We see how these brilliant minds get to work, the choices they have to make: rebuffing convention, stealing (or secreting away) time from the pull of husbands, wives, children, obligations, in order to create their creations.From those who are the masters of their craft (Eudora Welty, Lynn Fontanne, Penelope Fitzgerald, Marie Curie) to those who were recognized in a burst of acclaim (Lorraine Hansberry, Zadie Smith) . . . from Clara Schumann and Shirley Jackson, carving out small amounts of time from family life, to Isadora Duncan and Agnes Martin, rejecting the demands of domesticity, Currey shows us the large and small (and abiding) choices these women made--and continue to make--for their art: Isak Dinesen, "I promised the Devil my soul, and in return he promised me that everything I was going to experience would be turned into tales," Dinesen subsisting on oysters and Champagne but also amphetamines, which gave her the overdrive she required . . . And the rituals (daily and otherwise) that guide these artists: Isabel Allende starting a new book only on January 8th . . . Hilary Mantel taking a shower to combat writers' block ("I am the cleanest person I know") . . . Tallulah Bankhead coping with her three phobias (hating to go to bed, hating to get up, and hating to be alone), which, could she "mute them," would make her life "as slick as a sonnet, but as dull as ditch water" . . . Lillian Hellman chain-smoking three packs of cigarettes and drinking twenty cups of coffee a day--and, after milking the cow and cleaning the barn, writing out of "elation, depression, hope" ("That is the exact order. Hope sets in toward nightfall. That's when you tell yourself that you're going to be better the next time, so help you God.") . . . Diane Arbus, doing what "gnaws at" her . . . Colette, locked in her writing room by her first husband, Henry Gauthier-Villars (nom de plume: Willy) and not being "let out" until completing her daily quota (she wrote five pages a day and threw away the fifth). Colette later said, "A prison is one of the best workshops" . . . Jessye Norman disdaining routines or rituals of any kind, seeing them as "a crutch" . . . and Octavia Butler writing every day no matter what ("screw inspiration"). Germaine de Staël . . . Elizabeth Barrett Browning . . . George Eliot . . . Edith Wharton . . . Virginia Woolf . . . Edna Ferber . . . Doris Lessing . . . Pina Bausch . . . Frida Kahlo . . . Marguerite Duras . . . Helen Frankenthaler . . . Patti Smith, and 131 more--on their daily routines, superstitions, fears, eating (and drinking) habits, and other finely (and not so finely) calibrated rituals that help summon up willpower and self-discipline, keeping themselves afloat with optimism and fight, as they create (and avoid creating) their creations.

    She did the same thing the next day, and the next. It became a daily habit that has culminated in her walking over 25,000 miles – the equivalent of the earth's circumference.In Do Walk, Libby shares the transformative nature of this simple yet powerful practice. She reveals how walking each day provides the time and space to reconnect with the world around us; process thoughts; improve our physical wellbeing; and unlock creativity. It is the ultimate navigational tool that helps us to see who we are – beyond titles and labels, and where we want to go.With stunning photography, this inspiring and reflective guide is an invitation to step outside, and see where the path takes us.

    The result is nothing less than an archaeology of the sciences that unearths old patterns of meaning and reveals the shocking arbitrariness of our received truths.In the work that established him as the most important French thinker since Sartre, Michel Foucault offers startling evidence that “man”—man as a subject of scientific knowledge—is at best a recent invention, the result of a fundamental mutation in our culture.

    This unique collection of original essays features contributions by Mona Simpson, Meg Wolitzer, Susan Cheever, Sara Bird, Naomi Wolf, and other contemporary female writers on the joys and frustrations of the first year of motherhood.

    A handbook for the happy, and a bible for the broken-hearted, The Alphabet of the Human Heart is an enchanting and enriching journey through the upside and the downside of what it means to be human – our hopes and our fears, our strengths and our weaknesses, our highs and our lows.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    In the insightful How Music Works, Byrne offers his unique perspective on music - including how music is shaped by time, how recording technologies transform the listening experience, the evolution of the industry, and much more.

