Granta 147: 40th Birthday Special


Sigrid Rausing - 2019
    In the years (and decades) that followed, Granta established itself as the one of the most prestigious literary publications in the English-speaking world. In that time Granta has published 26 Nobel Prize for Literature winners, defined new literary genres and paved the way for generations of young novelists. To celebrate forty years of brilliant publishing, Granta 147 brings together our best fiction and non-fiction from the last four decades, along with a selection of letters from behind the scenes. This will be a collector's issue and is not to be missed.Featuring...Angela CarterKazuo IshiguroTodd McEwenBruce ChatwinJames FentonPrimo LeviAmitav GhoshRaymond CarverPhilip RothJohn Gregory DunneRyszard KapuscinskiJoy WilliamsJohn BergerGabriel García MárquezBill BufordLindsey HilsumLorrie MooreHilary MantelIan JackEdward SaidDiana AthillEdmund WhiteVed MehtaAdrian LeftwichAlexandra FullerBinyavanga WainainaMary GaitskillLydia DavisJeanette WintersonHerta Müller

McSweeney's #54: The End of Trust


Dave Eggers - 2018
    Meanwhile, we wade through an unprecedented amount of disinformation and deception. Fake news and Russian-purchased propaganda are woven into our media diets, and anonymity on the internet leaves us ever suspicious.In the face of this, rather than seek privacy where we can, we eagerly offer up our remaining details to social media, craving the surveillance and scrutiny of our peers. We're unsure of how all of this is affecting the moral development of a generation coming of age in this new culture of surveillance, but we continue on. It leads us to wonder if we've reached the end of trust, and if we even care.

Granta 108: Chicago


John Freeman - 2009
    The eight-hour work day, the Ponzi scheme and the rhythm and blues have risen from its streets. But Chicago is not just a city of the past. In this dynamic issue, GRANTA brings the one-time industrial hub to life through the eyes of exciting new writers, from home grown stars like George Saunders and Dave Eggers, to immigrants who have come to the city from Bosnia, China and Ethiopia.In this issue, Aleksandar Hemon plays football with Italians and Tibetans along Lake Shore Drive. Chicago born MacArthur 'genius' grant-winning photographer Camilo José Vegara captures the demolition of the city's massive public housing estates. Richard Powers recollects the flood of 1992. Don DeLillo remembers Nelson Algren. Alex Kotlowitz explores the cost of urban violence and Dinaw Mengestu describes moving back home to run his dying father’s messenger business. Plus a sneak preview of Peter Carey's new novel.Finally, Nobel Laureate Wole Soyinka meditates on the meaning of the city's most visible son, Barack Obama. Out of these stories, which will be wrapped in a beautiful cover by Chris Ware, will arise a vivid portrait of a city remaking itself: a city shredded by violence but poised for a new future; a city that once again has a legitimate claim to being the home of the world's best writers.

Granta 124: Travel


John FreemanLina Wolff - 2013
    Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone world beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake.In this issue--which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov, and non-fiction by David Searcy, Teju Cole, and Hector Abad--GRANTA presents a panoramic view of our shared landscape and investigates our motivations for exploring it. One’s destination is never a place,” Henry Miller wrote, but a new way of seeing things.”

The Word and the Bomb


Hanif Kureishi - 2005
    Starting with THE BLACK ALBUM, Kureishi portrayed the ongoing argument between Islam and Western liberal values, between Islamic certainty and Western rational scepticism. By the time he was writing the short sotry, MY SON THE FANATIC, the break was complete - there was no longer any attempt by the fundmentalists to find any common ground with Western culture.The outbreak of the Iraq war and its aftermath, plus the recent bombings in London, have stimulated Kureishi to write further about this great divide between the East and the West, and this volume collects Kureishi's writings from the past 10 years which have have dealt with this subject, charting Islam's disengangemnt from dialogue with the West.The volume also contains a new piece, written especially for this book, which brings Kureishi's analysis of the situation right up to date.

More Notes of a Dirty Old Man: The Uncollected Columns


Charles Bukowski - 2011
    He continued to write the column for almost 20 years, using it as a workshop in which to develop ideas for his later books. Yet over the course of this time, the prolific writer allowed many uncollected gems to fade into obscurity. More Notes of a Dirty Old Man: The Uncollected Columns gathers many of these fugitive pieces, unseen in decades, into a single volume. Filled with his usual obsessions—sex, booze, gambling—More Notes features Bukowski's offbeat insights into politics and literature, his tortured relationships with women, and his lurid escapades on the poetry circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend, The Gambler," based on his experiences making the movie Barfly. From his days at the post office through his later fame, More Notes follows the entire arc of Bukowski's career, making it a valuable addition to his oeuvre.

One More for the People


Martha Grover - 2011
    Playful, wry, and conversational, One More for the People chronicles three generations in the life of the Grover family. As these idiosyncratic characters reluctantly confront adulthood, one Grover is always there to take notes. But after she’s diagnosed with a rare and potentially fatal disease (whose 81 symptoms include dramatic changes to her appearance, not to mention the dreaded possibility of having to move back home), One More for the People becomes something unexpected: a survival guide. In the spirit of Lucy Grealy’s Autobiography of a Face, Grover transforms her own misfortune into a tale as unsettling as it is entertaining.

