When that book, Brand Spanking New Day, came out we said we needed Opus, Bill the Cat, and all their friends more than ever before. Well, what was true then is even more true now!The residents of Bloom County are back to put their trademark tragi-comic spin on the horrors of the last year, so lock all your worries in the anxiety closet for a bit. Who knows? When you come back they may be just the tiniest bit funnier.

    - Resplendent full-color art on glossy paper with a stylish matte cover. - Original artwork not featured in other Clamp titles. - Features an exclusive how to draw manga section - Printed in Japan with special color inks not available in the United States South Side features art from beloved series such as Man of Many Faces, Duklyon: Clamp School Defenders, Clamp School Detectives, Suki, Wish, CLAMP School Paranormal Investigators, Miyuki-chan in Wonderland, The One I Love, Shirahime-Syo and Legal Drug, as well as original Clamp artwork, a how to draw manga section and a complete catalogue of all featured images with a description of each. The work here spans the period between 1989-2002.

    The book is divided into six chapters, each focusing on a theme; one is a series of eerily compelling portraits based on a dozen family photographs Doucet found discarded in a garbage can in Berlin. In another series, Doucet explores gender issues as no one else can with twenty hilarious, somewhat unflattering portraits of the "modern man." She deftly explores other themes, ranging from fortune cookies to female sexuality (go figure ), and everything is neatly encompassed in this sharply-designed art book. Julie Doucet is internationally renowned for her wry, sexually-charged work, a sort of "female R. Crumb" of comics. She is the author of four books, including the 2000 Firecracker Award-Winner "My New York Diary. "

    Included is a reprint of her mini-comic, City of Champions, as well as a new comic, The Tapemines, an 80-page wordless scroll about feral children in forests of cassette tape. With inspirations including German expressionists Georg Grosz and Otto Dix, as well as Japanese and Inuit printmakers, Tamaki's unique style often celebrates the inherent beauty in the grotesque, while remaining character-driven and focused on observational narrative.

    The one thing known is that her time spent in a world full of insanity left her a broken adult. However, her courageous will to survive is what ultimately saved humanity. Now the story of Alice's visit into Wonderland is fully revealed and the truth of the terror will be told in full! From Raven Gregory, Ralph Tedesco and Joe Brusha, the same minds behind Grimm Fairy Tales and Return To Wonderland comes the newest series that Zenescope fans have been waiting for. What every Zenescope fan has been waiting for is finally here! Follow Zenescope back down the rabbit hole and find a world of madness like you have never seen before!

    Devoted exclusively to the splashy, kinetic cartoon series, this anime profile collection features actual cel artwork along with extensive character biographies and an episode guide. There's even a cool poster included for your wall. You've seen the cartoon show on TV. Now it's time to get your hands on this comprehensive anime profile guide!

    This sublime collection includes all of Ito’s unforgettable illustrations in both black-and-white and color, from Tomie’s dreadful beauty to the inhuman spirals of Uzumaki. Includes an interview focused on Ito’s art technique as well as commentary from the artist on each work.

    Illustrated by Elizabeth Graeber, a redhead herself, this pretty little hardcover gift book presents a pantheon of 100 famous redheads, both real and fictional. Each page is a treat in how it surprises and pleases, acting as a field guide to every type of redhead, whether amber or auburn, ginger or strawberry: David Bowie and Rita Hayworth; Archie, Adele, and Axl Rose; Malcolm X, Sylvia Plath, and Yosemite Sam; Eric the Red, Louis C.K., Anne of Green Gables; Woody Woodpecker and Morris the Cat. Not to mention Napoleon, Shirley Temple, and those Raggedy Twins, Ann and Andy.   If you are a redhead, celebrate your place among such distinguished company. If you love, or are loved by, a redhead, discover just how special the world is that you orbit.

    The problem for her is she absorbs the dead person's memories, which is almost as bad as eating the brain.

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    The other one was to Hopalong Cassidy, when I had a great crush on him at about six years old. But I did want to let you know how very much both my husband and I have enjoyed Pickles from the very first strip. Would you please consider putting a collection together in book form?"—Lois F. in Nevada  As its loyal fans will gladly tell you, Pickles has been a zinger-filled, laugh-out-loud gem since its debut in 1990. Since then, it has steadily climbed in popularity, and today appears in over 400 newspapers worldwide. Still Pickled After All These Years collects strips from this sweet intergenerational comic that alternates point of view between an older married couple, a 30-something married couple, and their son. The strip centers on Earl and Opal Pickles, who have been married over 50 years but inject plenty of spunk and insight into everything they do. Whether they're taking a wry but sympathetic glance at their divorced daughter, Sylvia, laughing at their faithful but feckless canine, Roscoe, marveling at their dictatorial feline, Muffin, or just commenting on the little things in life, Earl and Opal's good-natured wit and dry humor is brilliantly on target. Pickles is about growing old and keeping your sense of humor but never forgetting what it's like to be a child. The strip's inaugural AMP collection, Still Pickled After All These Years, encapsulates the importance of staying close to those who bring you the most joy and reminds everyone about the incalculable value of the unconditional love of pets, family, and friends.

    A perfect Mother's Day and Father's Day gift, as well as an absolute must-have for new and seasoned parents. 120 illustrations. of color cartoons.

    She shows the shocking and hilarious sketches that didn’t make the cut and explains how these are essential stages in the evolution of a cover that stands the test of time but retains its edge. Her book captures contemporary history—from the farce of Monica Lewinsky to the adventures of Michelle and Barack to nuclear meltdown in Japan—in images that are as acute as they are outrageous. More than that, it shows how the magazine that exemplifies journalistic excellence in America also dares to cultivate a sense of humor when grappling with complex moral and political issues.Praise for Blown Covers:“Interesting failures are the driving force behind BLOWN COVERS: New Yorker Covers You Were Never Meant to See (Abrams, $24.95), by Françoise Mouly. Mouly is the art editor of The New Yorker, and paging through this book is like standing in the corner of her office as she pins up rejected covers on the wall. Mouly has dozens of tales about images that failed for one reason or another. Now, presumably with the approval of her bosses at Condé Nast, she has created a tell-all (or tell-most) that even non–illustrators and designers will find enlightening.” —New York Times Book Review “Yes, Blown Covers sometimes offends—and that’s the audacious joy of it.” —NPR.org“[New Yorker] art editor Mouly offers some true delights.” —Sacramento Bee

    Drawn in a range of styles asimprovisational as Coltrane and Mingus — everything from loose lineworkto tight pen and ink to gestural pencils — Blutch captures the excitement oflive performance, the lovelorn, and the Great Jazz Detective, who is out butnot down.

    No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 5600.000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilarious as Beaton.