Opening with the big picture of the religious and dynastic events that defined England in the age of the Tudors, Kermode takes the reader on a tour of Shakespeare’s England, vividly portraying London’s society, its early capitalism, its court, its bursting population, and its epidemics, as well as its arts—including, of course, its theater. Then Kermode focuses on Shakespeare himself and his career, all in the context of the time in which he lived. Kermode reads each play against the backdrop of its probable year of composition, providing new historical insights into Shakspeare’s characters, themes, and sources. The result is an important, lasting, and concise companion guide to the works of Shakespeare by one of our most eminent literary scholars.From the Hardcover edition.

    . . Superb."--Los Angeles TimesThe World of Christopher Marlowe is the story of the troubled genius, raised in the stench and poverty of Canterbury's abbatoirs, who revolutionized English drama and poetry, challenging and scandalizing English society before he was murdered in his prime. David Riggs, a prizewinning Elizabethan scholar, evokes the atmosphere and texture of Marlowe's life from his birth to his ties to the London underworld and his triumphs onstage. It was a time when nothing was sacred, and no one was secure. Espousing sexual freedom and atheism, Marlowe proved too great a threat to the religious and political leaders of the time, who were struggling to maintain their tenuous grip on power. In the wake of his untimely death, Marlowe would leave behind a shadowed legacy of undeniable genius. This magisterial work of reconstruction illuminates his enigmatic, contradictory, and glorious life with immense richness."The book engrossingly narrates the circumstantial details of Marlowe's life against a richly detailed backdrop. Riggs writes with scholarly yet conversational elegance . . . Enjoyably provides fresh insights into the life and work of this important poet and playwright." --San Francisco Chronicle"A worthy book . . . if you want an exhaustive account of the life and times, Riggs is your man."--The New York Times Book Review

    It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years.

    Dewey is the central figure in this pantheon of pragmatists, but he treats as well such varied mid-century representatives of the tradition as Sidney Hook, C. Wright Mills, DuBois, Niebuhr & Trilling. West’s genealogy is a personal work, for it's imbued throughout with the author’s conviction that a thoro reexamination of American pragmatism may help inspire & instruct contemporary efforts to remake & reform American society & culture. "West...may well be the pre-eminent African American intellectual of our generation."—The Nation "The American Evasion of Philosophy is a highly intelligent & provocative book. Cornel West gives us illuminating readings of the political thought of Emerson & James; provides a penetrating critical assessment of Dewey, his central figure; & offers a brilliant interpretation—appreciative yet far from uncritical—of the contemporary philosopher & neo-pragmatist Richard Rorty...What shines thru, throughout the work, is West's firm commitment to a radical vision of a philosophic discourse as inextricably linked to cultural criticism & political engagement."—Paul S. Boyer, professor emeritus of history, University of Wisconsin–MadisonAcknowledgmentsIntroduction1 The Emersonian prehistory of American pragmatism. Emerson on power & tradition; Emerson on provocation & the market; Emerson on personality & race; Emerson as organic intellectual2 The historic emergence of American pragmatism. Peirce on scientific method, community & Christian love; James on individuality, reconciliation & heroic energies3 The coming-of-age of American pragmatism: John Dewey. Dewey on historical consciousness, critical intelligence & creative democracy4 The dilemma of the mid-century pragmatic intellectual. Sidney Hook: the Deweyan political intellectual; C. Wright Mills: the neo-Deweyan radical social critic; W.E.B. Du Bois: the Jamesian organic intellectual; Reinhold Niebuhr: the Jamesian cultural critic; Lionel Trilling: the pragmatist as Arnoldian literary critic; The decline & resurgence of American pragmatism: Quine & Richard Rorty5 Prophetic pragmatism: cultural criticism & political engagement. Roberto Unger & 3rd-Wave Left romanticism; The challenge of Michel Foucault; Tragedy, tradition & political praxis; Prophetic pragmatism & postmodernityNotesIndex

    This ironic perspective on the human condition is valuable but it cannot advance liberalism's social and political goals. In fact, Rorty believes that it is literature and not philosophy that can do this, by promoting a genuine sense of human solidarity. Specifically, it is novelists such as Orwell and Nabokov who succeed in awakening us to the cruelty of particular social practices and individual attitudes. Thus, a truly liberal culture would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. Rorty uses a wide range of references--from philosophy to social theory to literary criticism--to elucidate his beliefs.

    In this unparalleled book, Marshall Berman takes account of the social changes that swept millions of people into the capitalist world and the impact of modernism on art, literature and architecture. This new edition contains an updated preface addressing the critical role the onset of modernism played in popular democratic upheavals in the late 1920s.

    Today, many are questioning this elevation of reason over faith. How should Christians respond to a secular world that continues to push faith to the margins? While there is still no consensus concerning what a postmodern society should look like, James K. A. Smith suggests that the answer is a reaffirmation of the belief that Jesus is Lord over all. Smith traces the trends and directions of Radical Orthodoxy, proposing that it can provide an old-but-new theology for a new generation of Christians. This book will challenge and encourage pastors and thoughtful laypeople interested in learning more about currents in contemporary theology.

    Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields - for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics.

    Never have two great writers set down their ideas so candidly and over so long a period of time on the most varied topics, including the genesis of their own writings. The elements of this correspondence been available for over a century, but never in a form accessible the general reader. For this edition, Alphonse Jacob has re-created the atmosphere in which the letters were written and has revived this masterpiece by two of France's greatest novelists: their intimate correspondence.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Extensive editiorial apparatus.

    However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.

    350 full-color photos, paintings & illustrations.

    Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

    Using the innovative concept of slow violence to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.