"Wherever you are, whatever you are doing, I swear I will find you again," he promised, and Yoko never stopped believing he would return. Her ten-year-old daughter Soko, born out of this brief passionate affair that marked her mother for ever, has had her life shaped by Yoko's constant yearning, as the desperate search for the elusive man of her dreams means moving house more times than either of them can remember. The two travel through life on what Yoko calls "God's boat," moving from town to town, and for Soko from school to school, just as the narrative too shifts between the perspectives of the daughter and her mother, tracing them through the years as little by little the story of Yoko's past emerges, and Soko tries to somehow build herself a future.This haunting and sensitive novel combines the everyday patterns of the lives of mother and daughter, their rituals, their conversations, while always beyond these ordinary daily events lies what is hidden by Yoko's seemingly unshakeable certainty: the spectre of madness and the indescribable pain of loss, so inextricably linked to the dazzling joy that only love can bring.

    In Japan, one goes there to cleanse the soul. Bathing in Japan is about much more than cleanliness: it is about family and community. It is about being alone and contemplative, time to watch the moon rise above the garden.Along with sixty full-color illustrations of the light and airy baths themselves, The Japanese Bath, delves into the aesthetic of bathing Japanese style and the innate beauty of the steps surrounding the process. The authors explain how to create a Japanese bath in your own home. A Zen meditation, the Japanese bath, indeed, cleanses the soul, and one emerges refreshed, renewed, and serene.

    It also involves a Japanese society that’s been called one of the most distinctive on Earth. If there were a Japanese version of Captain America, this would be his origin story.

    The year is 1986, and the strange communal life of this foursome, extending over half a year, from the end of winter to midsummer, makes up the plot,such as it is, of Plainsong, as this ersatz family finds itself growing closer, and lifecontinues—quietly—around them. Part of the generation that grew to prominence following the success of baby boomers like Haruki Murakami, KazushiHosaka’s work chronicles the small moments, the moments without conflict,that most novels work to elide. His characters talk, work, exist; their story is onewhere the tiniest occurrence takes on the proportions of a grand drama.

    Published only recently, it set sales records in the millions of copies and soon crossed over to other media as well--first as a radio and TV drama, then as a blockbuster movie. The popularity of the novel has spread across Asia as well, with hugely successful translations into Korean and Chinese. In the West, readers may be reminded of The Bridges of Madison County, another best-selling novel of blazing midlife passion--one with a very different outcome.Here the lovers are Kuki, a 54-year-old employee in a publishing company, and Rinko, a childless, 37-year-old woman unhappily married to a cold fish of a husband, a professor of medicine. Stuck in a dead-end job and an uneventful marriage, Kuki is irresistibly drawn to Rinko from their first encounter, seeing through her demure demeanor to the passionate woman beneath. She returns his feelings with ever-increasing abandon, despite lingering fears about where her sexual awakening may lead her. In the end, both are prepared to risk all for their relationship: family, career, and social standing, even life itself.The story contrasts the lovers' defiantly freewheeling passion--described in imaginative, smoldering detail--with a rigid society where people are expected to play a prescribed role, whether as dutiful wife or compliant office worker. In escaping these conventional roles, the lovers often escape the city as well, immersing themselves in the traditional beauties of Japanese nature and art as they give themselves over to each other and the pleasure of the moment. And ultimately they make a much more radical escape: one that will ensure that they are left in peace, to enjoy an abiding love.Perhaps not all the choices they make will seem reasonable, or even understandable, to Western readers. But their story, with elements as modern as yesterday's headlines and as timeless as the tug between love and death, opens a window into the secrets of the Japanese soul.

    Their search for Answers takes them to Japan where M. Bison, using his minions including Cammy, Vega, and Sagat, keeps a close eye on Ryu for reasons unknowns. This draws the attention of Hong Kong Interpol agent Chun-Li and US Special Ops officer Guile who each bear their own personal grudge against the evil Shadaloo syndicate.This volume collects the main stories in the first six issues of the hit Street Fighter comic book series and well as the rare, hard-to-find issue #0.

    While haiku most often depicts the natural world, when focused on the elements of love and sensuality, haiku can be a powerful vehicle for evoking the universal experience of love. In this elegant anthology, love is explored through beautiful images that evoke a range of feelings—from the longing of a lover to the passion of a romantic relationship. Written by contemporary Japanese poets as well as by haiku masters such as Basho, Buson, and Issa, these poems share not only the haiku poets’ vision for love, but their vision of the poignant moments that express it.

