Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    The present volume selects thirteen other tales of mystery and the macabre, including the works of James Hogg, J.S. LeFanu, Letitia Landon, Edward Bulwer, and William Carelton. The introduction surveys the genesis and influence of The Vampyre and its central themes and techniques, while the Appendices contain material closely associated with its composition and publication, including Lord Byron's prose fragment Augustus Darvell.JOHN POLIDORI - The VampyreHORACE SMITH - Sir Guy Eveling's DreamWILLIAM CARLETON - Confessions of a Reformed RibbonmanEDWARD BULWER - Monos and DaimonosALLAN CUNNINGHAM - The Master of LoganANONYMOUS - The VictimJAMES HOGG - Some Terrible Letters from ScotlandANONYMOUS - The CurseANONYMOUS - Life in DeathN. P. WILLIS - My Hobby,--RatherCATHERINE GORE - The Red ManCHARLES LEVER - Post-Mortem Recollections of a Medical LecturerLETITIA E. LANDON - The Bride of LindorfJOSEPH SHERIDAN LE FANU - Passage in the Secret History of an Irish Contess

    He was surviving alone, outside the war, until he happened to win a cake at the fête. From that moment, he is ruthlessly hunted by Nazi agents and finds himself the prey of malign and shadowy forces. This Penguin Classics edition features an introduction by Alan Furst.

    Howard is one of the most famous and influential pulp authors of the twentieth century. Though largely known as the man who invented the sword-and-sorcery genre-and for his iconic hero Conan the Cimmerian-Howard also wrote horror tales, desert adventures, detective yarns, epic poetry, and more. This spectacular volume, gorgeously illustrated by Jim and Ruth Keegan, includes some of his best and most popular works.Inside, readers will discover (or rediscover) such gems as "The Shadow Kingdom," featuring Kull of Atlantis and considered by many to be the first sword-and-sorcery story; "The Fightin'est Pair," part of one of Howard's most successful series, chronicling the travails of Steve Costigan, a merchant seaman with fists of steel and a head of wood; "The Grey God Passes," a haunting tale about the passing of an age, told against the backdrop of Irish history and legend; "Worms of the Earth," a brooding narrative featuring Bran Mak Morn, about which H. P. Lovecraft said, "Few readers will ever forget the hideous and compelling power of [this] macabre masterpiece"; a historical poem relating a momentous battle between Cimbri and the legions of Rome; and "Sharp's Gun Serenade," one of the last and funniest of the Breckinridge Elkins tales.These thrilling, eerie, compelling, swashbuckling stories and poems have been restored to their original form, presented just as the author intended. There is little doubt that after more than seven decades the voice of Robert E. Howard continues to resonate with readers around the world.

    He’s the “most likable creation” (The New York Times) of “one of the master storytellers of this or any age” (The Tampa Tribune). And he’s got one hell of a hidden talent. If you don’t know his name by now, you’re the odd one out. Now catch up with the first seven novels of Dean Koontz’s beloved series in one convenient eBook bundle:  ODD THOMASFOREVER ODDBROTHER ODDODD HOURSODD APOCALYPSEODD INTERLUDEDEEPLY ODDAlso includes an excerpt from Dean Koontz’s riveting, soul-stirring novel, The City.  “The dead don’t talk. I don’t know why.” But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Meet Odd Thomas, a gallant young sentinel at the crossroads of life and death who has won hearts on both sides of the divide. Sometimes the silent souls who seek out Odd want justice. Occasionally their otherworldly tips help him prevent a crime.   You’re invited on an unforgettable journey through a world of terror and transcendence to wonders beyond imagining. And you can have no better guide than Odd Thomas.  Acclaim for Dean Koontz and his Odd Thomas novels  “This is Koontz working at his pinnacle, providing terrific entertainment that deals seriously with some of the deepest themes of human existence: the nature of evil, the grip of fate and the power of love.”—Publishers Weekly (starred review)  “Supernatural thrills with a side of laughs.” —The Denver Post   “One would be hard-pressed to find a more satisfying read. . . . Not since Watchers has Dean Koontz created such an endearing and enduring character as Odd Thomas. . . . A superb story from one of our contemporary masters.”—San Antonio Express-News  “An inventive . . . mix of suspense, whimsy and uplift.”—The Washington Post  “Heartfelt and provocative . . . a wonderfully rich and entertaining story.” —Chicago Sun-Times

    But for the Royal Air Force pilot who has just taken off from West Germany, this single-seat jet is the only way to make it back to England for Christmas morning. His flight plan is simple; the fuel tank is full. In sixty-six minutes, he will be back in Blighty. But then the plane begins to fail. First the compass goes haywire, then the radio dies. Lost and alone above the English coast, the pilot is searching for a landing strip when the fog closes in, signaling certain death. He has given up hope when a second shadow appears—a Mosquito fighter-bomber of World War II vintage. The plane is a “shepherd,” guiding the Vampire to a safe landing, and its appearance is a gift from fate, a miracle out of time—but for one lonely pilot, the mystery has just begun.

    A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.

    An alternative title, All is True, is recorded in contemporary documents, the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.[1]During a performance of Henry VIII at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original building to the ground.

    From this moment on, their lives become webs of deceit and revelation as they vie to outwit and expose one another.Their rivalry will take them to the peaks of their careers, but with terrible consequences. In the course of pursuing each other's ruin, they will deploy all the deception their magicians' craft can command--the highest misdirection and the darkest science.Blood will be spilled, but it will not be enough. In the end, their legacy will pass on for generations...to descendants who must, for their sanity's sake, untangle the puzzle left to them.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    But this year strange things were happening, terrifying things that had never happened before. Inexplicable sounds and smells; new, unimaginable creatures half glimpsed through the leaves. What the people didn't, and perhaps never would, know, was that the day of their people was already over.From the author of Lord of the Flies, The Inheritors is a startling recreation of the lost world of the Neanderthals, and a frightening vision of the beginning of a new age.

    And when an elite SS extermination squad is dispatched to solve the problem, the men find a something that's both powerful and terrifying. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.Panicked, the Nazis bring in a local expert on folklore―who just happens to be Jewish―to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way―a man who awoke from a nightmare and immediately set out to meet his destiny.The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Now, no one remembers her hardworking life and her grand dreams--but she remembers. She remembers everything. Emma Rose still walks the coves and cliffs of her village, one hundred years after her death . . . and she doesn't plan on leaving.But when a determined hunter arrives with instructions to "clean" Emma Rose out of her haunt, the stately Lambry mansion, death suddenly isn't the worst fate imaginable. Emma Rose refuses to be hounded from the only place she's ever found peace, even if it means waging a war on the living . . . and the dead.Lyrical and haunting, this spellbinding American ghost story alternates between Emma Rose's life and afterlife as the past and present become entwined in a compelling tale of love, loss, and tenacity over a century in the making.