Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

    Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.

    The Milk Train Doesn't Stop Here Anymore is a passionate examination of a woman's life as she recounts her memoirs in the face of death. In The Night of the Iguana a group of diverse people are thrown together in an isolated Mexican hotel, all imprisoned in their own way.

    Each entry provides a full commentary which examines problems of interpretation in both historical and anthropological terms, and in light of contemporary research.

    Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas. As young Pyle's well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But Fowler's motives for intervening are suspect, both to the police and himself, for Pyle has stolen Fowler's beautiful Vietnamese mistress.First published in 1956 and twice adapted to film, The Quiet American remains a terrifiying and prescient portrait of innocence at large. This Graham Greene Centennial Edition includes a new introductory essay by Robert Stone.

    First published in 1955, it marked Brian Moore as a major figure in English literature (he would go on to be short-listed three times for the Booker Prize) and established him as an astute chronicler of the human soul.Judith Hearne is an unmarried woman of a certain age who has come down in society. She has few skills and is full of the prejudices and pieties of her genteel Belfast upbringing. But Judith has a secret life. And she is just one heartbreak away from revealing it to the world.

    Exploring once again the dilemma of the outsider in an alien society, and the gap in understanding between cultures—recurrent themes of Paul Bowles's writings—The Spider's House is dramatic, brutally honest, and shockingly relevant to today's political situation in the Middle East and elsewhere.

    But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

    Aanappooda2. Manthracharadu3. Balayugam Pradhinidhikal!4. Valsarajan5. Ente nylon kuda6. Aashupathriyile maranam7. Oru bhaaryayum bharthavum

    Included are all of your favorites, ranging from Yankee Doodle Came to Town and A Frog He Would A-Wooing Go to Baa, Baa, Black Sheep, Jack and Jill and Old Mother Hubbard. And complementing the rhymes are nearly a hundred illustrations, including reproductions of early art found in ballad sheets and music books, which highlight the development of children's illustrations over the last two centuries.With each piece, Iona and Peter Opie introduced a wealth of information, noting the earliest known publications of the rhyme, describing how it originated, illustrating changes in wording over time, and indicating variations and parallels in other languages. Moreover, in the general introduction, the Opies discuss the different types of rhyme and the earliest published collections, and they address such questions as who was Mother Goose and whether or not individual rhymes originally portrayed real people. For this second edition, the notes have been updated and extended in light of recentscholarship, providing an unrivaled wealth of literary and bibliographic information.The Oxford Dictionary of Nursery Rhymes is now more than ever an indispensable reference source for scholars and book collectors as well as a volume to be treasured by parents and children alike.

    Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses.Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkins—a budding writer—shares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widermerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. Considered a masterpiece of modern fiction, Powell's epic creates a rich panorama of life in England between the wars.Includes these novels: A Question of Upbringing A Buyer's Market The Acceptance World

    Using lively anecdotes, Fleming shows how the styles are linked together by common purposes, themes, and ideas.

    Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    In a wonderful twist on her subjects, she has written a book inspecting the behavior of a group of anthropologists. She pits them against each other in affairs of the heart and mind.Academia is an especially rich backdrop. There is competition between the sexes, gender, and age groups. With Pym's keen eye for male pretensions and female susceptibilities, she exploits with good humor. Love will have its way even among the learned, one of whom is in a quandary between an adult and a young student. This is the world of research, grants, libraries and primitive cultures. Here is a particularly interesting contrast between the tribes of Africa and the social matrix of London. As the title implies, civilized society fares not too well on moral grounds to the more primitive societies. Barbara Pym does a masterful job with the mores of the cloistered society of academia.

    He relates his youth in a cycle of growing-up stories, beginning before he enters school and culminating with the loss of friends to the Vietnam War. The characters are memorable: Miss Daisy--one of the six Boring sisters, teachers every one; Daff-Knee Garlic, owner of the Sulpher Springs Big-Screen Drive-In Theater; and Aunt Laura, who knows to listen for the crack of dawn. Developed in oral performance, Davis's stories resonate in the experiences of his listeners and readers. These stories will teach readers the importance of caring, fairness and respect.

    An avid hunter as well as one of America's greatest writers, Faulkner spent many days hunting in the big woods near Oxford, Mississippi.Included here is his most famous hunting story, "The Bear", as well as "The Old People", "A Bear Hunt", and "Race at Morning". Together, these four stories are considered to be the finest hunting stories ever written. Each is introduced with a prelude that weaves these tales together into a modern American classic.This book, a classic collection of sporting literature, belongs in the library of every sportsman. Big Woods was published in 1955. It has long been out of print in hard cover, and a copy of the book commands up to $175 if you can find one. We are honored to offer you a special edition of Big Woods.This edition of 1,200 copies is bound in rich cloth on 70-pound acid-free paper, with a silk ribbon and a handsome slipcase.

