This series of photography books by designer Oldham highlights remarkable people, places, and spaces and feature essays by noted critics and cultural figures.

    Revolutionary in their day, Group f.64 was one of the first modern art movements equally defined by women. From the San Francisco Bay Area, its influence extended internationally, contributing significantly to the recognition of photography as a fine art.The group-first identified as such in a 1932 exhibition-was comprised of strongly individualist artists, brought together by a common philosophy, and held together in a tangle of dynamic relationships. They shared a conviction that photography must emphasize its unique capabilities-those that distinguished it from other arts-in order to establish the medium's identity. Their name, f.64, they took from a very small lens aperture used with their large format cameras, a pinprick that allowed them to capture the greatest possible depth of field in their lustrous, sharply detailed prints. In today's digital world, these “straight” photography champions are increasingly revered.Mary Alinder is uniquely positioned to write this first group biography. A former assistant to Ansel Adams, she knew most of the artists featured. Just as importantly, she understands the art. Featuring fifty photographs by and of its members, Group f.64 details a transformative period in art with narrative flair.

    Their initial contact grew into a friendship that O'Brien chronicled for the Miami News, where he began his career as a staff photographer. O'Brien's photo essays conveyed empathy for the homeless and the disenfranchised and won two Robert F. Kennedy Journalism Awards. In 2006, O'Brien reconnected with the issue of homelessness and learned the problem has grown exponentially since the 1970s, with as many as 3.5 million adults and children in America experiencing homelessness at some point in any given year.In Hard Ground, O'Brien joins with renowned singer-songwriter Tom Waits, described by the New York Times as "the poet of outcasts," to create a portrait of homelessness that impels us to look into the eyes of people who live "on the hard ground" and recognize our common humanity. For Waits, who has spent decades writing about outsiders, this subject is familiar territory. Combining their formidable talents in photography and poetry, O'Brien and Waits have crafted a work in the spirit of Let Us Now Praise Famous Men, in which James Agee's text and Walker Evans's photographs were "coequal, mutually independent, and fully collaborative" elements. Letting words and images communicate on their own terms, rather than merely illustrate each other, Hard Ground transcends documentary and presents independent, yet powerfully complementary views of the trials of homelessness and the resilience of people who survive on the streets.

    Riley offers a new, deeper understanding of the Beatles by closely considering each song and album they recorded in an exploration as rigorous as it is soulful. He tirelessly sifts through the Beatles discography, making clear that the legendary four were more than mere teen idols: They were brilliant innovators who mastered an extremely detailed art. Since the first publication of Tell Me Why in 1988, much new primary source material has appeared -- Paul McCartney's authorized biography, the Anthology CDs and videos, the complete Parlophone-sequenced albums on CD, the Live at the BBCsessions, and the global smash 1. Riley incorporates all the new material in an update that makes this a crucial book for Beatles fans.

