It was selected by Deb Olin Unferth as the winner of the 2010 Caketrain Chapbook Competition and is currently available from Caketrain Press.

    In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend's terror preparations. A wife finds that the key to her sex life lies in her dog’s electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

    In this collection, she evokes what it means to be young, to be a woman, to have both feet firmly planted both in this world & the virtual. She asks fascinating questions like, 'Is anyone moved by the plainness of raw skin anymore?' She makes you trust she's the necessary answers with intelligence & confidence. In this book, she builds an identity for herself, tears it down & builds herself anew. It's breathtaking to behold."--Roxane Gay, author of An Untamed State & Bad Feminist“The poems & prose pieces in this smart & complex collection illuminate the shape of a new, 21st century webcam feminism—one that questions its own ambitions, knows the shape of pornstar mouths & doubts the sanctity of individuality when pitted against the existential. Gabby writes with radical uncertainty about illusions of control, the limits of identity & what it means to still want to kiss another human amidst the screenshots. This is a book that invents its own female gaze & then, like a bad bitch, breaks the lens.”--Melissa Broder, author of Meat Heart“Gabby Bess’s Alone with Other People orchestrates an impressive catalog of young human want with a uncompromising style. In the span between its 1st phrase The sex can be rough & its last sentence, Panic, the reader forward thru a virtual rolodex of self-inquisition shaped by boredom, horror, aspiration, fear for future, wonder, lust. There’s a lot of intense light coming off this book full of screens & suns & large black dots.”--Blake Butler, author of Sky Saw“Don’t take me for crazy when I say that the verse “Hahaha, am I alone here?” is the one that best sums up Gabby’s incredible debut book, because it’s true. Thru each & every page that makes up Alone with Other People, the author manages to head out into the world with a sane, witty & protesting laugh. A laugh about the strength of woman, of youth, of poetry. When Gabby says hahaha, it also starts to unravel before our very eyes a series of texts that first & foremost find beauty in the mundane, followed by the universality of intimacy, & lastly (& most importantly): the sensation that with this book, we will never, ever feel lonely again.”--Luna Miguel, author of Bluebird & Other Tattoos“Of-the-moment, brilliant & triumphantly sad, Illuminati Girl Gang leader Gabby Bess’s debut Alone with Other People is a post-feminist, hyper selfconscious teen swansong of the Internet age. The line between girl body & Macbook is collapsed in these vignettes that riff from blog posts, text messages & tumblr memes, & what emerges is a “modern tragic figure who would sacrifice herself for whatever.”--Kate Durbin, author of E! Entertainment“Alone with Other People deftly deals with relationships in a highly mediated age–one that twists our perceptions of self & others. Gabby shows us how we can be simultaneously complicit in this culture but still have the desire to fight against it.”--Ann Hirsch, performance artist

    They know there are whole worlds out there that have never been seen, some as distant as the Amazon rain forest, others as close as a neighbor’s house, the curtains left open. Laura van den Berg helps us discover these worlds, blending the mundane and routine with the strange and unexpected. The search won’t always end with the stories—these restless narrators will always be left with mysteries unsolved, questions unanswered and hidden aches not quite healed—but what they see along the way will be nothing short of marvelous.Order here.

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

    Tatiana Ryckman chronicles the struggles of a long-distance relationship from summer to summer, forming a series of unsent musings to the beloved by the unnamed lover— all while keeping names and gender anonymous. At times funny, this sexy, charged, and deeply felt creation captures what loving from a distance can bring upon all of us.Cover art by Kyle William Butler

    With a visceral bite or a surreal edge, each electrically charged story in Circling the Drain presents women trying to understand the nature of loss--of leaving or being left--and discovering that in the throes of feverish conflict, things are rarely what they seem. By turns dark and lyrical, ferocious and playful, these stories are precise, startling, and undeniably original. Reading them is a cathartic, mesmerizing literary experience.

    A young woman named Foe has lost her memory and six messengers who attempt to recite her past back to her inevitably - and creatively - fail. Parts Kafka, Lewis Carroll, and Aesop, the imagistic allegory warns that in a culture of texting, email, and Twitter, we can't forsake real conversation - or we could lose its art forever. - Interview Magazine, Dec/Jan 2010.An exquisite memento of wildly imagined scenes, odd characters, and nightmares confused with waking life, a slipstream loop where bureaucracy and hallucination are so intertwined that you’re often confused which is the most absurd. - The Brooklyn Rail, April 2010.

    This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.” —Maggie Nelson“A Bestiary is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head¬long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘literature’ and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.” —Wayne Koestenbaum“The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writing can be has been restored.” —Lidia YuknavitchLily Hoang is the author of four books, including Changing, recipient of a PEN Open Books Award. She has two novels forthcoming: Old Cat Lady and The Book of Martha and she co-edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She teaches in the MFA program at New Mexico State University, where she is Associate Department Head. She serves as Prose Editor at Puerto del Sol and Non-Fiction Editor at Drunken Boat.

    Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    Robert Swartwood was inspired by Ernest Hemingway's possibly apocryphal six-word story—"For Sale: baby shoes, never worn"—to foster the writing of these incredibly short-short stories. He termed them "hint fiction" because the few chosen words suggest a larger, more complex chain of events. Spare and evocative, these stories prove that a brilliantly honed narrative can be as startling and powerful as a story of traditional length. The 125 gemlike stories in this collection come from such best-selling and award-winning authors as Joyce Carol Oates, Ha Jin, Peter Straub, and James Frey, as well as emerging writers.

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

    A pizza shop worker goes on a series of visceral dates with her gynecologist; a slighted lover coughs up a forgotten childhood toy; an artist unknowingly becomes the subject of an intrusive admirer’s lust; a woman has a heated staring contest with the world’s oldest man. Powerful and precise, Rivas’s stories highlight the unreality within the real, simultaneously evoking humor, outrage, and awe.Contest judge Rigoberto González writes: “With this marvelous collection of short stories, Rivas places her finger on that pressure point, where adventure and dangerintersect, where fantasy and reality cross wires, and where desire ebbs and flows to the delight—or chagrin—of her female protagonists. Each story, unpredictable and startling,leaves a lasting impression. A Bright and Pleading Dagger is truly a compelling and unforgettable journey into the dark but poignant experiences of women.”

    They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment.       Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent.  In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home.      In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life.       Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson