Now available again after three decades, DON'T BUMP THE GLUMP! and Other Fantasies was originally published in 1964, the same year as his most famous picture book, THE GIVING TREE.

    Some are joyful. Some are sad. Some are funny and lighthearted. Many offer layers of meaning that reveal themselves only after the poem has been studied so closely as to be learned by heart. In issuing the challenge to memorize great poetry, Caroline Kennedy invites us to a deeply enriching experience. For as she reminds us, "If we learn poems by heart, not only do we have their wisdom to draw on, we also gain confidence, knowledge and understanding that no one can take away." Illustrated with gorgeous, original watercolor paintings by award-winning artist Jon J Muth, this is truly a book for all ages, and one that families will share again and again. Caroline's thoughtful introductions shed light on the many ways we can appreciate poetry, and the special tradition of memorizing and reciting poetry that she celebrates within her own family.

    . . until one day, when Abuelo hurts his ankle at a local landfill and he can no longer do so. Sofia misses her Abuelo and wonders what she can do about the dangerous Mount Trashmore. Then she gets an idea—the town can turn the slimy mess into a park! She brainstorms and plans and finally works up the courage to go to City Hall—only to be told by a clerk that she can’t build a park because she’s just a kid! Sofia is down but not out, and she sets out to prove what one kid can do.Collect them all! Add these other STEM favorites from #1 New York Times bestselling team Andrea Beaty and David Roberts to your family library today!  Rosie Revere, EngineerIggy Peck, Architect Ada Twist, ScientistRosie Revere and the Raucous RivetersAda Twist and the Perilous PantsAda Twist’s Big Project Book for Stellar ScientistsIggy Peck’s Big Project Book for Amazing ArchitectsRosie Revere’s Big Project Book for Bold EngineersQuestioneers Family Calendar

    Its author would rather have seen it forgotten. Instead, Ernest Thayer's poem has taken a well-deserved place as an enduring icon of Americana. Christopher Bing's magnificent version of this immortal ballad of the flailing 19th-century baseball star is rendered as though it had been newly discovered in a hundred-year-old scrapbook. Bing seamlessly weaves real and trompe l'oeil reproductions of artifacts-period baseball cards, tickets, advertisements, and a host of other memorabilia into the narrative to present a rich and multifaceted panorama of a bygone era. A book to be pored over by children, treasured by aficionados of the sport-and given as a gift to all ages: a tragi-comic celebration of heroism and of a golden era of sport.

    "A humorous celebration." --Booklist.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    From celery stalks to bottle caps, buttons, and rings, the objects we group together form families, just like the ones we are a part of. And, as we grow up, our families grow, too. Mary Ann Hoberman gives readers a sense of belonging in this all-inclusive celebration of families and our role in them.

    A young boy and his sister gather the ingredients and grind them up in a molcajete, just like their ancestors used to do, singing and dancing all the while.The children imagine that their ingredients are different parts of an orchestra — the tomatoes are bongos and kettledrums, the onion, a maraca, the cloves of garlic, trumpets and the cilantro, the conductor. They chop and then grind these ingredients in the molcajete, along with red chili peppers for the “hotness” that is so delicious, finally adding a squeeze of lime and a sprinkle of salt. When they are finished, their mother warms tortillas and their father lays out plates, as the whole family, including the cat and dog, dance salsa in mouth-watering anticipation.Winner of the International Latino Book Award for Guacamole, Jorge Argueta has once again written a recipe-poem that families will delight in.Each book in the cooking poem series features a talented illustrator from the Latino world. In Salsa the text is complemented by the rich, earthy illustrations of Duncan Tonatiuh, winner of the Pura Belpré Award. His interest in honoring the art of the past in contemporary contexts is evident in these wonderful illustrations, which evoke the pre-Columbian Mixtec codex.

    Summer swims move over for autumn sweaters until the snow comes back again. In Julie Fogliano's skilled hand and illustrated by Julie Morstad's charming pictures, the seasons come to life in this gorgeous and comprehensive book of poetry.

    He wants to fit in at school, but he doesn't want to forget his homeland, Mexico. His family is still doing things like they're in the old country, but Jorge wants to find out everything he can about his new country--on the other side of the river. Learning a new language, getting a library card, taking tests, and making friends are challenges for Jorge. Just when Jorge has found a friend in Tim, his life changes once again. Told from the point of view of Jorge, Jane Medina's moving poems vividly depict one boy's struggle to make a new life in a new country.

    Mama works hard and hardly ever smiles, but when she does, she is the prettiest flower in all the World. At the end of each day, she puts her tip money in a special envelopes for Luisa-- the envelope marked "college." She wants to give her daughter the world-- but Luisa has plans of her own. It's Mama's birthday and, for one night, she wants to make Mama smile... the way she smiles in an old photograph of her dancing at a place called Roseland. So Luisa transforms Walter's World of Beauty into Roseland, by decorating it with roses and collages of Mama's customers, who are also in on Luisa's secret. And it isn't long before everyone is happily dancing, especially Mama, who is the happiest of all.

    White-skinned daddy, not white like milk or snow, lighter than brown, With pinks and tiny tans, whose face gets tomato red when he puffs and yells their children into bed. Children who are all the colors of the race, growing up happy in a house full of love. This is the way it is for them; this is the way they are, but the joy they feel extends to every reader of this book.Black is brown is tan is a story poem about being, a beautiful true song about a family delighting in each other and in the good things of the earth.

    Julie Paschkis's poems and art sing in both languages, bringing out the beauty and playfulness of the animal world.

    . . and her dilemma. How can one small girl be sweet, funny, imaginative, playful, and affectionate as well as a clinging vine, brat, tattletale, and nuisance–all at the same time? Why is Jess supposed to be a good big sister while Emma doesn't have to be a good little sister? The highlights and low points of this sibling relationship are insightfully evoked in short and simple poems, some funny, some touching, and all resonant with emotional truth. Every child with a younger sibling will recognize Jess's dilemma and the combination of ambivalence and deep loyalty that is built into the sibling relationship. Nancy Carpenter's graceful illustrations perceptively complement Kristine O'Connell George's agile poems.

    A foreign mom may eat, speak, and dress differently than other moms— she may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but...she is also clearly the best. Vividly illustrated by Meilo So, this funny and heartwarming picture book about growing up in multiple cultures celebrates the diverse world in which we live.