Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Hailed as “an essential book for those seeking self-love,” this heartfelt anthology lends voice to the heartbreak and healing of our soul’s quest to reunite with whom we always hoped we could be—ourselves.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    The wildly inventive imagery in these cinematic pieces lodges them somewhere between the surreal and the pure symbol, colorful and smooth like the lyrics of John Ashbery or Linda Pastan. In Chelotti’s poems, diamonds talk and sheriffs balance frogs on the tips of pens.The rain says, Listen to Debussy,go ahead, Debussy will fix you.—From “Migraine Cure”The secret to including everythingis to intricately divide your mindand then, all of a sudden,undivide it.—From “Still Life on a Scrolling Background”

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    From four-time "Essence"-bestselling author Lee comes the compelling tale of a marriage that is tested when infidelity--and tragedy--come into play.

    

    It was a "big country needing big men and women to live in it." Here are three more of his fine short stories about the West. West of the Tularosa Ruth Kermitt, owner of the Tumbling K ranch, made a deal with old Tom McCracken, owner of the Firebox spread, to buy his ranch. That's why the Tumbling K's foreman, Ward McQueen, and some of the Tumbling K crew have come to take possession. But in a deserted bunkhouse on the Firebox, they find the body of Jimmy McCracken, son of the former owner, who was clearly killed in a gunfight. Then, Sheriff Bill Foster shows up with a posse. Riding with that posse is Neal Webb, who claims that he owns the Firebox and that he's got a transfer deed signed by Jimmy McCracken conveying that ownership. Webb seizes the opportunity to accuse Ward McQueen and his men of killing McCracken in order to claim possession of the Firebox. Despite his innocence, McQueen sees that he will have a tough time staying out of jail long enough to discover who the real killers are. Home in the Valley Steve Mehan had accomplished what many had believed to be impossible. He had taken cattle from the home range in Nevada to California in the dead of winter. Not only that, he had been successful in selling them. Now the money from the sale is on deposit with the Dake & Company bank in Sacramento. That $24,000 will save all five ranches in Paiute Valley that had supplied cattle for the drive. Mehan is feeling good about all of this when, to his shock, he reads in the newspaper that Dake & Company has failed. And there is one nasty hombre who is mighty happy to hear this. He sneeringly tells Mehan that those ranchers have lost out and since they can't pay their debt--and he will become the new owner. But Mehan isn't ready to give up. There is a bank branch in Portland, Oregon, and if Mehan can get to it and withdraw the money before the steamer boat heading for Portland arrives with the news of the bank failure, he wins. To do that, Mehan will have to start out immediately, hoping for stamina, luck, and a long relay of good horses to cover those hundreds of miles. West Is Where the Heart Is Jim London is on his way home. During the four years of the War between the States, he has not been home, seen his wife, Jane, or been able to send word of his whereabouts. For all she knew, he was dead. Fellows have told him she wouldn't have waited for him, but London believes differently. Then, just two hundred miles from home, London comes across a burned-out wagon train. Nine wagons had been hit by the Comanches, and they left only a ruin behind: overturned wagons, dead livestock, ransacked belongings, and dead bodies strewn on the ground. Yet Jim discovers that not everyone is dead. He finds little Betty Jane, a five-year-old who had been able to hide successfully during the attack. The only thing to be done is for him to take her along with him. But during their journey, he discovers that the child knows something that no one else does.

    

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    DE VEYRAhas published two books of poetry: Subterranean Thought Parade and Shadowboxing in Headphones. He has won the Don Carlos Palanca Memorial Awards for Literature, the Free Press Literary Awards, and the very first National Commission for Culture and the Arts' Writers' Prize for Poetry. He also fronts the spoken word-jazz-rock band Radioactive Sago Project and currently works as a host and writer for the News and Public Affairs programs of TV5. This is his third collection of poems.

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book ReviewQuietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see.Shirt in HeavenCome upon a snapshotof secret you, smiling like FDR, leaning on your crutches—come upon letters I thought I'd burned—I suppose you've got a place with lots of stairs.I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat downin the hospital morgue, next to your body, & cried.He yelled at the aide to get out.His two sons had been your students.—me too, little-knowing—Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.