A street-eater and a life-taker. Like an open grave, it's hungry for death.Vic Tamberlyn committed suicide in it. His son Kurt asphyxiated in it. Maybe there's no connection, but Kurt's best friend, Johnny Breede, doesn't believe it. He begins seeing dark connections, convinced that beneath the skin of the Coffin there beats a black, terrible heart. But it's even worse than he can imagine.For the Long Black Coffin has a history. And that history will lead Johnny into a web of murder, insanity, and sexual perversion. He'll learn gruesome family secrets that connect a decade-old series of child abductions to a primordial evil that lives on in the car in the form of a sadistic teenage girl.A girl whose mother was human, but whose father was anything but.

    The fragile peace between two competing mob bosses—Gloriana Nelson and Mr Davidson—is crumbling. Loyalties are shifting. Betrayals threaten.Kelpie knows the dangers of the Sydney streets. Ghosts have kept her alive, steering her to food and safety, but they are also her torment.Dymphna is Gloriana Nelson’s ‘best girl’, experienced in surviving the criminal world, but she doesn’t know what this day has in store for her.When Dymphna meets Kelpie over the corpse of Jimmy Palmer, Dymphna’s latest boyfriend, she pronounces herself Kelpie’s new protector. But Dymphna’s life is in danger too, and she needs an ally. And while Jimmy’s ghost wants to help, the dead cannot protect the living . . .

    These are stories to be savored late at night in bed, read by the light of a single lamp in an empty, dark house.

    When I last saw him on his feet his face was white and his lips set. It seemed to me that he struck a violent blow at the dead being, and then he, too, fell forward upon his face, with an inarticulate cry of horror'. This unique collection contains all the supernatural works of the prolific F. Marion Crawford (1854 - 1909), including his classic chillers 'For Blood is the Life', 'The Upper Berth' and 'The Screaming Skull' which was based on a true horror legend. Also included in this volume is the title story, his amazing novel The Witch of Prague which Dennis Wheatley described as a 'classic of occult fiction'. For a potent blend of horror, fantasy and fear Crawford's tales have rarely been surpassed. Most of these stories have long been out of print, so this collection is a special treat for all lovers of supernatural mysteries.

    Benson.There's nothing sinister about a London bus. Nothing supernatural could occur on a busy Tube platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden, inexplicable chill. There's no need for a ticking clock, a limping footstep, or a knock at the door to start you trembling. There's nothing to be scared of. Nothing at all.

    Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous mélange of Poe and Borges, both horrific and metaphysical. Here, as in "Moran's Mexico," and "Greenhouse," the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In "White Square" the representation of humans by dimly colored shapes confirms our feeling that something lies behind these words, while seeming to mock us with the futility of seeking it. Evenson's enigmatic names-Thurm, Bein, Hatcher, Burlun-placeable landscapes, and barren rooms all combine to create a semblance of conceptual abstraction, as though the material universe had come to exist inside someone's head.Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    The silence is so heavy that you can hear your blood thundering through your veins. The stir of dry leaves in the darkness could be your friend finding his way back, but it sounds more like a primordial monster stalking its prey. And the lights between the trees? And the haunting songs which lure you ever deeper?  It's time to admit that you aren't afraid of being alone in the woods. You're afraid of not being alone.  Journey through the minds of 22 horror authors who have teamed up to reveal the most terrifying aspects of the forest. Over 400 pages of original supernatural and psychological horror stories include: ghosts, demons, serial-killers, true stories and unsolved mysteries, unique monsters, classic myths and legends, and above all else, a profound respect for the terror hidden within the mysterious trees. About Haunted House Publishing: We're passionate about publishing horror stories for adults, scary books for teens, and all sorts of dark fiction. We've got new horror kindle books every month, specializing in supernatural stories, supernatural book collections, and paranormal books for adults. We've got zombie books, demonic horror, ghosts and specters, angels and demons, gothic novels, and haunted houses and ghosts novels. We promise some of the top horror books 2018.

    The tales in this collection are haunting and ghostly and will thrill readers. The thirteen creepy tales in Scary Stories are literary masterpieces by Kipling, Saki, Algernon Blackwood et al, filled with chilling and unfathomable terror.

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

    Edward McNally: Captain Wil has command of his own ship, the respect of his crew, and his wife is expecting their first child. But at sea, the winds always become calm just before the storm breaks.The Smell of Death by Tara West: Maggie's unusual powers bring new threats to her already troubled childhood.Safe by Emma Jameson: In Victorian London, a grave robber makes a nice living off the dead, until he opens the wrong crypt.Soulfully Sweet by Shéa MacLeod: As if helping the living isn’t enough of a pain in her divine hindquarters, Branwen (former goddess of love and beauty) is stuck helping the dead on All Hallow’s Eve.May I Go Play? by Heather Marie Adkins: Micah inherits a southern mansion where ancestors long dead relive their violent deaths. And now, they want company...Blehdward, the Vampire who Couldn't Sparkle by Pj Jones: Blehdward desperately wants to fit in with the cool vamps. If only he could learn how to sparkle.Franscesca by Alan Nayes: Break a promise to a feiticeira and you will live to regret it.Soul Eaters by R.G. Porter: Kaitlyn never believed in the existence of other worlds. Now she's in the middle of one where humans aren't the hunters but the hunted.The Eclective is a group of authors dedicated to the premise that The Story is The Thing, and classifications of genre are mostly a matter for bookshelves. While the following stories share a "Haunting" theme, they might variously be filed as Horror, Paranormal, Fantasy, YA, etc., or anything else. Our idea is that the story itself is more important than whatever label somebody feels like giving it, and by bringing our work together in collections like this one, we hope readers may find a story they might like. Even if it is not in "their" genre.

    Now, no one remembers her hardworking life and her grand dreams--but she remembers. She remembers everything. Emma Rose still walks the coves and cliffs of her village, one hundred years after her death . . . and she doesn't plan on leaving.But when a determined hunter arrives with instructions to "clean" Emma Rose out of her haunt, the stately Lambry mansion, death suddenly isn't the worst fate imaginable. Emma Rose refuses to be hounded from the only place she's ever found peace, even if it means waging a war on the living . . . and the dead.Lyrical and haunting, this spellbinding American ghost story alternates between Emma Rose's life and afterlife as the past and present become entwined in a compelling tale of love, loss, and tenacity over a century in the making.

    Traherne is temporarily crippled saving the life of his well-born friend, Jaspar. Thus, Jaspar is assured of inheriting his father's estate, but it is expected that Traherne will inherit great wealth as gratitude for saving the heir. But--surprise!--on the death of Jaspar's father all are shocked to learn that Traherne has been disinherited: the will has been changed at the last minute and only the suffering Traherne knows why but won't tell and then he falls in love with Jaspar's sister, the fair Octavia. However, Octavia is forbidden to marry, as Traherne is penniless.

    His teenage friend Claire is an ace with numbers, and is always eager to help him with his homework. Max adores her, and loves when she visits him in the old house on Hollow Street. Claire can also weave a ghost story like no one else. But her favorite tale always sends chills down his spine, and hits a little too close to home...

    It uncovers a past ghost and a scam. Takes place four weeks after "The Haunting of Blackwood House".