A new school. A lonely birthday. Life isn’t easy for nine-year-old Gregory. Then he finds an abandoned chalk factory behind his house. It’s a secret place, just for him! Now he can draw anything he imagines on the dark brick walls. What amazing thing will Gregory draw first?

    Suitable for ages 8 and up.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Moving from witty banter to gravely serious discussions - amid a traditional public celebration of the Christmas holiday - the two cemented a unique bond as they decided how to confront a menace that threatened all of civilization. Now, on the seventieth anniversary of this event, thanks to the skillful work of author Douglas Wood and illustrator Barry Moser, the story of this remarkable time can be shared with a whole new generation.

    For Ages 5+This Enid Blyton book contains the stories:The Brave Little PuppyThe Clockwork DuckThe Goblin AeroplaneThe Little Pink PigThe Runaway ToysA Puppy in WonderlandSnifty's Lamp PostA Cat in FairylandThe Very Little HenThe Enchanted SeaThe Goldfish That GrewThe Goblin in the Train

    Petruchio calms the stormy temper of his beautiful wife. A group of noblemen find wisdom and love on the island of Prospero, the magician. The noble Brutus agrees to stop the greed and ambition of Julius Caesar - by murder. Too late, a proud king recognises which of his daughters truly loves him. When his wife persuades Macbeth to kill Duncan and become king, guilt and violence pursue them.The stories have been abridged and simplified by E. F. Dodd

       Journey to the Louisiana wetlands and watch as all the animals of the bayou experience one of nature’s most dramatic and awe-inspiring events: a hurricane. The animals prepare—swimming for safer seas, finding cover in dens, and nestling their young close to protect them. During the height of the storm, even the trees react, cracking and moaning in the wind. At last, the hurricane yawns and rests, and animals come out to explore their world anew.

    There were homemade valentines and Easter eggs, Fourth of July picnics and family birthdays. Thanksgiving brought visits from relatives—so many, the children had to sleep in the barn! And finally, there was Christmas, the best of all “times to keep,” with handmade presents, an Advent calendar, and a “beautiful tree in a shine of candles.” Month by month, Tasha Tudor’s delicate illustrations bring to life the holidays of an earlier time. A warm-hearted celebration of family and tradition, this treasury of “times to keep” will be cherished and enjoyed all year long.

    Young fans who've been growling for more from this remarkable pair will devour these seventeen new poems. And whether they prefer gargoyles, griffins, or gremlins, this one-of-a-kind collection of poetry and ingeniously eerie paintings provides something for everyone to chant out loud, memorize--and shiver over!

    The Witch of Blackbird Pond with related readings.

    And Gyo Fujikawa’s appealing illustrations depict children of all races sweetly interacting, as well as an engagingly rendered menagerie of animals and the natural world in all its wonderment. Among the verses that children will love are Henry Wadsworth Longfellow’s “Christmas Bells,” Lewis Carroll’s “The Melancholy Pig,” and Eugene Fields’ “Wynken, Blynken, and Nod,” along with proverbs, limericks, nursery rhymes, and folk songs.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    He spent his days walking the shores of Walden Pond, growing beans, observing plants and animals, and recording his reflections in his notebook. These reflections eventually became his seminal work Walden. In this lovely picture book, Robert Burleigh and Wendell Minor imagine a special day spent with the celebrated writer and naturalist through the eyes of a child. Together Thoreau and the young boy watch small but significant wonders such as swimming fish, fighting ants, and clouds in the sky. It is a day full of splendor and appreciation of the outdoor world.

    Danny, new to town, is proud when a glittery-eyed tiger invites him for a ride. He climbs up onto the tiger’s massive back, and together they cruise the neighborhood. Everyone gives them respect—shopkeepers and passersby, even other kids. Danny feels powerful and much older than ten. Soon, though, he realizes it isn’t respect people feel for him and the tiger—it’s fear. And when he decides to get down off the tiger’s back, he discovers it’s a lot harder than climbing on.Whether the tiger is interpreted to represent gangs, drugs, or something else altogether, this poetically told, dramatically illustrated book is sure to provoke discussions about temp-tation, peer pressure, and conformity.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.