The miraculous feat is followed by an encore which consists of a two-minute version of the play! The vast multitude of characters is played by six actors with hectic doubling, and the action takes place at a shortened version of Elsinore Castle.

    A poor African American boy and his mother experience both discrimination and kindness during a trip to town to see the dentist.

    Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.

    Book annotation not available for this title.Title FortinbrasAuthor Blessing, LeePublisher Dramatists Play ServicePublication Date 19920101Number of Pages Binding Type PAPERBACKLibrary of Congress 92165606

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    When the opportunity to work for an outdoor production of King Lear arises, she grabs it despite her utter lack of theatre experience.Things get off to a rocky start when Bea learns the artistic director, Arthur White, is a childhood friend whose presence stirs up painful memories. Then she inadvertently sparks the lascivious attentions of the aging star of the play and alienates the stage director, who happens to be his former wife. As Bea learns the ropes of her new role, her beloved but demanding father begins behaving erratically and losing himself in forgetfulness and her younger sister Cara reveals cracks in the foundation of her apparently perfect life as a devoted mother and co-owner, with her charismatic husband, of a successful raw foods restaurant.The sisters do their best to care for their father, but his deteriorating condition soon exceeds what either can handle. To make matters worse, the star of Lear is also faltering amidst the confusions of age, illness, and regret over transgressions from his past. In a masterful scene of raucous celebration whirling out of control, the various forces in Bea's life collide in a shocking act that could destroy more than one life--or reveal how those lives might come together in new and stronger ways.Tender, vivid, and powerful, Lear's Shadow is a richly satisfying exploration of how the ties of love can both bind and liberate us, and of how, even in the face of grief, we can embrace life.

    Regardless of country, language, age, or gender, people are familiar with the Bard's work and his contributions to literature, theatre, art, and music. His genius was so evident that he became famous and respected throughout England in his own lifetime, eventually earning the attention and patronage of the king himself. Inside you will read about... - A Legend is Born - The Lost Years - Early Career - The Golden Years - Poetic Works - The Death of William Shakespeare And much more! From his humble birth to his sudden death, William Shakespeare's life is traced through the theatrical legacy he left behind.

    As Stanley Wells suggests: "To see Shakespeare as one among a great company is only to enhance our sense of what made him unique.”Wells explores Elizabethan and Jacobean theater, both behind the scenes and in front of the curtain. He examines how the great actors of the time influenced Shakespeare's work. He writes about the lives and works of the other major writers of Shakespeare’s day and discusses Shakespeare’s relationships—sometimes collaborative—with each of them. And throughout, Wells shares his vast knowledge of the period, re-creating and celebrating the sheer richness and variety of Shakespeare's social and cultural milieus.Shakespeare and Co. gives us a new understanding of how the Bard achieved unparalleled singularity as the greatest writer in the language.

    Starring Leonardo DiCaprio (What's Eating Gilbert Grape, The Basketball Diaries) and Claire Danes (My So-Called Life, Little Women) as the doomed lovers, the film is set in a modern city. The actors speak Shakespeare's words--but with their own American accents.Readers can now experience this new vision of Shakespeare's violent, tragic play alongside the Bards original text, in a special single volume that features an introduction by the film's director.--back cover

    Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before.Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a schoolboy, a position he portrayed in The Merry Wives of Windsor, in which a clever, cheeky lad named William learns Latin grammar; as a lover, married at eighteen to an older woman already pregnant, perhaps presaging Bassanio, who in The Merchant of Venice won a wife who could save him from financial ruin. Here, too, is Shakespeare as a soldier, writing Henry the Fifth’s St. Crispin’s Day speech, with a nod to his own monarch Elizabeth I’s passionate addresses; as a justice, revealing his possible legal training in his precise use of the law in plays from Hamlet to Macbeth; and as a pantaloon, an early retiree because of, Bate postulates, either illness or a scandal. Finally, Shakespeare enters oblivion, with sonnets that suggest he actively sought immortality through his art and secretly helped shape his posthumous image more than anyone ever knew.Equal parts masterly detective story, brilliant literary analysis, and insightful world history, Soul of the Age is more than a superb new recounting of Shakespeare’s experiences; it is a bold and entertaining work of scholarship and speculation, one that shifts from past to present, reality to the imagination, to reveal how this unsurpassed artist came to be.

    If he fails, he'll be charged with the crime himself. The mob just wants a murderer, after all, and he's as likely to have done it as any man.But James Enys isn't the man they think he is. Aided by a certain bald young playwright (with a sonnet to write) who knows his secret, the lawyer finds that he must follow the trail of evidence into the closed world of Elizabethan women, where no man could venture. Only a woman would be welcome here.It is fortunate indeed that Mr Enys has a sister. She is as intelligent as he is, and resembles him in both appearance and manner. Except, of course, that she is a woman, which in Elizabethan times, means that her opportunities are restricted. In fact, James Enys's sister is never seen in public at the same time as he is - but only Shakespeare has guessed the truth about the quiet, determined, ambitious young lawyer with a knack of seeing beneath the surface.Patricia Finney has written more than twenty novels, many of them set in Elizabethan England. This is the first of the James Enys mysteries, and the next will be coming soon from Climbing Tree Books.

    Helen Vendler, widely regarded as an accomplished interpreter of poetry, here serves as a guide to some of the best-known poems in the English language.In detailed commentaries on Shakespeare's 154 sonnets, Vendler interprets imaginative and stylistic features of the poems, pointing out new levels of import in particular lines, and the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect.

    Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.

    The Folger is dedicated to advancing knowledge and increasing understanding of Shakespeare and the early modern period; it is home to the world’s largest Shakespeare collection and one of the leading collections of books and materials of the entire early modern period (1500–1750). Combining a worldclass research library and scholarly programs; leadership in curriculum, training, and publishing for K–12 education; and award-winning performing arts, exhibitions, and lectures, the Folger is Shakespeare’s home in America. This volume of the Shakespeare Set Free series is written by institute faculty and participants, and includes the latest developments in recent scholarship. It bristles with the energy created by teaching and learning Shakespeare from the text and through active performance, and reflects the experience, wisdom, and wit of real classroom teachers in schools and colleges throughout the United States. In this book, you’ll find the following: · Clearly written essays by leading scholars to refresh teachers and challenge older students · Michael Tolaydo’s brilliant and accessible technique for classroom teaching through performance · Day-by-day teaching strategies that successfully and energetically immerse students of every grade and skill level in the language and in the plays themselves – created, taught, and written by real teachers

     Will Shakespeare has left Stratford for London and pitched himself headlong into the chaotic, perilous world of the theater. Through raw will-and an amazing gift for words-he raises himself from poor player to master playwright. But as his success earns him great pleasure and adoration from others, it also draws the jealous wrath of Christopher Marlowe, a baby-faced genius whose anger is as punishing as his poetry is sweet...