The Burroughs File


William S. Burroughs - 1984
    These malefic and beatific, mordant and hilarious straight-face reports on life are mostly from scatter-shot publications in obscure places, foreign and domestic. Including complete texts from White Subway, Cobblestone Gardens, and The Retreat Diaries, this collection delineates Burroughs' comprehensive world-view and his "insurrectionary sense of America's underside,” as Tom Carson epitomized it in The Village Voice.Also included are essays on Burroughs by Alan Ansen and Paul Bowles, and facsimile pages from the famous cut-up scrapbooks of the mid-century: The Book of Hours, John Brady's Book, and The Old Farmer's Almanac.

The Story of My Typewriter


Paul Auster - 2002
    The typewriter is a manual Olympia, more than 25 years old, and has been the agent of transmission for the novels, stories, collaborations, and other writings Auster has produced since the 1970s, a body of work that stands as one of the most varied, creative, and critcally acclaimed in recent American letters. It is also the story of a relationship. A relationship between Auster, his typewriter, and the artist Sam Messer, who, as Auster writes, "has turned an inanimate object into a being with a personality and a presence in the world." This is also a collaboration: Auster's story of his typewriter, and of Messer's welcome, though somewhat unsettling, intervention into that story, illustrated with Messer's muscular, obsessive drawings and paintings of both author and machine. This is, finally, a beautiful object; one that will be irresistible to lovers of Auster's writing, Messer's painting, and fine books in general.

Die Würde ist antastbar


Ferdinand von Schirach - 2014
    A collection of the essays by Ferdinand von Schirach published between Februaray 2010 and September 2013 in the German news magazine Der Spiegel.

Carver Country - The World Of Raymond Carver


Bob Adelman - 1990
    Carver Country presents the stark but human reality of one man's world, a man who was generous in his spirit and in his gifts, and who rose above his beginnings - but Raymond Carver never left his native ground or gave up his love for its terrain and its people. Raymond Carver's gritty texts, including his poems, short stories and unpublished letters, combined with Bob Adelman's photographs of Carver's people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work. Includes 113 duotone photos.

Gumbo: A Celebration of African American Writing


E. Lynn Harris - 2002
    A stellar collection of works from more than fifty hot names in fiction, Gumbo represents remarkable synergy. Edited by bestselling luminaries Marita Golden and E. Lynn Harris, this collection spans new and previously published tales of love and luck, inspiration and violation, hip new worlds and hallowed heritage from voices such as:• Edwidge Danticat• Eric Jerome Dickey• Kenji Jasper• John Edgar Wideman• Terry McMillan• David Anthony Durham• Bertice Berry…and many, many moreAlso featuring original stories by Golden and Harris themselves, Gumbo heralds the debut of the Hurston/Wright Legacy Awards for Published Black Writers (scheduled for October 2002), and all advances and royalties from the book will support the Hurston/Wright Foundation. Combining authors with a variety of flavorful writing, Gumbo will have readers clamoring for second helpings.

Spirits Rebellious / The Madman/ The Forerunner


Kahlil Gibran - 2009
    "The Forerunner" and "The Madman" (1932).

A Detroit Anthology


Anna Clark - 2014
    In this, we are rich. We begin with abundance. But while much is written about our city these hard days, it is typically meant to explain Detroit to those who live elsewhere. Much of this writing is brilliant, but our anthology, this anthology, is different: it is a collection of Detroit stories for Detroiters. Through essays, photographs, poetry, and art, this anthology collects the stories we tell each other over late nights at the pub and long afternoons on the porch. We share them in coffee shops, at church social hours, in living rooms, and while waiting for the bus. These are stories addressed to the rhetorical “you”—with the ratcheted up language that comes with it—and these are stories that took real legwork to investigate. We may be lifelong residents, newcomers, or former Detroiters; we may be activists, workers, teachers, artists, healers, or students. But a common undercurrent alights our work that is collected here: we are a city moving through the fire of transformation. We are afire.Featuring essays, photographs, poetry, and art by Terry Blackhawk, Grace Lee Boggs, John Carlisle, Desiree Cooper, dream hampton, francine j. harris, Steve Hughes, Jamaal May, Tracie McMillan, Ken Mikolowski, Marsha Music, Shaka Senghor, Thomas J. Sugrue, and many others.

Cambodia


Brian Fawcett - 1986
    Through an arresting division of its pages-- thriteen wildly imaginative short stories at the top, and a passionate essay on colonialism and Southeast Asia at the bottom, running like a Mekong River footnote throughout the book-- Brian Fawcett startles, amuses, and infuriates his hooked readers with juxtaposed images and penetrating insights into the media jungle that defines our age. Like subtitles read in a foreign film, the pace of "Cambodia" accelerates, and the reader's eye quickens as the work unfolds. Soon, "Cambodia" is moving more swiftly than the images on the evening news, showing us that the book's title is not an enigma, but a realistic description of its remarkably interactive contents.Brian Fawcett's passion stirs us to resist the annihilation of memory and imagination in our society, lest we lose "our right to remember our pasts and envision new futures" in a violent world where "Cambodia is as near as your television set.