Contains concept art and models of the game's characters, locations, and weapons, as well as artists' comments on the work and the game.Note:The Rapture Edition Art book is a reduced version of the Special Edition Art book made to be a value against the Special Edition. It is reduced to 96 pages, and scaled down to the dimensions of the game case itself.The Special Edition Art book is the main version of BioShock 2's art book. It is 168 pages and is composed of 10 chapters.♢Chapter 1 - Citizens of Rapture♢Chapter 2 - Big Daddies♢Chapter 3 - Big Sisters♢Chapter 4 - Little Sisters♢Chapter 5 - Environments♢Chapter 6 - Weapons♢Chapter 7 - User Interface♢Chapter 8 - Advertisements♢Chapter 9 - Storyboards♢Chapter 10 - Credits

    Needing nothing less than a miracle to save her, Kara gets rescue from an unknown, unlikely and overwhelming source. Billionaire Simon Hudson makes her an offer that is impossible to refuse, but terrifying to accept from a man that she's never met. Will the handsome, alpha billionaire really be a solution to her problems, or will he end up being a major complication and a danger to her emotional sanity? Reclusive billionaire Simon Hudson would rather be behind a computer creating computer games than rubbing elbows with the elite and he knows exactly what he wants...until he meets Kara Foster. Something about Kara touches Simon in ways he's never experienced and definitely doesn't like. But when she ends up in a situation that could very well be her destruction, Simon steps up to help her, not realizing that in saving Kara, he might very well be salvaging his own soul. Sam & Maddie Billionaire Sam Hudson has pretty much lived his life with no apologies because he tries never to do anything that he’s sorry about…except for what he had done in the past to Dr. Madeline Reynolds. Many years and regrets later, Sam meets up with Maddie again by chance; his brother Simon is marrying Maddie’s best friend and the two of them are forced to be civil. But Sam wants to be more than polite, and he wants another chance to make things right, so he offers Maddie a bold proposition, an offer he knows she’ll have a very hard time declining even though she hates him. Dr. Madeline Reynolds adores her best friend Kara and her fiancé Simon, but being forced into the company of Sam Hudson, because they are both in Simon and Kara’s wedding, is pure torture. She’s hated Sam for years, but when he offers her a bargain, something near and dear to her heart, she’s torn between her dislike for the man and the offer of something she’s always desperately wanted. Once, Sam Hudson nearly destroyed her, but Maddie discovers that sometimes things aren’t always what they appear to be. Is Sam really a devious heart-breaker, or is there something more to him beneath the surface? Max & Mia Billionaire Max Hamilton thought he was finally starting to find contentment, more than two years after losing his wife Mia in a tragic drowning accident.He'd been reunited with a sister he hadn’t realized existed. Finally he had family again, a reprieve from the pain and loneliness that had haunted him since his devastating loss. Yeah…he was as happy as a man could be, considering he had lost the other half of his soul and most of his heart when fate had torn his wife away from him. Or so he believed…until the day he rescued a mysterious woman in the park, a female who somehow had managed to reignite a part of him that he thought was long dead... Suddenly, Max's protective, dominant, possessive male instincts flare to life, leaving him at a loss as to how lightning could possibly strike twice in one lifetime. Is he truly being given another chance at real happiness, or would it be dangled in front of him, only to be taken away once again? Kade & Asha With his professional football career over due to a tragic accident, billionaire Kade Harrison takes on the task of solving a mystery for his brother-in-law and friend, Max Hamilton. Without his former career to fill every minute of the day, Kade's looking for something to challenge him--now that he's lost the career that had meant everything to him.

    Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'International Herald Tribune

    An intimate and revealing look at the personal and professional life of the fashion world's most visionary designer.

    They were two scared kids in love – and reaching for the stars…That’s how it was for Ben and Ginnie in 1951.Ben, the writer who couldn’t seem to make it.Ginnie, the dancer who couldn’t seem to miss.Together the world was theirs for the asking.In the exhilarating world of show biz,from the neon glamour of New York to the starry glitter of Hollywood,it was love and glory – pure, intense, and perfect – all the way.Together they soared on wings of joy and laughter – until it all came flying apart.Could an enchanted love like theirs end, become mere memory, when it deserved minstrels and bold knights on white chargers and pennants flapping gaily from tall towers?

