The collection also suggests Klein's astonishing further range: painting and phenomenology, Baudelaire's A Season in Hell, "The Eclipse of the Work of Art," "Utopian Urban Planning," and many other issues in modern and Renaissance culture."For readers interested in the Italian Renaissance - its art, symbols, emblems, allegories, aesthetic theories, philosophy, and science - the essays of Robert Klein are capital works. I know of nothing in recent writings more thoughtful and searching. Klein's command of the old and new literature is impressively thorough, and ranges from the technical treatises on perspective to the abstruse speculations of the philosophers."'Form and Meaning' includes several challenging essays on the concepts underlying twentieth-century painting. These are the works of a keen mind, equally at home in philosophy and the history of art. - Meyer Schapiro"Klein had a prodigious intellectual curiosity and did not shut it off when faced with the works of his own time." - The New York Times Book Review

    It is the fifth book on masculinity and femininity (gender identity), carrying forward ideas examined in Perversion: The Erotic Form of Hatred.

    

    Appeared first time in Heavy Metal #15 (1978) to #28 (1979). Reprinted in New Tales of the Arabian Nights (1978) and in The Last Voyage of Sindbad (1988).Story: Jan Strnad. Art/Color(colored by overlays): Richard Corben (no signature, © 1978, 1979). Lettering: printed.Adaptación al cómic del clásico de la literatura oriental de la mano del dibujante Richard Corben y el guionista Jan Strnad. En España, cómic originalmente publicado por capítulos en la revista "1984" (Toutain Editor) desde su nº 10 (agosto de 1979).

    

    Series: The Cameo Collection