She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.The Line-up:“Queen Victoria’s Book of Spells” by Delia Sherman“The Fairy Enterprise” by Jeffrey Ford“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine“The Memory Book” by Maureen McHugh“La Reine D’Enfer” by Kathe Koja“Briar Rose” by Elizabeth Wein“The Governess” by Elizabeth Bear“Smithfield” by James P. Blaylock“The Unwanted Women of Surrey” by Kaaron Warren“Charged” by Leanna Renee Hieber“Mr. Splitfoot” by Dale Bailey“Phosphorus” by Veronica Schanoes“We Without Us Were Shadows” by Catherynne M. Valente“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer“The Jewel in the Toad Queen’s Crown” by Jane Yolen“A Few Twigs He Left Behind” by Gregory Maguire“Their Monstrous Minds” by Tanith Lee“Estella Saves the Village” by Theodora Goss

    Kevin Brockmeier's fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive--or, as it happens, not to be.

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies."" In this collection, they come together to expand the reach of Clarke's land of enchantment--and anticipate her next novel (Fall 2008).

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different ...From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.

    The cave is actually an ancient, buried ship that many quickly come to believe is really Noah’s Ark. When a team of scholars, archaeologists, and filmmakers make it inside the ark for the first time, they discover an elaborate coffin in its recesses. The artifact tempts their professional curiosity; so they break it open. Inside, they find an ugly, misshapen cadaver—not the holy man that they expected, a hideous creature with horns. A massive blizzard blows in, trapping them in that cave thousands of meters up the side of a remote mountain…but they are not alone.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left—a woman stoned to death in the town center and an abandoned newborn—have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.But there will be no turning back.Not long after they’ve set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice:They are not alone.They’re looking for the truth…But what if it finds them first?

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.