. Annabelle realized that there was a world of people out there waiting to laugh at the experience that virtually everyone shares, and she began to collect stories of being fired from friends and colleagues. Soon she was contributing regular "Fired!" segments to "Day to Day" on NPR and gathering friends to appear with her in sold-out performances of "Fired!" in Los Angeles and New York. "Fired!," her documentary film inspired by these stories, comes out in 2006. This book is a collection of hilarious but true tales from people who've all gotten the ax, the boot, or been canned at some point in their lives. In "That's a Fact," Andy Borowitz tells the story of being fired as a writer for the television sitcom "The Facts of Life" after being informed that he just didn't "get" Tootie. "Take that hanger off your head, you idiot!" were the last words Jeff Garlin heard before being fired from Spec's Music store after only one day on the job, just one of the many firings he recounts in "That Garlin Boy." In "Jimmy the Idiot," Dana Gould sums up his firing from the cast of the sitcom "Working" that led him to become a producer of "The Simpsons": "In the second episode, I was a math genius, in the third -- a motocross racer, and in the fourth episode I was replaced by a chimp, but nobody noticed." In "Poor Judgment," Illeana Douglas tells about being fired after a few hours of working as a coat check girl: "How isit possible to be fired from hanging coats? I have arms. I know what coats are. I don't come home and throw my coat on the floor. I hang it in a closet. I have experience." How did Bob Saget find out he was being phased out of his job on "The Morning Program"? "One day I showed up and my hosting chair was gone!"With an all-star cast from Tim Allen to Morgan Spurlock, from Anne Meara to David Cross, and contributions from people from all over the country, this book proves it's not the bounce that counts, it's the bounce back.

    After all, she and her future ex had chosen to still live together in the same house with their kids as they slowly transitioned from being a married couple to single people (someday) living separately. Over the course of two years of what was supposed to be a temporary period of transition, Harrington sifted through her past—how she formed her ideas about relationships, sex, marriage, divorce—and dug back into the history of her marriage—how they met, what it felt like to be in love, how she and her husband had changed over time, the impact having children had on their relationship, and what they still owed one another.But You Seemed So Happy is a time capsule of sorts. It’s about getting older and repeatedly dying on the hill of being wiser, only to discover you were never actually all that dumb to begin with. It’s an honest, intimate biography of a marriage, from its heady, idealistic, and easy beginnings to its slowly coming apart to its evolution into something completely unexpected. As she probes what it means when everyone assumes you’re happy as long as you’re still married, Harrington skewers engagement photos, small-town busybodies, Gen X idiosyncrasies, and the casual way we make life-altering decisions when we’re young. Ultimately, this moving and funny memoir in essays is a vulnerable and irreverent act of forgiveness—of ourselves, our partners, and the relationships that have run their course but will always hold permanent meaning in our lives.