Until one day a handsome prince, passing by on his horse, is transfixed by the magical sound of Rapunzel singing to her animals friends and knows he must reach her... Can true love transform Rapunzel's life forever?

    Under the threat of a witch's fearsome curse, the poor girl seems doomed to a life in captivity. But is Rapunzel frightened? Oh no, not she!

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    This acclaimed best-seller, first published in 1978, transports readers into a world of pure magic and mystery.

    Readers will find these dressed up chickens comical as they pour over the extravagant setting, including a "WOW"-inducing double gatefold of chicken couples whirling around the ballroom. A feast for the eyes sure to become a perennial favorite.

    Award-winning author Ursula Jones tells the story with elegance and humour, capturing all the magic and excitement of this timeless fairy tale. Illustrated with exquisite style by Sarah Gibb, this is a beautiful book to pore over and cherish.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    Cinder Edna was forced to work for her wicked stepmother and stepsisters, just as her neighbor, Cinderella, was.Edna, on the other hand, had learned a thing or two from doing all that housework, such as how to make tuna casserole sixteen different ways and how to get spots off everything from rugs to ladybugs. And she was strong and spunky and knew some good jokes.Then one day the king announced that he would give a ball ...

    . . and a Dinosaur who happened to be visiting from Norway.One day--for no particular reason--they decided to tidy up their house, make the beds, and prepare pudding of varying temperatures. And then--for no particular reason--they decided to go...someplace else. They were definitely NOT setting a trap for some succulent, unsupervised little girl.Definitely not!This new take on a fairy-tale classic is so funny and so original--it could only come from the brilliant mind of Mo Willems.

    It's perfect for Disney Princess fans ages 2-5.

    or did they? The Princess can't stand the Prince's froggy habits—the way he hops around on the furniture, or sneaks off to the lily pond. The Prince is unhappy, too, and decides that it would be best if he were changed back to a frog. But finding a witch who will do the job is harder than he expects. They all seem to have other spells in mind...

    The spellbound frog is whisked off to the trolls' castle and the ungrateful lass loses her chance to marry a handsome prince until she creates a happy ending, having atoned for her mistake".--Publishers Weekly. Full color.

    A tiny creature comes to save her under the condition that she has three chances to guess his name right.West Indian

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.