    From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll.  With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped—and saved—popular music. As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.Editorial ReviewsReview“A fascinating thesis reflecting the time when everyone seemed to give rock and roll the status of, if not a religion, then certainly that of a spiritual belief system. Peter Bebergal’s Season of the Witch brought it all back. It's an absorbing read deserving an important place in rock literature.”—Michael Moorcock"Rather than turning in either a fanboyish rhapsody or a scholarly dissertation, he treads the line between those approaches. The result is passionate, informed, gripping and at times wonderfully lyrical."—NPR“This sharply written narrative illuminates the centrality of the occult imagination at the heart of rock and roll.”—Library Journal (starred review) “A thoroughly researched, absorbing, entertaining ride for anyone who’s ever played the Beatles’ ‘White Album’ backwards.”—Andrea Shea, WBUR/ NPR“Kudos to Bebergal for taming the wily spirits of rock long enough to capture their essence in this fascinating book. Perhaps more impressive is the book’s comprehensiveness—from Delta blues to beatnik bluster to acid evangelists to metal overlords, Season of the Witch puts the hellfire in highbrow.”—The Contrarian“Skillfully woven...will delight any music fan and music historian in equal measure.”—Spirituality Today (5/5 stars)“Peter Bebergal has written of his own searching, reconciling spiritual aspirations and personal background, in The Faith Between Us and Too Much To Dream. Both are on my bookshelves. Here, in Season Of The Witch, Peter presents an overview of one “alternative influence” at work on some of those intending to change the world. The world they hoped to change was a dangerous mess. Now, half a century later…”—Robert Fripp “This book is a glorious headlong rush into the dark, full of the electricity of the arcane. I loved it.”—Warren Ellis, author of Gun Machine and Transmetropolitan “From grimoires to topographic oceans, from heavy metal to hip-hop, Peter Bebergal tracks the Mysteries through half a century of popular music (and some underground noise as well). At once an overview of rock's mystic rebellions and a handy primer on modern esoterica, Season of the Witch suggests that we may need to round out the trinity of sex, drugs, and rock' n' roll with an additional deity: the occult, another primal portal to a re-enchanted world.”—Erik Davis, author of Led Zeppelin IV and Nomad Codes: Adventures in Modern Esoterica “Told with clear-eyed scholarship and delectable anecdotes, Peter Bebergal's mind-expanding occult history opened my third eye to Rock & Roll's awesome power over human behavior. Rock & Roll will never sound the same to me again, and I'm glad about it.”—Mark Frauenfelder, founder of Boing Boing"Bebergal displays an intelligent understanding of the interaction between religion and culture when he argues that the "occult imagination is the vital force of rock-and-roll culture." "—Publishers Weekly

    Central to the story is a group of sun-kissed teens from the University High School class of 1959 — a class that included Jan & Dean, Nancy Sinatra, and future members of the Beach Boys — who came of age in Los Angeles at the dawn of a new golden era when anything seemed possible. These were the people who created the idea of modern California for the rest of the world. From the Beach Boys’ “California Girls” to the Mamas & the Papas’ “California Dreamin’,” they crafted an image of the West Coast as the promised land — a sun-dappled vision of an idyllic life in the sand and surf.But their own private struggles belied the paradise portrayed in their music. What began as a light-hearted frolic under sunny skies ended up crashing down to earth just a few short but action-packed years later, as, one by one, each met their destinies head-on. Compelling, evocative, and ultimately tragic, Hollywood Eden travels far beyond the music into the desires of the human heart and the price of living out a dream. A rock ’n’ roll opera loaded with violence, deceit, intrigue, low comedy, and high drama, it tells the story of a group of young artists and musicians who bumped heads, crashed cars, and ultimately flew too close to the sun.

    Across four decades, a single mysterious figure stood behind them all: Peter Gatien, the leading impresario of global nightlife. His clubs didn’t follow the trends—they created movements. They nurtured vanguard music acts that brought rock, house, grunge, hip-hop, industrial, and techno to the beautiful ones who showed up night after night to tear the roof off every party. But as Peter and his innovative team ramped up the hedonistic highs, Rudolph Giuliani was leading a major shift in the city. Under the guise of improving New York City’s “quality of life,” the club scene was targeted—and Peter Gatien’s empire became a major focus of the administration.In this frank and gritty memoir, Peter Gatien charts the seismic changes in his personal and professional life and the targeted destruction of his nightclub empire. From Peter’s childhood in a Canadian mill town to the freedom of the 1970s, through the excesses of the 1980s and the ensuing crackdown in the 1990s, The Club King chronicles the birth and death of a cultural movement—and the life of the man who was in control of every beat.

    So much for the Summer of Love. "Ode to Billie Joe" knocked the Beatles' "All You Need is Love" off the top of the charts, and Bobbie Gentry became an international star. Almost 50 years later, Gentry is as enigmatic and captivating as her signature song. Of course, fans still want to know why Billie Joe McAllister jumped off the Tallahatchie Bridge. They also wonder: Why did Bobbie Gentry, who has not performed or made a public appearance since the early 1980s, leave it all behind?Through extensive interviews and unprecedented access to career memorabilia, Murtha explores the real-life mysteries ensnarled within the much-disputed origin of Ode to Billie Joe. The result is an investigative pop history that reveals, for the first time, the full breadth of Bobbie Gentry's groundbreaking career-and just may help explain her long silence.Foreword by musician Jill Sobule.

