As Strindberg himself wrote in his Preface, he wanted “to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.”Caryl Churchill’s spare and resonant new version was first staged at the National Theatre, London, in a production by Katie Mitchell, where A Dream Play was called “fresh, new and magical” (Telegraph).Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.August Strindberg (1849-1912) was a novelist and playwright from Stockholm, Sweden. His plays include Miss Julie, The Father, To Damascus, A Dream Play, and The Pelican. In 1912 Strindberg's birthday was marked by a torchlight procession through Stockholm, where his radical journalism had earned him the title of ‘people’s writer.’

    This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).

    This Broadway hit starred Katharine Hepburn as Tracy Lord of the Philadelphia Lords, an inhibited and spoiled daughter of the privileged. Divorced from C.J. Dexter Haven, she is engaged to a successful young snob. A gossip weekly sends a reporter and a camera woman to report the wedding arrangements and they are injected into the house by Tracy's brother who hopes to divert their attention from father's romance with a Broadway dancer. Tracy finds herself growing int

    It is a dramatic study of sexual conflict and jealousy between an older and a younger man; as well as a subtle psychological portrait of an inadequate and sexually-obsessed middle-aged man.Sleuth was filmed by Joseph Mankiewicz, with Laurence Olivier and Michael Caine in the leading roles, and this edition is fully illustrated with stills from the film, for which Anthony Shaffer wrote the screenplay.Anthony Shaffer has written several television and stage plays, including the West End success Murderer (also available from arion Boyars Publishers). He has also written many screenplays, including Play with a Gypsy, Hitchcock's Frenzy, The Wicker Man, and the Agatha Christie films Death on the Nile and Evil Under the Sun.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    Book annotation not available for this title.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    Henry III, Time

    Derived from interviews with a wide range of  people who experienced or observed New York's 1991  Crown Heights racial riots, Fires In The  Mirror is as distinguished a work of  commentary on current Black-White tensions as it is a  work of drama.

    Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.

    Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

    Unlike an earlier version adapted for the English-language stage, this translation adheres faithfully to the author's original play as it was published and performed in German.The action of The Visit takes place in the small town of Guellen, "somewhere in Central Europe." An elderly millionairesse, Claire Zachanassian, returns to Guellen, her home town, after an absence of many years. Merely on the promise of her millions, she shortly turns what has been a depressed area into a boom town. But there is a condition attached to her largess, which the natives of Guellen realize only after they have become enmeshed in her vengeful plot: murder. Out of these elements, Durrenmatt has fashioned a many-leveled play which is at once a macabre parable, a deeply moving tragedy, and a scathing indictment of the power of greed.