    No more searching for each of Sir Arthur Conan Doyle's Sherlock Holmes books, you get them all in one book. In addition you get 54 amazing mystery stories by all time great writers, including the Father Brown series and The Man who Was Thursday. The following is included:THE HOUND OF THE BASKERVILLESMR. SHERLOCK HOLMESTHE CURSE OF THE BASKERVILLESTHE PROBLEMSIR HENRY BASKERVILLETHREE BROKEN THREADSBASKERVILLE HALLTHE STAPLETONS OF MERRIPIT HOUSEFIRST REPORT OF DR. WATSONSECOND REPORT OF DR. WATSONEXTRACT FROM THE DIARY OF DR. WATSONTHE MAN ON THE TORDEATH ON THE MOORFIXING THE NETSTHE HOUND OF THE BASKERVILLESA RETROSPECTIONTHE RETURN OF SHERLOCK HOLMESTHE ADVENTURE OF THE ABBEY GRANGETHE ADVENTURE OF BLACK PETERTHE ADVENTURE OF CHARLES AUGUSTUS MILVERTONTHE ADVENTURE OF THE DANCING MENTHE ADVENTURE OF THE EMPTY HOUSETHE ADVENTURE OF THE GOLDEN PINCE-NEZTHE ADVENTURE OF THE MISSING THREE-QUARTERTHE ADVENTURE OF THE NORWOOD BUILDERTHE ADVENTURE OF THE PRIORY SCHOOLTHE ADVENTURE OF THE SECOND STAINTHE ADVENTURE OF THE SIX NAPOLEONSTHE ADVENTURE OF THE SOLITARY CYCLISTTHE ADVENTURE OF THE THREE STUDENTSTHE MEMOIRS OF SHERLOCK HOLMESSILVER BLAZETHE YELLOW FACETHE STOCK-BROKER’S CLERKTHE “GLORIA SCOTT”THE MUSGRAVE RITUALTHE REIGATE PUZZLETHE CROOKED MANTHE RESIDENT PATIENTTHE GREEK INTERPRETERTHE NAVAL TREATYTHE FINAL PROBLEMA STUDY IN SCARLETTHE ADVENTURES OF SHERLOCK HOLMESA SCANDAL IN BOHEMIATHE RED-HEADED LEAGUEA CASE OF IDENTITYTHE BOSCOMBE VALLEY MYSTERYTHE FIVE ORANGE PIPSTHE MAN WITH THE TWISTED LIPTHE ADVENTURE OF THE BLUE CARBUNCLETHE ADVENTURE OF THE SPECKLED BANDTHE ADVENTURE OF THE ENGINEER’S THUMBTHE ADVENTURE OF THE NOBLE BACHELORTHE ADVENTURE OF THE BERYL CORONETTHE ADVENTURE OF THE COPPER BEECHESTHE SIGN OF FOURTHE VALLEY OF FEARHIS LAST BOWTALES OF TERROR AND MYSTERYINNOCENCE OF FATHER BROWNTHE MAN WHO WAS THURSDAY * The Great Valdez Sapphire by Anonymous * The Lost Duchess by Anonymous * The Minor Canon by Anonymous * The Pipe by Anonymous * The Puzzle by Anonymous * The Baron's Quarry by Egerton Castle * The Dream Woman by Wilkie Collins * A Case of Identity by Sir Arthur Conan Doyle * A Scandal in Bohemia by Sir Arthur Conan Doyle * The Red-Headed League by Sir Arthur Conan Doyle * His Wedded Wife by Rudyard Kipling * In the House of Suddhoo by Rudyard Kipling * My Own True Ghost Story by Rudyard Kipling * The Sending of Dana Da by Rudyard Kipling * The Pavilion on the Links by Robert Louis Stevenson * The Fowl in the Pot by Stanley John Weyman * Bourgonef by Anonymous * The Closed Cabinet by Anonymous * The Avenger by Thomas De Quincey * The Haunted House by Charles Dickens * No. I Branch Line: The Signal Man by Dickens * The Haunted and the Haunters by Baron Edward Bulwer Lytton * The House and the Brain by Baron Edward Bulwer Lytton * The Incantation by Baron Edward Bulwer Lytton * Melmoth the Wanderer by Charles Rober Maturin * A Mystery with a Moral by Laurence Sterne * On Being Found Out by William Makepeace Thackeray * The Notch on the Ax by William Makepeace Thackeray * The Nail by Pedro Antonio de Alarcón * The Adventure of the Three Robbers by Lucius Apuleius * Melmoth Reconciled by Honoré de Balzac * The Conscript by Honoré de Balzac * The Deposition by Luigi Capuana * The Invisible Eye by Erckmann-Chatrian * The Owl's Ear by Erckmann-Chatrian * The Waters of Death by Erckmann-Chatrian * An Uncomfortable Bed by Guy de Maupassant * Fear by Guy de Maupassant * Ghosts by Guy de Maupassant * The Confession by Guy de Maupassant * The Horla by Guy de Maupassant * The Man with the Pale Eyes by Guy de Maupassant * The Necklace by Guy de Maupassant * The Miracle of Zobéide by Pierre Mille * Letter to Sura by Pliny, the Younger * The Torture by Hope by Auguste comte de Villiers de L'Isle-Adam * Zadig The Babylonian by Voltaire

