Asked by author Alexandra del Torre to provide as much detail as possible, they held nothing back in their retelling of these intensely intimate encounters. In “Lesbian Firsts,” you will hear from real lesbians and read about their real first times, including:HEATHER, a 24-year-old high school English teacher who discovered her lesbianism with a volleyball teammate at the age of 19.MEGHAN, a 32-year-old attorney who lost her lesbian virginity to her first-year dormmate in college.KRISTEN, a 26-year-old accountant who discovered her preference for women at 18 during a sleepover with her more advanced 22-year-old friend, Michelle.MARIA, a 36-year-old basketball coach who found sapphic love in a locker room shower with a teammate.KORI, a 28-year-old makeup artist who, at 18, was stimulated in a movie theatre by her cousin’s suave, butch neighbor.DEBBIE, a 41-year-old psychologist whose first lesbian experience came at age 30, following her divorce from her husband of two years. Trapped overnight during a rainstorm at her book club friend’s house, Debbie discovers pleasures she never knew with a man.JENNIFER, a 34-year-old police officer who lost her lesbian virginity on the same night she gained the legal right to drink – her 21st birthday. A mysterious stranger in a lesbian bar introduces Jennifer to strap-on sex in the bathroom, much to her delight.DIANE, a 25-year-old assistant book editor who engaged in her first lesbian sexual encounter with her current boss when she was a 20-year-old intern at a publishing company.TAYLOR, a 37-year-old personal chef who, as a student at a women’s Catholic college, shared an intimate encounter with a classmate in her car during half-time of a school basketball game.SARAH, a 22-year-old flight attendant who found lesbian love in the skies with a flirtatious flight attendant who was serving as her mentor when she was a 20-year-old trainee.***

    --Margarett Loke, "ARTnews""His coverage of the Spanish civil war established Capa's reputation as a peerless battlefield photojournalist... But he was also a man who loved making pictures of beautiful women, famous men and grand parties. Often overlooked when discussing the Capa legacy, those too, were his life's work. Both Capas--the raconteur of high society and the fearless witness to war--are evident in "Robert Capa: Photographs." The two sides of Capa's work may seem irreconcilable, but they're not. He was recording one world. His own."--Allison Adato, "Life Magazine"

    Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.

    Where romance met with soft porn there was also a surprisingly large population of butch brunettes pursuing and seducing blond femmes. This was an alternate universe of erotic pulp fiction where gals and dolls were exploring the illicit pleasures of lesbian love -- much to the delight of a largely male, heterosexual readership. Before the sexual revolution of the 1960s, these books offered a thrilling peek into the deviant underworld of wild passion and scandalous sex.

    Molly Malone Cook, who died in 2005, was Oliver's partner for many years, a pioneer gallery owner and photographer. Our World weaves forty-nine of Cook's photographs and selections from her journals with Oliver's extended writings, both reminiscence and reflection, in prose and in poetry. The result is an intimate revelation of their lives and art.Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. There are famous faces here as well, captured by Cook's camera, among them Walker Evans, Robert Motherwell and Henry Geldzahler, the first curator of twentieth-century art at the Metropolitan Museum.Cook and Oliver also lived among writers, and Cook caught several on film, including Lorraine Hansberry and Norman Mailer. Other artists and dozens of wonderful characters and scenes are also immortalized by Cook's unfailing eye for telling detail and composition. Oliver writes of Cook's work, the people they knew, and the places they visited or lived. The poet's beautiful text captures not only the vivifying qualities of her partner's work, but the texture of their shared world. In Mary Oliver's words, Cook taught the beginner poet "to see, with searching attention and compassion."

    It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.

    Over the course of his life, Guston’s wide reading in literature and philosophy deepened his commitment to his art—from his early Abstract Expressionist paintings to his later gritty, intense figurative works. This collection, with many pieces appearing in print for the first time, lets us hear Guston’s voice—as the artist delivers a lecture on Renaissance painting, instructs students in a classroom setting, and discusses such artists and writers as Piero della Francesca, de Chirico, Picasso, Kafka, Beckett, and Gogol.

    Filled with details on techniques to improve perspective, composition, and exposure, and illustrated with the author's lively and evocative images, as well as advice and photos from 11 contemporary masters of street-shooting style, New Street Photographer's Manifesto has its lens pointed squarely toward the future.

    As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many layered as its history – something that Güler’s photographs convey with great sensitivity. In these remarkable black-and-white images, the city’s melancholy aesthetic oscillates between tradition and modernity. Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a picture of his home town and captures its very soul.

    The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a student of the featured photographer. In this book, Mary Ellen Mark (1940-2015)--well known for the emotional power of her pictures, be they of people or animals--offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.

