Try, "I was overcome by the urge to alphabetize my pets," or perhaps a simple "Had ninja trouble." Steve has used both these excuses, and here they are hilariously illustrated. He also has claimed to have become temporarily feral, accidentally sold himself on eBay, and gotten stuck in a romantic montage. An illustration of Steve with Darth Vader accompanies the inarguable excuse "I was seduced by the Dark Side." He also gets lost in his duvet, and discovers he has a rather unusual superpower.

    Featuring a generous dose of the uncompromising satire that won the cartoonist a Pulitzer Prize, this collection of daily and Sunday comic strips represents a retrospective look at the politics and events of the late 1980s.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    Sue, 52, works in a library. Daniel, 15, is still at school. This was the summer holidays Daniel was due to spend with his father and his father's pregnant new wife in Florida. When they cancel his trip, Sue and Daniel face six long weeks together. Joff Winterhart perfectly captures the ennui, the tension, the pathos and yes, the affection of this mother-son relationship. Already well-known for his animated films like Violet and Turquoise, he here shows himself to be a comics author of extraordinary talent.

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.

    In July of 1991, he launched Cartoon Books in Columbus, Ohio, to publish his black-and-white comic strip Bone. A tale of three marshmallowy creatures named Bone, adrift in a world of humans, monsters and fantasy creatures, Bone has since been translated into 15 languages and won Smith countless awards. Bone and Beyond is the first volume to offer an overview of Smith's work. Published in conjunction with the Wexner Center and Cartoon Research Library's 2008 exhibition, this catalogue presents work featured in the show, including examples of Smith's original drawings for Bone, plus the more recent Shazam and Rasl, a forthcoming time travel story. Also featured are selected works by cartoonists who have influenced Smith, such as George Herriman, Charles Schulz and Walt Kelly, and essays by comic book and fantasy author Neil Gaiman, comic book artist and scholar Scott McCloud and Wexner Center film/video curator David Filipi, the exhibition's co-curator. Cartoon Research Library curator Lucy Shelton Caswell, the exhibition's other co-curator, provides an introduction.

    Fear and misery plague the town on the edge of Horse-Eater's Wood. After the death of a friend and ally reveals the return of Labrazio, the Goon's sworn enemy thought long gone, the Goon realizes that something darker is going on in the town than anyone suspected. A decades-old curse has befallen them, drawing darkness and gloom to the town and everyone who lives there, and an ominous warning reveals that the Goon is the only one who can break the curse!The Goon Library Volume 3 collects volumes 7, 8, and 9 of The Goon trades in deluxe, oversize hardcover format.

    Don’t miss a moment in the brutal adventures of Marcus Fenix and Delta Squad’s battle against the Locust.From the Hardcover edition.

    Some of your favorite inspirational authors have come together in this collection of all-new novellas.From light-hearted romance to laugh-out-loud love, this set will put a smile on your face and keep you reading long into the night.Jane by the Book by award-winning author Pepper BashamShe lives by the plans. He talks to imaginary characters. Can they team up to solve a family mystery?Crossed Out by USA Today bestselling author Christina CoryellRuth Erickson always spends her morning break doing the crossword puzzle. Tate Darrow just messed it up. What’s that old saying about love and war?If She Dares by Mikal DawnHe’s a board game champion, but can he win her heart?Definitely by award-winning author Heather GrayDating isn’t on her to-do list. Dating a pastor? Definitely not.Under the Honey Moon by Jessica R. PatchA honeymoon cottage reunites a pair of childhood friends. Can it offer them a future filled with happily-ever-after?A (wildly) Wonderful Wedding by Krista PhillipsThey may be the worst maid of honor and best man in the history of weddings…Save the Last Word by award-winning author Betsy St. AmantWhen conventional meets creative, who will get the last word?The Long Game by award-winning author Laurie TomlinsonWhoever said all is fair in love and war never dealt with small-town football…

    Its editor, Vin Sullivan, also drew the debut issue's cover. It features the character "Fui Onyui" who served as the "yellow peril" villain (battled by Slam Bradley and his humourous sidekick Shorty Morgan).No Batman until issue #27.

    Spanning from 1839 right through to 1894 the incorrigible Flashman fears all evil and when it comes to voluptuous queens and princesses he has be known to waver from his mission. Filled to the gunnels with escapades of unwavering excitement THE COMPLETE FLASHMAN PAPERS will quench even the most ravenous appetite for Flashman.

    Her novels and short stories speak to women and men about their most intense relationships and heartfelt feelings.In this collection of five short stories and a novella, Ms. Godwin is at her best. In the title novella, "Mr. Bedford," a young would-be writer spends time in England under the strange and watchful eye of a rather unusual elderly couple; in "Amanuensis," a charming college student cares for a famous but blocked novelist, with unpredictable results; and in "The Angry Year," a rebellious student is drawn to two different kinds of men until she discovers what she has been running to and from.

    Collecting issues 1-6 of The Tick in one volume, with a few supplemental materials.