    Invaluable for the insight they give into the daily life of the poet and his friendship with Coleridge, they are also remarkable for their spontaneity and immediacy, and for the vivid descriptions of people, places, and incidents that inspired some of Wordsworth's best-loved poems. The Grasmere Journal was begun at Dove Cottage in May 1800 and kept for three years. Dorothy notes the walks and the weather, the friends, country neighbors and beggars on the roads; she sets down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, the composition of poetry. The earlier Alfoxden Journal was written during 1797-8, when the Wordsworths lived near Coleridge in Somerset. Not intended for publication, but to give Wm Pleasure by it, both journals have a quality recognized by Wordsworth when he wrote of Dorothy that she gave me eyes, she gave me ears.

    Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life. This he was to find in Constantin Guys, whom he later celebrated in the famous essay which provides the title-piece for this collection. Other material in this volume includes important and extended studies of three of Baudelaire's contemporary heroes - Delacroix, Poe and Wagner - and some more general articles, such as those on the theory and practice of caricature, and on what Baudelaire, with intentional scorn, called philosophic art. This last article develops views only touched on in Baudelaire's other writings. This volume is extensively illustrated with reproductions of works referred to in the text and otherwise relevant to it. It provides a survey of some of the most important ideas and individuals in the critical world of the great poet who has been called the father of modern art criticism.

    Like many of Lukacs's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukacs's last great work before he turned to Marxism-Leninism.

    For each occasion, Vonnegut's words were unfailingly unique, insightful, and witty, and they stayed with audience members long after graduation.This expanded second edition includes more than sixty pages of further thoughts from Kurt (whose good advice wasn’t limited to graduation speeches).As edited by Dan Wakefield, this book reads like a narrative in the unique voice that made Vonnegut a hero to readers of all ages. At times hilarious, razor-sharp, freewheeling, and deeply serious, these reflections are ideal for anyone undergoing what Vonnegut would call their “long-delayed puberty ceremony”—marking the passage from student to full-time adult.

    This is the first edition to present the novel as it originally appeared, with indications of the changes Carlyle made to later editions.

    The life and times of a girl who has always loved animals, or how I went from dreaming about Rin Tin Tin to having dogs, cats, chickens, fish, cattle, turkeys, and guinea fowl, with guest appearances by horses, lions, and canaries.

    This book wouldn't elevate a cow. I cannot conscientiously recommend it for any useful purposes whatever. All I can suggest is that when you get tired of reading 'the best hundred books, ' you may take this up for half an hour. It will be a change." (from the Preface to "Idle Thoughts of an Idle Fellow by Jerome Jerome)