    Forty years after their intense but doomed college romance, Lawrence and Hermia meet again on a Mediterranean cruise. They fall in love even more deeply, but being in their sixties, with plenty of baggage, they wonder if marriage is the right move. When Lawrence visits Hermia�s home on Cape Cod, she has one request: �Please stay.� What happens when he does fills the rest of this wise and unforgettable novel.With enormous sympathy and keen insight, Nicholas Delbanco follows Hermia and Lawrence through their years together and apart, in Los Angeles and New York, Michigan and Massachusetts, in frailness and in health. Old scores are settled; old wounds healed. A stunning, wise book about first and final love, The Years addresses the irrevocable end of life�and what ultimately endures.

    This great collection features all 194 songs written and sung by The Beatles, specially transcribed here for strumming guitarists, from the actual recordings, in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics. Also features a helpful playing guide and a full discography.

    From Detroit to Hollywood, here is the story of the music great who changed American popular culture with artists such as Smokey Robinson, Diana Ross, the Jacksons, Stevie Wonder, and more. 32 pages of photos.

    Finally, photography and offset printing techniques have caught up with Sternfeld's eye, and this new edition of American Prospects succeeds in presenting Sternfeld's most seminal work as it has always meant to be shown. A specially-commissioned essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context in which Sternfeld was working and the pivotal role that American Prospects has played in the course of contemporary filmmaking and art photography. In American Prospects, a fireman shops for a pumpkin while a house burns in the background; a group of motorcyclists stop at the side of the road to take in a stunning, placid view of Bear Lake, Utah; the high-tech world headquarters of the Manville Corporation sits in picturesque Colorado, obscured by a defiant boulder; a lone basketball net stands in the desert near Lake Powell in Arizona; and a cookie-cutter suburban housing settlement rests squarely amongst rolling hills in Pendleton, Oregon. Sternfeld's photographic tour of America is a search for the truth of a country not just as it exists in a particular era but as it is in its ever-evolving essence. It is a sad poem, but also a funny and generous one, recognizing endurance, poignant beauty, and determination within its sometimes tense, often ironic juxtapositions of man and nature, technology and ruin.

    He has kept in touch with Yoko since that time, and is one of the small group of writers who understands her profoundly positive influence on Lennon. This deeply personal book recounts the course of those friendships over the decades and provides an intimate look at two of the most astonishing cultural figures of our time. And what Jonathan Cott has to say and tell will be found nowhere else.

    However, R.E.M. – being R.E.M. – were disinclined to reveal this at the time the book was first published in 1989 and Tony was thus obliged to keep this under his hat. All such restrictions have since been lifted for newer editions, of which there have been several, and this latest incarnation of the book – now retitled Perfect Circle – brings the story to its natural conclusion with R.E.M.’s decision to disband in September, 2011. Discussing fame, fortune and sexuality with the same keen eye he casts on the group's astonishing musical catalogue, Perfect Circle is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time. Drawing on dozens of interviews with friends, associates and the band members themselves, this is not just the story of one group's rise through cult status, but the story of American alternative rock.

    There's been much coverage of punk, postpunk and the acid-house rave era of the early 90s, but the scene surrounding independent guitar-based music of the mid-80s has been largely overlooked. "A Scene In Between" looks at Britain's fashions, personalities and youth cultures from that era. Bands featured include Television Personalities, My Bloody Valentine, The Jesus and Mary Chain, The Smiths, The Pastels, The Vaselines and more obscure bands such as The Shop Assistants, The Flatmates and countless others. Author Sam Knee has reconnected with a vast network of people and resources to unearth literally hundreds of previously unpublished photographs of the bands, fans, clubs and street fashion of the time. Taking a sartorial angle, he looks at anoraks, oversized jumpers, leather trousers, bowl-cut hairdos, blouse shirts, stripey tees and box jackets. Dave Conway of My Bloody Valentine and Douglas Hart of The Jesus and Mary Chain contribute reminiscences.