Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    See the sample for the complete and navigable table of contents.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    Aleksandr Ivanovich Kuprin (1870-1938) was Russian novelist and short-story writer. He was an army officer for several years before he resigned to pursue a writing career, and was a friend of Maxim Gorky. He won fame with The Duel (1905), a novel of protest against the Russian military system. In 1909, Yama: The Pit, his novel dealing with prostitution in Odessa, created a sensation. Kuprin left Russia after the revolution but returned in 1937. Some of his best short stories of action and adventure appear in The Garnet Bracelet, originally published in 1917.

    K. Chesterton's fiction, The Ball and the Cross is both witty and profound, cloaking serious religious and philosophical inquiry in sparkling humor and whimsy. Serialized in the British publication The Commonwealth in 1905-06, Chesterton's second novel first appeared in book form in America in 1909, delighting and challenging readers with its heady mixture of fantasy, farce, and theology.The plot of The Ball and the Cross chronicles a hot dispute between two Scotsmen, one a devout but naive Roman Catholic, the other a zealous but naive atheist. Their fanatically held opinions—leading to a duel that is proposed but never fought—inspire a host of comic adventures whose allegorical levels vigorously explore the debate between theism and atheism.Martin Gardner's superb introduction to The Ball and the Cross reveals the real-life debate between Chesterton and a famous atheist that provided inspiration for the story, and it explores some of the novel's possible allegorical meanings. Appraising the book's many intriguing philosophical qualities, Mr. Gardner alerts readers as well to the pleasures of its "colorful style . . . amusing puns and clever paradoxes . . . and the humor and melodrama of its crazy plot."

    The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.

    As this collection confirms, he was one of our finest essayists as well. Gathered here in a single volume, these pieces reveal the complete range of this esteemed American writer and contain some of his best, funniest, and most caustic work. "English as She Is Taught," "What Is Man?," and "Letters to Satan" are among the seventy-seven essays, each featuring Twain's witty, vital, colorful style -- and reminding us why, nearly one hundred years after his death, he continues to be one of the most widely read and beloved of all American authors.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    Maxime, a rich and idle bachelor, intrudes on her independent existence and offers his love and the comforts of marriage. A provincial tour puts distance between them and enables Renée, in a moving series of letters and meditations, to resolve alone the struggle between her need to be loved, and her need to have a life and work of her own.

    Seemingly cursed with the inability to have children, the couple find themselves having to take responsibility for Sosuke's younger brother Koroku. Oyone's health begins to fail, and news that her estranged ex-husband will be visiting nearby finally promotes a sense of crisis in Sosuke and forces him temporarily to quit his life of quiet domesticity. Highly prized for the beauty of its description of the understated love between Sosuke and Oyone, the novel has nevertheless remained in many ways mysterious. An analysis of the novel by Damian Flanagan casts fresh insights into its complex symbolism and ideas, establishing The Gate as one of the most profound works of the modern age. Published in cooperation with the Japan Foundation and the Sasakawa Foundation, this novel is part of an international program to bring one of Japan's most popular author to a new international audience.

    Mark Twain, started writing as a young reporter for various newspapers and magazines and later saw fit to issue in book form. Many pieces appeared in rare, first printings, only to be dropped in subsequent editions; for this reason, readers will encounter a number of yarns and tall tales unavailable elsewhere, even in the collected works. More unvarnished than his short stories or novels, and more willing to indulge in fun for its own sake, these sketches comprise a substantial share of his literary apprenticeship and legacy. As brilliant, representative nuggets of Twain's humor in its purest form, they carry the imprint of Twain's wit, imagination, and humanism, his fresh and always idiomatic prose. From 1862's "Curing a Cold" to 1904's "Italian Without a Master," this collection allows readers to share Twain's vision of life as a strange and comic affair. No one interested in American humor (or in need of a good laugh) can long remain indifferent to this uproarious book.

