Burroughs, profit is king and aliens are the kingmakers. Earthlings have bowed to their superior power and weaponry, though the aliens—praying-mantis-like Grodos with pheromonal speech and gargantuan Collosaurs with a limited sense of humor—kindly allow them to do business through properly controlled channels. That’s where our hero comes in, name of Raymond. As part of the android police force, this positronic robot detective navigates both worlds, human and alien, keeping order and evaporating wrongdoers. But nothing in his centuries of experience prepares him for Makrow 34, a fugitive Cetian perp with psi powers. Meaning he can alter the shape of the Gaussian bell curve of statistical probability—making it rain indoors, say, or causing a would-be captor to shoot himself in the face. Raymond will need all his training—and all his careful study of Chandler’s hardbitten cops—to meet his match. As he did in his brilliantly funny and sharp science-fiction parables A Planet for Rent, Super Extra Grande, and Condomnauts, Yoss makes the familiar strange and the strange familiar in Red Dust, giving us an unforgettable half-human hero and a richly imagined universe where the bad guys are above the laws of physics.

    An impressive and very funny collection of stories by Teresa Solana but the fun is very dark indeed. The oddest things happen. Statues decompose and stink out galleries, two old grandmothers are vengeful killers, a prehistoric detective on the verge of becoming the first religious charlatan trails a triple murder that is threatening cave life as the early innocents knew it. The collection also includes a sparkling web of Barcelona stories--connected by two criminal acts--that allows Solana to explore the darker side of different parts of the city and their seedier inhabitants.

    Pavlova combines rich narrative prose that details balls, tea parties, and horseback rides with poetic interludes that depict her protagonist’s inner world—and biting irony that pervades a seemingly romantic description of a young woman who has everything.A Double Life tells the story of Cecily, who is being trapped into marriage by her well-meaning mother; her best friend, Olga; and Olga’s mother, who means to clear the way for a wealthier suitor for her own daughter by marrying off Cecily first. Cecily’s privileged upbringing makes her oblivious to the havoc that is being wreaked around her. Only in the seclusion of her bedroom is her imagination freed: each day of deception is followed by a night of dreams described in soaring verse. Pavlova subtly speaks against the limitations placed on women and especially women writers, which translator Barbara Heldt highlights in a critical introduction. Among the greatest works of literature by a Russian woman writer, A Double Life is worthy of a central place in the Russian canon.

    Shows a combination of innocence and power as reflected through the narratives the Rashmila Shakya.

    1950s Prague is a city of numerous daily terrors, of political tyranny, corruption and surveillance. There is no way of knowing whether one’s neighbor is spying for the government, or what one’s supposed friend will say under pressure to a State Security agent. A loyal Party member might be imprisoned or executed as quickly as a traitor; innocence means nothing for a person caught in a government trap. When a little boy is murdered at the cinema, the ensuing investigation sheds a little too much light on the personal lives of the cinema’s female ushers, each of whom is hiding a dark secret of her own.

    Playing with Fire is written in the collective voice of women employed by a large NGO as activists in their communities and is based on diaries, interviews, and conversations among them. Together their personal stories reveal larger themes and questions of sexism, casteism, and communalism, and a startling picture emerges of how NGOs both nourish and stifle local struggles for solidarity. The Hindi edition of the book, Sangtin Yatra, published in 2004, created controversy that resulted in backlash against the authors by their employer. The publication also drew support for the women and instigated a public conversation about the issues exposed in the book. Here, Richa Nagar addresses the dispute in the context of the politics of NGOs and feminist theory, articulating how development ideology employed by aid organizations serves to reinforce the domination of those it claims to help. The Sangtin Writers, Anupamlata, Ramsheela, Reshma Ansari, Richa Singh, Shashibala, Shashi Vaish, Surbala, and Vibha Bajpayee, are grassroots activists and members of a small organization called Sangtin in Uttar Pradesh, India. Richa Nagar teaches women’s studies at the University of Minnesota.

    A train driver's life is upended when he hits a laughing man on the tracks on his night shift. A night watchman patrolling outside a home for immigrants falls in love with a nameless immigrant. A lonely train cleaner makes friends with a hairdresser in the train station bar. A young man finds himself unable to return to his home after a break-in, and wanders the city in a state of increasing unrest. Unsentimental yet deeply moving, DARK SATELLITES is a collection of stories from our time, as dark as the world, as beautiful as the brightest of hopes.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    Their desire to lead a genuine existence forces them to confront difficult decisions, and to break out of comfortable routines.Karl and Marina have been together for ten years and have a young son, Simón. Karl is a German-born oboist at Argentina’s national orchestra, and Marina is a meteorologist. On a field trip, she meets fellow researcher Zárate, and what might have been just a fling starts to erode the foundations of her marriage. Then there is Amer, a dynamic and successful taxidermist. At a group therapy session for smokers, Amer falls for the younger Clara. While the relationship between Karl and Marina disintegrates, the love story between Amer and Clara is just beginning – or is it already at an end? One of Argentina’s leading contemporary writers, Jorge Consiglio portrays the inner worlds of these characters through the minute details of their everyday lives, laying bare their strivings and their frustrations with a wry gaze, and seeking in this close-up texture a deeper truth.

    They regard their disappointment in him as an act of betrayal on his part, and react violently.

    Despite war, repression and censorship, a renaissance has taken place in Iran over the last 25 years - a renaissance hidden from Westerners since the Iranian revolution of 1979. "Strange Times, My Dear" brings the first ever translated selection of work from three generations worth of the best in Iranian writing - featuring short stories, novel extracts and poems from over 40 contributors - to the English speaking world. For thousands of years, multiple ethnicities, languages and religions have co-existed in Iran - and continue to do so despite traumatic events and the oppression of recent decades. Their literature has flourished in adversity, producing works of diverse beauty and incalculable importance. "Strange Times, My Dear" reveals a major and largely undiscovered branch of world literature for the first time.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Next to him a piece of paper unfolds like the wings of a butterfly, and on it is an image that Jia Jia can't forget.Profoundly troubled by what she has seen, even while she is abruptly released from a marriage that had constrained her, Jia Jia embarks on a journey to discover the truth of the sketch. Starting at her neighbourhood bar, with its brandy and vinyl, and fuelled by anger, bewilderment, curiosity and love, Jia Jia travels deep into her past in order to arrive at her future.Braised Pork is a cinematic, often dreamlike evocation of nocturnal Beijing and the high plains of Tibet, and an exploration of myth-making, loss, and a world beyond words, which ultimately sees a young woman find a new and deeper sense of herself.

    Her life in danger, she joins the rebellion in the hills, where her comrades force her to give up the baby she conceives. Years later, having outlived countless men, she leaves to find her lost daughter, travelling across the Atlantic with meagre resources. She returns to a community riven with distrust, fear and hypocrisy in the wake the revolution.Hernandez’ narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.