“Coal” is a realist story set in the war years and depression that followed as folks try to find a new place in the world. Senior’s trademark children awakening to self-awareness and to the hypocrisy of adults are here too, from the heartbreaking “Moonlight” and “Silent” to the girls in “Lollipop” and “A Father Like That” who learn to confront loneliness and vulnerability with attitude.

    But Evan is greeting his son, Dean, fourteen years late. The boy had been shuttled secretly to another city, along with his teenaged mother, while still a newborn. Now his mother has passed away, and Evan is it—Dad. An instant single parent.   Evan was once lead guitarist for a hot band with a hit single; now 31, he gets by as a guitar instructor to middle-aged guys, and does menial work in a music shop. With Dean in the picture he has to change fast, which means facing up to the past, to his own father, and to the epilepsy that haunts him and threatens his every moment.

    In a dazzling narrative constellation, Beach’s characters contend with the strange and terrible and beautiful in life, and no outcome is certain. Begun as a series of Facebook status updates, 420 Characters marks a new turn in an acclaimed artist and illustrator’s career, and features original collages by the author.

    Then open up Young Americans, seems obvious what Jordan Castro is doing is revolutionary, he expressing emotions through poetry that have never been done before. The style, the way the subject matter is portrayed, even the meter, are new." - Noah Cicero (author of The Human War, The Insurgent, and more)“If you are a person who doesn’t really know what they are doing and you would like to read about another person who doesn’t really know what they are doing either, I recommend reading this poetry book. I enjoyed reading these poems. Or something.” - Chris Killen (author of The Bird Room)“I read these poems three times in one night, then put the duvet over my head and held my knees for a while. It’s good when something makes sense. I really really liked these poems.” - Ben Brooks (author of Grow Up)

    In “Animals,” an up-and-coming starlet harbors a complicated attraction toward her abusive director. In “Frank Advice for Fat Women,” an ethically compromised psychiatrist is drawn into the middle of a dysfunctional mother-daughter relationship. And in “The Imp,” a supernatural possession ruins a man’s relationship with his pregnant wife.Barrodale’s protagonists drink too much, say the wrong things, want the wrong people. They’re hounded by longings (and sometimes ghosts) to the point where they are forced to confront the illusions they cling to. They’re brought to life in stories that don’t behave as you expect stories to behave. Barrodale’s startlingly funny and original fictions get under your skin and make you reconsider the fragile compromises that underpin our daily lives.

    Translated now for the first time in a new bilingual edition with an introduction by translator Peter Smith and an afterword by Vanessa Place, BABYFUCKER belongs in the canon of twentieth-century provocations that includes Bataille's The Story of the Eye, Delany's Hogg, and Cooper's Frisk. For BABYFUCKER is, as Dennis Cooper says: "a stunning, exquisite, perfect, and difficult little benchmark of a novel that makes literature that predates it seem deprived."Fiction. Bilingual Edition. Translated from the German by Peter Smith.

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family's arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the "I-novel," a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English--and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.

    In doing so, she jeopardizes both the army scholarship that will secure her future and her relationship with her military family. But Judy’s doubts have escalated with the travesties of the war. Who is she if she stays in the army? What is she if she leaves?When the first date pulled in the Draft Lottery turns up as her birthday, she realizes that if she were a man, she’d have been Number One—off to Vietnam with an under-fire life expectancy of six seconds. The stakes become clear, propelling her toward a life-altering choice as fateful as that of any draftee.The Fourteenth of September portrays a pivotal time at the peak of the Vietnam War through the rare perspective of a young woman, tracing her path of self-discovery and a “Coming of Conscience.” Judy’s story speaks to the poignant clash of young adulthood, early feminism, and war, offering an ageless inquiry into the domestic politics of protest when the world stops making sense.

    Byatt's short fictions, collected in paperback for the first time, explore the fragile ties between generations, the dizzying abyss of loss and the elaborate memories we construct against it, resulting in a book that compels us to inhabit other lives and returns us to our own with new knowledge, compassion, and a sense of wonder.

    The kids in "Get Down "are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in "Get Down "are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in "Get Down "are antic, poignant, and utterly universal--they'll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in "Vibe," "Essence," and the anthology "Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    Living and working in Los Angeles, a young African-American woman finds herself torn between loyalty to her race and her commitment to a cause.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    An eleven-year-old black girl from South Central LA discovers the strangeness of moving to the suburbs and falling in love with a white boy. A pair of enthusiastic middle-aged Iranian sisters debate whether or not their futures hold children. A punk musician falls for a girl out of his league. A black lap dancer gives up her job to move in with her Greek actor boyfriend, who hasn’t managed to get roles in anything but porn movies. Whether bold or rueful, salacious or sweet, each voice in Break Any Woman Down is vibrantly authentic; together they add a fresh and welcome chorus to American literature.