    In 1972, the 13-year-old Woodman made a black-and-white photograph of herself sitting at the far end of a sofa in her home in Boulder, Colorado. Her face is obscured by her hair, light radiates from an unseen source behind her out at the viewer through her right hand. This photograph typifies much of what would characterize Woodman's work to come: a semi-obscured female form merging with or flailing against a somewhat bare and often dilapidated interior. In an oeuvre of around 800 photographs made in just nine years, Woodman performed her own body against the textures of wallpaper, door frame, baths and couches, radically extending the Surrealist photography of Man Ray, Hans Bellmer and Claude Cahun and creating a mood and language all her own. In the 30 years since her untimely death, Woodman has gained a following among successive generations of artists and photographers, a testament to her work's undeniable immediacy and enduring appeal Amid a renewed intensification of interest in Francesca Woodman, this volume is published for a major touring exhibition of her photographs and films at the San Francisco Museum of Modern Art and the Guggenheim. Containing many previously unpublished photographs, it is the definitive Francesca Woodman monograph.Francesca Woodman (1958-1981) was born in Denver, Colorado, to the well-known artists George and Betty Woodman. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York, to attempt to build a career in photography. In 1981, at the age of 22, she committed suicide.

    In her unprivileged community in Venezuela, food and water were scarce. It pained her to see her mother work so hard, often denying herself food or clothing for the sake of her six children, and Patricia was determined to escape this impoverished life. Straight Walk is the story of how this courageous young girl found a way to earn money for her family—and ultimately became a supermodel and Hollywood actress.When Patricia was in her late teens, a friend groomed her to enter the Miss Venezuela pageant, which opened the door to the modeling world. From there, her story weaves its way onto the runways of Milan, Paris, London and New York working for designers like Isaac Mizrahi, Karl Lagerfeld, and Carolina Herrera. By some people’s estimation, she was the first Latina Supermodel, living life in the Glamazon era. Patricia landed on the cover of most every major fashion magazine in the world and posed for the Sports Illustrated’s Swimsuit Edition and Victoria’s Secret.For many years, Patricia used her professional success to compensate for a secret she hid from her family. She convinced herself that her family’s happiness was more important than her own, and she spent years feeling achingly alone. Worse, she didn’t know the price she’d pay for keeping a secret and living a lie, preventing not only herself from walking her journey, but those she loved most. Now she shares her story to empower others to live authentic lives and find their truth.

    A face in a crowd holding a sign that says, “Hi Mom, Guess What!” at an LGBT rights rally. Two lovers kissing under a tree. These indelible images are among the hundreds housed in the New York Public Library’s archive of photographs of LGBT history from photojournalists Kay Tobin Lahusen and Diana Davies.This powerful collection—which captures the energy, humor, and humanity of the groundbreaking protests that surrounded the Stonewall Riots—celebrates the diversity of the LGBT rights movement, both in the subjects of the photos and by presenting Lahusen and Davies’ distinctive work and perspectives in conversation with each other. A preface, captions, and part introductions from curator Jason Baumann provide illuminating historical context. And an introduction from best-selling author Roxane Gay speaks to the continued importance of these iconic photos of resistance.

    Whatever other technical skill is involved, if the formal organization of an image is lacking, there is little to hold the interest of the viewer. But what makes a winning composition? Is it about following the rules-or about breaking them?Basics Photography: Composition is divided into six core chapters that cover everything the beginner needs to know to improve their composition, including the basics of composition, exploring the formal elements, how to organize space and time, learning the real world 'rules' and, beyond that, how to use the ideas presented in the book to create original, compelling images. The book is illustrated throughout with photography to inform the mind and inspire the eyes.Includes work by:Henri Cartier-Bresson, Dorothea Lange, James Nachtwey, Martin Parr, Marc Riboud, David Hockney, Duane Michals, Harry Callahan and John Darwell, and many more.Includes the following subjects:The basic rules of composition, including viewpoint, perspective and scale; the formal elements, such as point, line, shape, form, texture, pattern, tone and color; how to organize space using frames, balance and space; capturing the passing of time and specific moments, the decisive moment and sequences; applications of composition, featuring landscape, still life, portraiture, documentary, the figure, action and sports, fine art and advertising; finally, finding your own view and the specific considerations of digital imaging.

    With globalization, these societies are to be prized for their distinctive lifestyles, art and traditions. They live in close harmony with nature, now a rarity in our modern era. Jimmy Nelson not only presents us with stunning images of customs and artifacts, but also offers insightful portraits of people who are the guardians of a culture that they--and we--hope will be passed on to future generations in all its glory. Nelson's large-plate field camera captures every intricate detail and fine nuance for posterity. What's more, this splendid pageantry is set against a vivid backdrop of some of the world's most pristine landscapes. English/German/French edition.