    Technically brilliant, using strict, classical prosody, yet entirely modern in sensibility, Virginia Adair's poetry will play a central role in the ongoing American poetry renaissance.

    Adopting what he called a 'problem-solving' approach, he drew on the ideas of European avant-garde art movements such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language. As an art director, teacher, writer and design consultant to major companies including IBM, Oliveti and Ford, he was a major force and influence in the field of graphics and visual communication and enjoyed a committed following. Rand's career spanned almost seven decades and numerous chapters of design history.Rand's own books are solidly thematic, whereas this definitive collection of his key published and proposed works is medium-driven. It explores the full range of his advertising, publishing and corporate identity work. The distinguished Swiss graphic designer Armin Hofmann, who taught with Rand at Yale University, contributes a foreword; George Lois, one of the most eminent figures in advertising and a follower of Rand, writes an inspiring introduction; and Jessica Helfand, one of Rand's former Yale students and a highly respected design writer, has captured his educational achievements in a lively concluding essay.

    A box set consisting of three Bill Bryson books, 'Notes from a Small Island', 'Notes from a Big Country' and 'A Walk in the Woods'.

    His inimitable style reveals the intricate details of his characters lives.

    He is famous not only for his love of the hills, but for imbuing the countryside with life and vibrancy through moving descriptions. The simple people who inhabit his stories evoke sympathy and laughter in equal measure. This wonderful collection of seventy stories, including classics like ‘A Face in Dark’, ‘The Kitemaker’, ‘The Tunnel’, ‘The Room of Many Colours’, ‘Dust on the Mountain’ and ‘Times Stops at Shamli’, is a must-have for any bookshelf.

    Containing many unseen pieces of art and comics from the creator who has brought us THB, Heavy Liquid and 100%.

    You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it. If you have faith in the work, then the people will come … it’s an artistic imperative, it has nothing to do with public perception or career or any of that crap. "The name, Swans, it’s synonymous with who I am, but it’s how it’s achieved and it’s achieved by people—those people need to have total commitment to making this sound and to making it utterly incisive and uncompromising. The work is everything and it has to—at least at the time—appear, to me, to be stellar. That’s the prerequisite. It’s an intangible thing where it really speaks and has some truth within it."—Michael Gira Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years. The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s. Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene. Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound. Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendence is the ultimate companion to Swans and their work from the 1980s to the present day.

    Lynch writes for the first time about his more than three-decade commitment to Transcendental Meditation and the difference it has made in his creative process.In brief chapters, Lynch explains the development of his ideas - where they came from, how he grasps them, and which ones appeal to him the most. He specifically discusses how he puts his thoughts into action and how he engages with others around him. Finally, he considers the self and the surrounding world - and how the process of "diving within" that has so deeply affected his own work can directly benefit others.Catching the Big Fish comes as a revelation to the legion of fans who have longed to better understand Lynch's personal vision. And it is equally intriguing to those who wonder how they can nurture their own creativity.

    Featuring 240 pages of concept art, exclusive interviews, script excerpts and the never-before-released original pitch for the series, this amazing collection offers an utterly unique view of the Archer creative process.Commentary from the crew will walk fans all the way from squiggles to the gorgeous final picture, detailing not only their process but their history as well. Exclusive interviews with the Emmy-nominated cast offer insights to their beloved characters and a glimpse of their favorite moments. With storyboards, costume designs, reference photographs, immaculate background paintings and more, this is Archer as you have never seen it.The Art of Archer is a must have companion to the groundbreaking animated series, for fans and cinephiles alike.

    Cassandra Clare Collection The Mortal Instruments and The Infernal Devices Series 9 Books Set Titles in This Set City of Heavenly Fire, City of Lost Souls, City of Bones, City of Ashes, City of Glass, City of Fallen Angels, Clockwork Angel, Clockwork Prince, Clockwork Princess.