The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    Now Judith Viorst, in a witty and beautifuUy illustrated book of poems, looks at what it's like to be (gulp) fifty. Judith Viorst's poetry collections, which include When Did I Stop Being Twenty..., It's Hard to Be Hip Over Thirty..., and How Did I Get to Be Forty..., have articulated our growing pains from single life to midlife, and have continued to delight millions of readers worldwide. Writing with the warmth and authenticity that have become her trademarks, Viorst once again demonstrates her uncanny ability to transform our daily realities into poems that make us laugh with recognition. Whether her subject is the decline of the body ("It's hard to be devil-may-care/When there are pleats in your derrière") or future aspirations ("Before I go, I'd like to have high cheekbones./I'd like to talk less like New Jersey, and more like Claire Bloom"), she always speaks directly to our condition. Her funny, compassionate poems shed a reassuring light on the fine art of aging, and will delight anyone who is now (or forever) fifty.

    Her business has been steadily dwindling. Her relationship prospects, too. But, her sister, Anna, has an idea that just might change Mary’s luck. Unfortunately, their own sisterhood might be working against them. Worst of all, it’s all coming to a head during the holidays, making Mary feel lonelier than ever.Meanwhile, Kurt Cutler is living the high life in the tech world. Fresh on the heels of wild success in the uncharted world of cryptocurrency, he looks for a way to ensure his young company doesn’t lose its grip. When his right-hand woman suggests a get-away at her sister’s snowy mountain retreat, he jumps on the opportunity to unplug and unwind.If Mary’s sister, Anna, can back off, Mary has every chance of enjoying the magic of the holidays. But when Mary and Kurt have to choose between love and their own priorities, what will win?Find out if a wintry weekend can become more for people from two opposite worlds in Elizabeth Bromke’s cozy romance, Christmas on Maplewood Mountain.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Readers also get the insider's take on:The smell of home-baked cookies on Main Street in the Magic KingdomThe Fountain of World Friendship in Epcot that contains water from rivers and oceans around the globeWalt Disney's opening day speech tapped out in Morse Code in FrontierlandThe eco-friendly benches (recycled milk jugs) in the Animal KingdomTwo versions of The Great Movie Ride at Disney's Hollywood StudiosComplete with secret tips from Disney's Imagineers, this book is the perfect in-park companion for Disney World fans.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    He sets his eyes upon the people, the beautiful places and the spectacular wildlife. He captures the adventure and joy filled in the way of life in the hills vividly. This collection of fiction and non-fiction works is a must-read for ardent Ruskin Bond fans.

    . . a powerful interpreter of the American experience.” —The Philadelphia InquirerArguably the most important writer to emerge from the Harlem Renaissance of the 1920s and ‘30s, Langston Hughes was a great poet and a shrewd and lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom.Vintage Hughes includes the poems “The Negro Speaks of Rivers,” “I, Too,” “The Weary Blues,” “America,” “Let America Be America Again,” “Dream Variations,” “Young Sailor,” “Afro-American Fragment,” “Scottsboro,” “The Negro Mother,” “Good Morning Revolution,” “I Dream a World,” “The Heart of Harlem,” “Freedom Train,” “Song for Billie Holliday,” “Nightmare Boogie,” “Africa,” “Black Panther,” “Birmingham Sunday,” and “UnAmerican Investigators”; and three stories from the collection The Ways of White Folks: “Cora Unashamed,” “Home,” and “The Blues I’m Playing.”

    Defying the conventions of the time, they were truly innovative. Featuring meditations on everyday life, love, nature, and society, the genius of her creativity is hard to ignore.Short, yet keenly observed, her poems pack a powerful punch. This carefully chosen selection covers a range of her most loved verses and brings you face to face with the private world of one of America's greatest poets.

    Gloria's mom is... different. She's younger than when she died, dressed in clothes from the 1980s. And nobody else in Gloria's family seems to recognize her.As Gloria tries to figure out the reason for her mother's reappearance ― and the odd behaviors the woman begins to exhibit ― other bizarre events occur. The changes to Gloria's world are small and subtle, at first... then they become much more startling.The freaky situation might just be connected to a mysterious shed in a small California town. The strangers who gather around the shed seem to know Gloria's name... and maybe they aren't strangers after all.With Gloria, Bentley Little presents one of his most complex and compelling novels ― one that is certain to surprise readers on every page.

    

    Although she repeatedly refused to marry Yeats, Maud would become the object of his passion and his poetry. The emotional power in many of Yeats' early poems is shaped by the one-sidedness of his affair with Maud, but the poems themselves remain hopeful and bitter-sweet, pure in their language and attitudes about love.The forty-one poems collected in A Poet to his Beloved represent some of Yeats's most evocative and passionate early love poems. These versed are simple, lyrical, and often dreamy, and they speak knowingly of innocence and beauty, passion and desire, devotion and the fear of rejection.

    We know much of poetry ever was and ever shall be elegiac. Jane Mead’s poem could be neither more literal nor nearer the verge of appearing a little too perfect for this world. As the laundry room floods and the grape harvest gets done; as Michoacan waits for another time, her beautiful, practical mother is dying. Ashes are scattered in the pecan groves of her own Rincon, her own corner of the world, and the poet, in elementary script, draws a sustaining record of the only feeling worth the struggle, and she cannot, will not, does not fuck it up." — C.D. WrightJane Mead's fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We're drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.…This year I have disappearedfrom the harvest routine—the pickers throwing their traysunder the vines, grape hooksflying, the heavy bunches flying—pickers running to the running tractorswith trays held high above their headsand the arc of dark fruit falling heavily into the half-ton bins.The hornets swarming in the diesel-filled air.Jane Mead is the author of four collections of poetry, most recently Money Money Money | Water Water Water (2014). Her poems appear regularly in journals and anthologies, and she's the recipient of a Guggenheim Foundation Fellowship, a Whiting Writers Award, and a Lannan Foundation Completion Grant. She teaches at the low-residency MFA program at Drew University and farms in Northern California.

    BRAND NEW, Exactly same ISBN as listed, Please double check ISBN carefully before ordering.