Xavier’s college is murdered at his home. The witnesses claim he was killed by a ghost! The police is clueless. Inspector Patrick Minj ropes in Detective Robin Horo, who unearths a clue which indicates that the murder has a bloody trail running as far as 350 years in the history of Jharkhand. A poisonous conspiracy was plotted centuries ago in the Kingdom of Palamu that designed the downfall of an empire and forced the king to hide his legacy in the unforgiving and indifferent womb of time. The ghost is leaving behind a trail of dead bodies and to solve the case Robin has nothing but an Artifact that is said to have an ancient curse over it and a centuries old riddle that if solved, could lead to an Elixir. Witness the conspiracy unfolding that spans 350 years in the making and takes Robin and his companions on a labyrinthine adventure involving deadly secrets, dangerous threats and a lethal encounter with a beast in the jungles of Palamu.

    The great poem is also called Tulsi-krit Ramayan (literally, 'Tulsi-created Ramayan' or, more loosely, 'The Ramayan of Tulsidas'.Tulsidas (who is also sometimes called Tulsidas-ji or simply Tulsi) began writing the scripture in Vikram Samvat 1631 (1574 CE) in Avadhpuri, Ayodhya. The exact date is stated within the poem as being the ninth day of the month of Chaitra, which was the birthday of Lord Ram, Ram Navami. A large portion of the poem was composed at Varanasi, where the poet spent most of his later life.Today, it is considered one of the greatest works of Hindu literature. Its composition marks the first time the story of Ramayana was made available to the common man for song and performance. Thus, the text is associated with the beginning of the storied tradition of Ramlila, the dramatic enactment of the text.

    This book consists of all the available ecclesiastical writings of early Christian authorities that are known to exist & yet were omitted from the authorized New Testament. Whether they are canonical or not, at the least these writings are of very great importance. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010. The Forgotten Books of Eden: These books translate Old Testament pseudepigraphal writings which didn't achieve canonical status, giving mankind's early pictures of the past & hopes for the future that have survived the devastation of the centuries. Translated J.B. Lightfoot & R.H. Charles; published by, The Clarendon Press, 1913 & edited & published by Rutherford H. Platt, 1926; edited & republished by E.C. Marsh www.ecmarsh.com, 2010.

    In Joe Marshall, we found that person, but the happy surprise was that we also found a poet, a storyteller, and an educator who led us through challenging terrain with great patience and wisdom." —Michael Wright, executive in charge of production, Into The WestNative American lineage holders have long been cautious about sharing their spiritual truths because the essence of this wisdom has been so often misunderstood. In Walking with Grandfather, authentic Lakota lineage holder and award-winning storyteller Joseph M. Marshall breaks this silence with the very best from a lifetime of lessons passed on to him by his grandfather. With him, you will gain access to the timeless teachings that until now remained largely unheard outside the culture of the Lakota people.Part of an unbroken series of narratives dating back countless centuries, this rare new transmission includes Marshall's rendition of legendary stories such as:"Follow Me"—why it is not authority but character, compassion, and experience that make a good leader• "The Way of Wolves"—surprising lessons about the meaning of family• "The Bow and the Arrow"—the intricate dynamics of spiritual partnership• "The Shadow Man"—how to honor the sacred warrior in all of us• "The Wisdom Within"—the passage of truly becoming an elder• Plus many more stories

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    The perfect introduction to magic and the occult, it explores forms of divination from astrology and palmistry to the Tarot and runestones, mystical plants and potions such as mandrake, the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with mainstream religions.The most comprehensive illustrated history of witchcraft available, A History of Magic, Witchcraft, and the Occult will enthrall and fascinate you with its lavish illustrated, accessible entries, whether you are a believer or a skeptic.

    For centuries, lovers have found inspiration and advice in the ancient text of the Kama Sutra. Now, Simon Rich -- "one of the funniest writers in America" (The Daily Beast) -- and Farley Katz have unearthed a valuable new document: a guide to the positions most common after marriage. From "the interrupted congress" to "the beaching of the whales," here are the poses, positions, and games married lovers play to keep the spark alive -- and the dishwasher properly loaded. Complete with four-color, full-page illustrations in the style of the original Kama Sutra, but with modern, domestic accoutrements: dirty diapers, TV remotes, and wine glasses aplenty.

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    Sever the hands of the criminal who pilfers livestock or grain or another's garment. Whip the child who defies an elder. For such is the law and the law must be obeyed. For generations, these ironclad rules had governed the people. Nobody questioned whether it was right to humiliate a child or execute a murderer. An eye for an eye was the way of the world. But was there another way? When an antiquarian book is discovered in the disheveled study of an old Vermont farmhouse, the house's new owner has the volume translated. The result is The Book of the Shepherd, a timeless story full of life lessons for us all. Set in a mythical time, in an unnamed land, The Book of the Shepherd tells the tale of a shepherd, Joshua, who is troubled by the harsh code of "an eye for an eye" that governs his world. Called by a dream, the shepherd sets off on a journey to find "the new way." Accompanied by Elizabeth, a former slave who is kind and generous, and David, a boy who must learn to walk in new shoes, the shepherd knows that "an age of miracles" will come when the new way is found. But the journey is not without incident. En route to a cave near the Great Inland Sea, the travelers meet a cast of extraordinary characters, including the Storyteller, the Apothecary, the Blind Man, and the Stranger. Each imparts an important lesson that pushes the travelers toward their destiny. At the cave, Joshua must see if he can bring forth secrets long buried. But he, Elizabeth, and David will also discover that sometimes what we have been searching for has been inside us all along.

