This well-chosen and comprehensive collection offers a compact and affordable alternative to larger and more expensive anthologies.

    --from "Before"Jason Shinder's last poems are his moving testimonies to poetry, love, and friendship. With power, clarity, and disarming humor, the poems confront grief and mortality with a humility and fortitude that come only "with hope, stupid hope." Stupid Hope is Shinder's wry, penetrating, and wise farewell.

    For those who know how to see and listen, the cards hold the potential to help us better navigate the full spectrum of the human experience.In Tarot for Change, Jessica Dore divulges years of hard-won secrets about how to work with tarot to better understand ourselves and live in alignment with what's precious. Dore shows readers how to choose a deck, interpret images, and build a relationship with the cards, while also demonstrating how the mythic imagery of tarot supports modern therapeutic concepts like mindfulness, acceptance, and compassion. Her reflections on each of the seventy-eight cards are a vibrant tapestry that weaves together ideas from psychology, behavioral science, spirituality, and old stories, breathing new language into ancient wisdoms about what it means to be human.This is as much a book for those who are new to tarot as it is for those who have worked with the cards for years. And it's a book for anyone interested in exploring what it means to experience joy, heartbreak, wonder, stagnation, grief, loneliness, love. A book of secrets, symbols, and stories, Tarot for Change is a charm for remembering that our problems are not new, we are never alone, and whether we know it or not, we are always in a process of change.

    Culled from classic works of poetry, unpublished work solicited especially for the book, and poetry and erotica journals, these poems celebrate sexual connection and expression. Contributors include Sharon Olds, Gary Soto, E. E. cummings, Marge Piercy, Raymond Carver, Galway Kinnell, Pablo Neruda, and Tess Gallagher.

    The goal is, as Gordon writes, the restoration of context.To this end, White applies his globally-recognised data and demographics skills to realise a groundbreaking work of truly interdisciplinary research. Utilising mythological, linguistic and astronomical data to reconstruct palaeolithic magical beliefs, he maps them to the human journey out of Africa; explores which aspects of these beliefs and practices have survived into the Western tradition; and what the implications (and applications) of those survivals may be for us. Written for a magically literate and operative audience, Star.Ships displays the flair, wit and engagement with evidence that adherents of his runesoup blog have come to expect from Gordon. He deftly handles vast time scales and cosmologies to build his case; avoids the pitfalls of alternative historians with a refreshing absence of dogma or wishful thinking; and, in a masterful deployment of the latest research, simultaneously questions outworn dominant narratives and is not afraid to champion the work of independent researchers and entertain forbidden discourses. It is exactly what chaos magic should be.Göbekli Tepe, the Pyramids and Sphinx, Nabta Playa, Gunung Padang, Easter Island and Sundaland are some of the points spangled across a work of truly cosmic scope. Star.Ships beckons those who are willing to engage in the adventure to follow the great river of history that flows into and out of an ocean of stars. Minds will be blown.

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    This outrageous and inventive short story is not just focused solely on crap itself, but the spirituality of crap. This parody of the Tao Te Ching begs the question: Is everything crap? McFergus translates Li Chang's master work from an ancient roll of toilet paper, a minor Chinese national treasure purchased on eBay, to uncover the lost legend of Li Chang.DISCLAIMER: There is no Winnie the Pooh bear in this story. There is no piglet. The only honey pot in this story has crap in it. THIS IS NOT THE TAO OF POOH.

    Rabbi Aryeh Kaplan has therefore translated the Sefer Yetzirah the oldest and most mysterious of all kabbalistic texts, and now brings its theoretical, meditative and magical implication to light. He expounds on the dynamics of the spiritual domain, the worlds of the Sefirot, souls and angels. When properly understood, the Sefer Yetzirah becomes the instruction manual for a very special type of meditation meant to strengthen concentration, and to aid the development of telekinetic and telepathic powers. These powers were meant to help initiates perform feats that outwardly appeared magical. The magical kabbalah is closely related to the meditative kabbalah, and uses various signs, incantations, and divine names by which initiates could influence or alter natural events. This translation includes the meditation in five dimensions, the transition from Binah to Chakhmah consciousness, the point of infinity, kabbalistic astrology, Ezekiel's vision according to the Sefer Yetzirah, and the mystery of the 231 gates.Also included is a digest of all major commentaries on the text of Sefer Yetzirah and a bibliography of many of the major kabbalistic works that discuss it, as well as extensive notes regarding various aspects of the translation, Rabbi Kaplan's translation is based on the Gra version, which has been thought to be the most authentic. Also included is the short version, the long version, and the Saadia version, making this volume the most complete work on the Sefer Yetzirah in English.

    Watson discusses the principles that underlie magical practice in a veryeasytounderstand manner. She includes information on affirmations, visualization, spiritual practices, folk magic, and ritual. Safety measures and ethical considerations are stressed throughout.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    Designed to inspire self discovery, There’s a Hole in My Sidewalk includes stirring poems that gently lead readers to embrace a more authentic self.Individuals, therapy groups, the self-help community, and twelve-step programs around the world have embraced this classic book. There’s a Hole My Sidewalk is the perfect motivational gift for yourself, your friends, or your family.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.