    It includes three examples of his naturalism -- The Father, 1887; Miss Julie, 1883; The Stronger, 1890 -- two of his expressionism -- A Dream Play, 1902; The Ghost Sonata, 1907 -- and Easter, a play whose interest derives from Its defying either of these categories.On these new translations by Elizabeth Sprigge, whose biography of Strindberg is the standard work on that figure, the American reader will have his first opportunity to know the true genius of the great Swedish playwright, for Miss Sprigge's unique achievement has been to render the original texts into an English that is at once fluent and accurate and to provide plays that capture the full vigor and impact of the original.

    Beginning with the earliest English ballads and selections from the King James Version of the Bible, the book continues with the immortal works of Shakespeare, Donne, Milton, Pope, Whittier, Poe, Tennyson, and many others, concluding with an outstanding array of 20th-century poetry by such luminaries as Wallace Stevens, Dylan Thomas, and Marianne Moore. Louis Untermeyer--the renowned critic, biographer, and teacher who edited this remarkable work--is said to have introduced more poets to readers and more readers to poetry than any other American. Treasury of Great Poems is indexed by poet, poem and first lines.

    Her first book, North & South, won the Houghton Mifflin Poetry Award and seldom has a new collection of poems been greeted with such critical enthusiasm.

    Now considered the standard canon of modern Japanese writing translated into English, Modern Japanese Literature includes concise introductions to the writers, as well as a historical introduction by Professor Keene. Includes: Growing Up by Ichiyo, a lyrical story of pre-adolescence in the 90s; Natsume’s story of Botchan, an illustarred and ineffectual Huck Finn; Nagai’s The Sumida River; Kokomitsu’s Kafkaesque Time; Kawabata’s The Mole; Firefly Hunt; a glimpse into Tanizaki’s masterpiece Thin Snow; and the postwar work of such writers as Dazai and Mishima.

    He found a country broken by the Civil War, but the totems of indestructible Spain survive; the Christ in agony, the thrilling flamenco cry, the gypsy intensity in vivid whitewashed slums, the cult of the bullfight, the exultation in death, the humour of hopelessness and the paradoxes deep in the fiery bones of Spain. Rich with kaleidoscopic images, A Rose for Winter is as evocative as the sun-scorched landscape of Andalusia itself.Cover Photograph: Irene Lamprakou

    Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.

    It could be said that only in these short works, with their dramatic clarity and immediacy, did Lawrence fully realize his entirely original vision of the erotic and of the power of the irrational in human affairs.

    Centered on the figure of Grade's mother, Vella - simple, pious, hard-working - this is a richly detailed account of the ghetto of his youth, of the lives of the rabbis, the wives, the tradesmen, the peddlers, and the scholars. We see Vella, desperate after losing her husband, become a fruit-peddler, struggling to survive poverty and to remain true to her faith in the face of human pettiness and cruelty. We follow Grade as he walks in the footsteps of his scholar father, a champion of enlightenment; we see him entering marriage, and his mother finding some peace of mind in a marriage of her own - all of this in a world recalled with extraordinary physical and emotional intensity. Then, World War II. The partition of Poland between the Soviet Union and Germany is followed by the new German invasion of June 1941. Grade - believing, as do so many others, that the Nazis pose a danger chiefly to able-bodied men like himself - flees into Russia. In his travels on foot and by train he meets a fascinating, kaleidoscopic array of characters: the disillusioned Communist Lev Kogan; the durachok, or simpleton, a young prisoner who, mistaken for a German spy, is shot when he jumps from a train; the once-prosperous lawyer, Orenstein, who virtually becomes a beggar, dies and is buried by strangers in a remote Central Asian village. With the war's end, Grade returns to Vilna - to find the ghetto in ruins, to learn that his wife and his mother have gone to their deaths - and he is left with nothing but memories. But it is here, amid the devastation of a people, that he finds the compulsion and the passion to commit to paper the world that has been lost.

    S. Eliot (1888-1965) was the dominant force in twentieth-century British and American poetry. With poems such as "The Love Song of J. Alfred Prufrock, " he introduced an edgy, disenchanted, utterly contemporary version of French Symbolism to the English-speaking world. With his masterpiece "The Waste Land, " he almost single-handedly ushered an entire poetic culture into the modern world. And with his enormously influential essays he set the canonical standards to which writers and critics of poetry have adhered throughout our era.

    They grew up outside of Charlottesville, Massachusetts in the early 1900s, when there were runaway horses, when lightning came down chimneys, when there were bats in piazza awnings and rats to frighten the cook—and when a miracle could happen anytime."Theodore, Jane, Hubert, and Edie had to change for dinner every night but ran wild the rest of the time.