    Although there are hundreds of books on Hinduism, there are only a few which provide a lucid, accessible, yet deeply layered account of the religion’s numerous belief systems, schools of thought, sects, tenets, scriptures, deities, rituals, customs, festivals and philosophies. This book is one of them. In the tradition of classics of the genre like K. M. Sen’s Hinduism and Sarvepalli Radhakrishnan’s The Hindu View of Life, this book captures the essence of Hinduism with brevity, insight and an enviable grasp of the myriad layers and intricacies of one of the world’s greatest religions. It is a book that is especially timely given the rather controversial role that religion has played in countries around the world. The author tells us why Hinduism is a religion that is well-suited to the needs of the world today: ‘In the twenty-first century, Hinduism has many of the attributes of a universal religion—a religion that is personal and individualistic, privileges the individual and does not subordinate one to a collectivity; a religion that grants and respects complete freedom to the believer to find his or her own answers to the true meaning of life; a religion that offers a wide range of choice in religious practice, even in regard to the nature and form of the formless God; a religion that places great emphasis on one’s mind, and values one’s capacity for reflection, intellectual enquiry, and self-study; a religion that distances itself from dogma and holy writ, that is minimally prescriptive and yet offers an abundance of options, spiritual and philosophical texts and social and cultural practices to choose from. In a world where resistance to authority is growing, Hinduism imposes no authorities; in a world of networked individuals, Hinduism proposes no institutional hierarchies; in a world of open-source information-sharing, Hinduism accepts all paths as equally valid; in a world of rapid transformations and accelerating change, Hinduism is adaptable and flexible, which is why it has survived for nearly 4,000 years.The text of The Hindu Way is embellished with over a hundred photographs and illustrations, many of them in colour, on various aspects of the religion. Based on Dr. Tharoor’s extensive writing on the subject, including the bestselling Why I Am a Hindu, this book gives the reader an unrivaled understanding of Hinduism.

    This compelling blend of clear writing plus dramatic images offers an appeal that crosses all age boundaries. Brazilian artist Sergio Cariello has created attention-holding illustrations marked by rich coloring, dramatic shading and lighting, bold and energetic designs, and emotionally charged figures. Let this epic rendition draw you into all the excitement of the world’s most awesome story.

    "The Last Nizam" is the story of an extraordinary dynasty, the Nizams of Hyderabad, and how the heir to India's richest princely state gave up a kingdom and retired to the dusty paddocks of outback Australia. With vivid detail and anecdote John Zubrzycki charts the rise of the Nizams to fabulous wealth and prominence under the Mughal emperors of India, giving a rich and vibrant portrait of a realm soaked in blood and intrigue. Above all he describes the strange - sometimes comic, sometimes tragic - life of Mukarram Jah, His Exalted Highness, the Rustam of the Age, the Aristotle of the Times, Wal Mamaluk, Asaf Jah VIII, the Conqueror of Dominions, the Regulator of the Realm, Nawab Mir Barakat Ali Khan Bahadur, The Victor in Battles, the Leader of Armies, the last Nizam, the man who left behind the diamonds of Golconda and the palaces of Hyderabad to drive bulldozers in the Australian bush. A delicate and detailed work, "The Last Nizam" adds a crucial chapter to the history of India, capturing the very scent of wine, women and wealth whose appetites kept the Nizams in news and scandal while simultaneously deepening their legend.

     Featuring all-new original recipes prepared by Bourdain, plus a guide to the ghostly legendary spirits behind these horrifying tales. This horror anthology is sure to please--and scare! On a dark, haunted night, a Russian Oligarch dares a circle of international chefs to play the samurai game of 100 Candles--where each storyteller tells a terrifying tale of ghosts, demons and unspeakable beings--and prays to survive the challenge.Inspired by the Japanese Edo period game of Hyakumonogatari Kaidankai, Hungry Ghosts reimagines the classic stories of yokai, yorei, and obake, all tainted with the common thread of food.Including stellar artists Sebastian Cabrol, Vanesa Del Rey, Francesco Francavilla, Irene Koh, Leo Manco, Alberto Ponticelli, Paul Pope, and Mateus Santolouco as well as amazing color by Jose Villarrubia, a drop-dead cover by Paul Pope.

    An epic love story so grand that one medium cannot contain it, Aronofsky's feature film - released by Warner Bros, Pictures and Regency Enterprises - stars Tony Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). The Fountain graphic novel is a sister-project to the film, using the same story as its seed, but stretched instead upon the limitless canvas of the comics medium. Already earning Williams the Eisner nomination for Best Painter, The Fountain graphic novel provides an alternative interpretation wholly unique yet still intimately tied to the movie, in what can be considered the ultimate "director's cut".

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.