    Let me tell you a story. An old story, a really old story. Do you know how to play go? You do? First kyu, a player of the first rank? Really? Have you ever competed in a professional qualifying tournament? No? Then you are not, I repeat NOT first kyu! I know, I know. Nowadays all kinds of bad players call themselves first kyu. This story is, however, not about those fake first kyus. It's a story of the real first kyus. There is a guy who runs a smoke shop near Niagara Falls. His name is Shin. On rainy days he keeps staring at the falls and mumbles something like this: "I'm sure they must all be playing for bangneki stakes happily somewhere..." Can you even guess what he is talking about? If not, just hold on and listen to what I'm going to tell you. Only about a handful of people know this story. So listen up." Thus begins a compelling, insightful, and haunting tale of love, sacrifice, the search for excellence, and Go- the world's oldest game. About The AuthorBorn in Seoul, Korea in 1950, Sung-Hwa Hong graduated from the famed Kyunggi High School, and after serving in the Korean army for three years, immigrated to Vancouver in 1974. He then, in 1981, graduated from the Faculty of Dentistry at the University of British Columbia. Winning the Canadian Go Championship twice, he participated in the World Amateur Go Championship in Japan as the Canadian representative in 1989 and 1995. Married with two children, he practiced family dentistry in Vancouver until his death in 2001. Shortly before he passed away, Dr. Hong made a few small changes to the text for the second printing.

    

    Many of the ideas in this were carried over into the full series, but there are some interesting differences.

    Half-Japanese by heritage, Elly was repatriated to Japan after the war, but Tokyo is a city she barely knows. And now she’s certain her new husband is having an affair with the enigmatic Japanese poet known as Vida Vidanto. Yet Elly is not the only one suspicious of Vida.The occupying American forces have their eye on her too. Kamiya Jun has been recruited to spy on the poet and find out why Vida spent her war years in China. He is perfect for the part. A war orphan, he has honed the art of becoming invisible in order to survive. But following Vida leads Jun to the Ruskins. And he soon finds himself delving into their private lives as well. Then Vida Vidanto is found murdered in her apartment. Is it a case of mere jealousy or has there been a betrayal of a more dangerous kind? Because Vida had more than one secret worth killing for.A powerful, absorbing mystery that will be consumed by fans of Victoria Hislop, Dinah Jefferies, Fiona Valpy, Robert Goddard, Kate Morton and Louise Douglas.ABOUT TESSA MORRIS-SUZUKITessa Morris-Suzuki divides her time between a small village on the south coast of New South Wales and Canberra, where she is Emeritus Professor of Japanese History at the Australian National University

    

    

    His manipulative boss, Yoko, is trying to swindle the unsuspecting parents of his students and is using his golden boy American face to do it. Desperate to get his passport out of Yoko's locked cabinet, he sneaks into her office in the middle of the night only to surprise the Japanese mafia's burglary-in-progress. Taking whatever he can in the short amount of time he has, Max barely escapes with his life. However Max soon finds himself on the run from everyone from tattooed Yakuza to the Japanese police and a mysterious American named Lloyd Elgin who seems to have ties in the highest places. All are after the book Max grabbed instead of the passport that could take him home, a strange diary bound in leather and closed with a strange seal embossed with ornate chrysanthemum petals. Little does Max know that Yoko's father has been safeguarding the diary for more than half a century, and its secrets could topple some of Japan's most powerful people and rewrite the history of Japan's royal family.With both his and his girlfriend's life in the balance, Max must decipher the secrets of the diary and put an end to the chase before his newest, gravest troubles catch up to him and stop his running for good.Collector of Secrets marries the historical intrigue, deep research, and wide commercial appeal of the best of Dan Brown or Michael Gruber to the techno-savvy, judo-kicking, stranger-in-a-strange-land atmosphere of Barry Eisler's internationally bestselling John Rain series. Richard Goodfellow has used real-life conspiracy theories from the Far East in the creation of a nonstop ride that covers everything from World War II to Watergate. This is his first novel.

    It is the third of three plays written over twelve years (1957-1969) meant to symbolize the different stages of life, usually shown together. The first, representing birth, is "The Suitcase". The second, "The Cliff of Time," represents life itself, or "The Process," and the third, "The Man who Turned into a Stick," is death.This play has been considered as a main example of the current of Magic Realism in Japanese Literature. Other Japanese authors with considerable literary contributions to this genre are: Yasunari Kawabata, Oe Kenzaburo and Yasushi Inoue.