    

    

    Cartmell, and published by Dial Press in 1955. It is famous for being the favorite book of novelist Stephen King.Stories• I'm a fool by Sherwood Anderson• The happy hypocrite by Max Beerbohm• The devil and Daniel Webster by Stephen Vincent Benét• The damned thing by Ambrose Bierce• The Chink and the child by Thomas Burke• Paul's case by Willa Cather• Back for Christmas by John Collier• Youth by Joseph Conrad• The bar sinister by Richard Harding Davis• The Red-Headed League by Arthur Conan Doyle• A rose for Emily by William Faulkner• Old Man Minick by Edna Ferber• The rich boy by F. Scott Fitzgerald• The celestial omnibus by E.M. Forster• The three strangers by Thomas Hardy• The outcasts of Poker Flat by Bret Harte• The killers by Ernest Hemingway• The gift of the Magi by O. Henry• The Gioconda smile by Aldous Huxley• The monkey's paw by W.W. Jacobs• The man who would be king by Rudyard Kipling• The incarnation of Krishna Mulvaney by Rudyard Kipling• Champion by Ring Lardner• To build a fire by Jack London• The fly by Katherine Mansfield• Rain by W. Somerset Maugham• Big blonde by Dorothy Parker• The murders in the Rue Morgue by Edgar Allan Poe• The gold-bug by Edgar Allan Poe• Flowering Judas by Katherine Anne Porter• Tobermory by Saki• The leader of the people by John Steinbeck• Markheim by Robert L. Stevenson• A lodging for the night by Robert L. Stevenson• The lady or the tiger? by Frank R. Stockton• Monsieur Beaucaire by Booth Tarkington• The secret life of Walter Mitty by James Thurber• The celebrated jumping frog of Calaveras County by Mark Twain• The other wise man by Henry Van Dyke• Chickamauga by Thomas Wolfe

    

    

    

    Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

    The narrator and his wife, whose marriage is shaky, are stranded in a desolate Sicilian village and are taken, by a menacing guide, on a tour of poverty, misery, grotesquery, and morbidity.

    He was a champion of business who believed in profiting the old fashioned way. He was a libertarian who deplored the rise of big government. He was a constitutionalist who was aghast at how presidents and congresses shredded the document in times of economic crisis and war. He was the last of the great old-time liberals who opposed FDR's welfare-warfare state. Above all else, he was a brilliant student of the American experience who could tell a story like no one else of his generation. Garet Garrett's last book was his own retelling of American history, with a special focus on the technologies and people behind them that transformed life for average people, along with a relentless and truth-telling story about the rise of the state. These had been a theme of all of his work, from his novels of the 1920s to his case against the New Deal in the 1930s. His final work tells the story of the American people as its never been told, from an early experiment in freedom, and the fight against the powers in Washington that sought to suppress that freedom, all the way through the beginnings of a preventable Cold War. The images that the author presses on the mind in The American Story--a complete biography of a country--are vivid and telling, the product of a lifetime of study and the wisdom of age.

    

    Angelic, devilish, immoral, charming, self-destructive, given to alcoholic binges, he was not what the sober world of American academe had expected. Students loved him—although after his first few encounters with them, the girls had to be protected. And he made quick friends with countless American writers, journalists, and barflies, instantly creating a pop-culture mythology of the doomed artist for the late 20th century. The man who was Thomas’ patron and guide was the young poet John Malcolm Brinnin, who watched horrified—though utterly beguiled by the poet’s charm and genius—at Thomas’ slow descent into hell. This is his harrowing account of the poet’s tragic last years.

    In the Book and Sword, Louis Cha revives the legend about the great eighteenth-century Manchu Emperor Qianlong which claims that he was in fact not a Manchu but a Han Chinese as a result of a "baby swap." The novel is panoramic in scope and includes the fantastical elements for which Cha is well-known: secret societies, kungfu masters, a lost desert city guarded by wolf packs, and the mysterious Fragrant Princess.

    But the book is still of great value for the study of Lesbian poetry since it contains not only texts of most of the longer and more informative pieces, but also translations, commentaries, and explanatory essays. The primary purpose is to determine what may be said with reasonable certainty about the lives and literary achievements of the two poets, and to show how much they contribute to our understanding of the social and political conditions of the time.

    He wrote a record of the march across the Alps, but his account is lost. It served, however, as a main source for Polybius the Greek, who wrote about the Hannibalic war some forty-eight years after Cannae. And later still, almost two hundred years after that battle, Titus Livy wrote a history of the same events, using Polybius as a source. Livy differs from Polybius. And Polybius, before him, disagreed with Sosylos, for so he told us. "The reader is pursuing here more than a brilliant general, more than a gallant soldier. he is pursuing a much rarer incarnation--a true patriot. This book is offered as a tribute to the courage of that patriot. it was without the taint, so seldom absent, of a personal ambition."

    

    Jacket has minor edge wear on all edges and corners. Is priceclipped. NOT reprint publisher, NOT a worthless book of the month club edition, NEVER a library book.