Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    Written with unsparing honesty, these stories vividly illustrate love's complexities, the intricacies of family relationships, struggles with sexual identity, and the specter of AIDS. Whether chronicling a dying man's acts of vandalism, a divorcée under house arrest, a Mormon couple's potluck dinner for their few homosexual acquaintances, or a young Los Angeles boy's sexual awakening, the stories in Guess Again are full of wit, subtlety, and emotional generosity.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    She owns a landscaping business, she tends her plants, lives alone, and secretly crushes on her favorite nonbinary garden center employee, Polly. Between anxiety and modesty, Sloane's never planning on telling Polly she likes them. She'll just be admiring from afar while she deals with her demanding family and fulfills her sister’s order.Polly Stanwick loves people. She has the best time working at Blooms, talking to customers, hanging out with the kids, and generally being a ray of sunshine. When they hear their regular, Sloane Abbott, is having a rough day, they naturally sweep in to help.What neither of them is expecting is for Polly's colleague to suggest her as a fake date for Sloane's weekend with her family. For Sloane, it’s the only way to avoid the heteronormative life her parents will push on her, so despite her misgivings, she agrees. It’s only one weekend, right?Fooling the Abbotts into thinking she and Polly are a couple is easy, but for Sloane, handling her own feelings is harder. Holding hands and sharing a bed doesn’t make things any easier—nor does Polly being there for her in all the ways she ever wished somebody would.Sometimes the hardest thing to face is our own potential to grow.The Art of Growing is a 75k-word slow-burn, friends-to-lovers, fake-dating romance over a weekend full of mutual pining and blurred lines. Content warnings for on-page sex scenes, abusive family dynamics, off-screen references to past abusive relationships, anxiety attacks, and useless sapphics.

    So Tucker says it’s her, even though it’s not, to stop the finger pointing. She was an out lesbian in high school, and she figures she can stare down whatever gets thrown her way in college. It can’t be that bad.Ella Ramsey is making new friends at Freytag University, playing with on-campus gamers and enjoying her first year, but she’s rocked by the sight of a slur painted on someone else’s door. A slur clearly meant for her, if they’d only known.New rules, old prejudices, personal courage, private fear. In this stunning follow-up to the groundbreaking Being Emily, Rachel Gold explores the brave, changing landscape where young women try to be Just Girls.

    

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    Time to make your dreams come true.

    The first major collection of plays by leading lesbian playwright Paula Vogel.

    Hamilton - a twisting tale of sex, secrets, and obsession.Clo is leading a loveless life as a high class escort for women. She's always had a dream of the ideal partner, but after a bad experience with love when she was young, figures she is better off on her own. Right now, she's supposed to be meeting her best friend. But tonight, Clo has to work.It's early evening and Mrs. Hamilton waits for an escort on the balcony of her London hotel suite. It's cold, and she feels ice in her veins that has nothing to do with the chilly air. Too much pain, betrayal, and lost desire. What is she thinking, that the touch of a stranger will heal her broken past? But her appointment is with Clo, and the touch of this beautiful young woman lights torches Mrs. Hamilton didn't know she carried. Clo doesn't even feel like a stranger. She feels dangerously like someone Mrs. Hamilton wants to know.But love, passion, and desire never seem to know the right time, or place. Neither do secrets, especially when everyone's keeping them, as call girl Clo and her friends are about to find out. From London to Oxfordshire, the past collides with the present with repercussions no one could imagine or will ever forget.

    Michelle is playful, determined and ambitious - Despite being the only child of a teenaged, alcoholic mother who sometimes lets her judgment of the men she allows in their home throw wrenches in her relationship with her daughter. Michelle knows what she has to do to leave the small, redneck surf town in Florida where she's lived her entire life to make it as a singer in Hollywood. Nothing - and nobody - will come between her and that goal. Alexis, who moves to Florida from New York City with her Jewish father, French Catholic mother and autistic younger brother, is wildly intelligent and becomes instantly enamored with the feisty Michelle after she accidentally wipes out in their driveway on her skateboard. Over the course of a year, the two girls become close, passionately involved best friends and, as high school starts, they begin to question whether their feelings toward one another are 'normal' and 'right', two things that Michelle desperately knows she needs to be in order to fit into their tiny, prying town. As high school progresses, rumors of their relationship surface among the other students. Michelle throws their friendship - and everything else - to the wayside, shattering Alexis's heart in the process and forcing Michelle to realize that no matter how much she tries to control her actions, she still can't control her feelings. Ten years after high school and Michelle is at the brink of stardom. Having just finished her first international tour, a guilty conscience forces the twenty-seven year old singer to return to Florida after her mother is involved in a bad car accident. Disillusioned with the direction of her career, she leaves her cautious, nit-picky agent and action movie star boyfriend - who is harboring a deep secret of his own that could ruin his image and career if it were to go public - to return home, tend to her mother and be back in Hollywood just in time to accompany Tyler to the premiere of his newest summer blockbuster. What on Earth could go wrong? What nobody, not even Michelle, counts on is crossing paths with Alexis Vlodosky again. Alexis is eager to move on after finishing her residency at the hospital as the harsh memories of high school have soured her taste of this small town. After one night, they quickly realize that the fire is still burning deep within each of them. Michelle has to make a decision, but when faced with scores of paparazzi, an alcoholic mother desperate to make amends before her own secret is revealed, run-ins with unsavory past acquaintances, gossipy nurses, a neurotic agent and a fake boyfriend that needs Michelle for his image just as much as she needs him for hers, who will run first?

    In A Ghost in the Closet, dark-haired, muscular Frank and his lovable kid brother Joe return from a gay trip to Europe to find that their parents -- world-famous detective Fennel P. Hardly and his wife, Mrs. Hardly -- have been kidnapped! Even worse, so have six poodles from the Lake Merrimen Dog Show! Pals Nancy Clue, Cherry Aimless, R.N., and Police Detective Jackie Jones help the Hardly boys track down the criminals -- and in the meantime, pick up useful tips on fingerprinting, evidence retrieval, and the laundering of sporty twill slacks. Like her beloved camp classics, The Case of the Not-So-Nice Nurse and The Case of the Good-For-Nothing Girlfriend, Mabel Maney's A Ghost in the Closet brilliantly parodies 1950s boys and girls adventure series. Pull on a casual rayon shirt and join the queer caper!

    Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart. Valencia conveys a blend of youthful urgency and apocalyptic apathy.

    Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.