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    With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone, Sanctuary, and Bunner Sisters, eight shorter pieces never collected by Wharton, and many stories long out-of-print.Her range of setting and subject matter is dazzling, and her mastery of style consistently sure. Here are all the aspects of Wharton's art: her satire, sometimes gentle, sometimes dark and despairing, of upper-class manners; her unblinking recognition of the power of social convention and the limits of passion; her merciless exposure of commercial motivations; her candid exploration of relations between the sexes.The stories range with cosmopolitan ease from her native New York to the salons and summer hotels of Newport, Paris, and the Italian lakes. The depth of her response to World War I is registered in such works as "The Marne". Of particular interest are the remarkable stories which treat occult and supernatural themes rarely encountered in her novels, such as the classic ghost stories "The Eyes" and "Pomegranate Seed".

    The small-town physician and surgeon maintains a grueling schedule, racing with his nurse from call to call in a powerful touring car, the Green Imp. He must contend with epidemics, professional jealousies, stubborn or deadbeat patients, and a lack of sophisticated surgical instruments. In this first volume of "Red Pepper" Burns stories, the doctor saves a friend from morphine addiction, takes in a young orphan, suffers an accident that may cripple his scalpel hand, and finally looks up from his work long enough to notice one of his many female admirers.

    The first of Roussel's two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a highly individual fashion and with an unusual time sequence, whereby the reader is even made to choose whether to begin with the first or the tenth chapter.A veritable literary melting pot, Roussel's groundbreaking text makes ample use of wordplay and the surrealist techniques of automatic writing and private allusion.

    Marlowe was an enigmatic character - part poet, scholar, soldier, spy and tavern brawler - and his legend continues to elude historians. This eBook provides readers with a new and erudite edition of Marlowe’s works, offering every play, poem, translation and much more. Now you can truly own all of Marlowe’s works and a range of BONUS material on your Kindle, and all in ONE well-organised file.CONTENTSThe PlaysDIDO, QUEEN OF CARTHAGETHE SOURCE TEXT OF DIDO, QUEEN OF CARTHAGETAMBURLAINE THE GREAT PART 1TAMBURLAINE THE GREAT PART 2THE JEW OF MALTADOCTOR FAUSTUS (A TEXT)DOCTOR FAUSTUS (B TEXT)EDWARD IITHE SOURCE TEXT OF EDWARD IITHE MASSACRE AT PARISThe Apocryphal PlayLUST'S DOMINIONThe PoetryTRANSLATION OF BOOK ONE OF LUCAN'S THE PHARSALIATRANSLATION OF OVID'S ELEGIESTHE PASSIONATE SHEPHERD TO HIS LOVETHE NYMPH'S REPLY TO THE SHEPHERD BY SIR WALTER RALEIGHHERO AND LEANDERFRAGMENTIN OBITUM HONORATISSIMI VIRI, ROGERI MANWOOD, MILITIS, QUÆSTORII REGI- NALIS CAPITALIS BARONISDIALOGUE IN VERSEEPIGRAMS BY J.D.The CriticismEXTRACTS FROM ‘THE LIFE OF WILLIAM SHAKESPEARE’ BY SIDNEY LEETHE INFLUENCE OF CHRISTOPHER MARLOWE ON SHAKSPERE'S EARLIER STYLE BY A. W. VERITYEXTRACT FROM ‘A STUDY OF SHAKESPEARE’ BY ALGERNON CHARLES SWINBURNESOME NOTES ON THE BLANK VERSE OF CHRISTOPHER MARLOWE BY T.S. ELIOTThe BiographiesMARLOWE AND HIS ASSOCIATES BY JOHN H. INGRAMTHE MUSES' DARLING BY CHARLES NORMANCHRISTOPHER MARLOWE - OUTLINES OF HIS LIFE AND WORKS BY J. G. LEWISTHE DEATH OF CHRISTOPHER MARLOWE BY J. LESLIE HOTSON

    Mary is a twelve-year old "inmate" of the Yorkburg Female Orphan Asylum. She talks about Miss Bray, the head of the Asylum, who lies to the Board to further her own selfish ends. Miss Katherinei is her friend, role model and nurse. Martha is Mary's bolder other self who is not afraid to speak her mind. Mary states her philosophy as "When you're miserable you don't get much of anything that's going around. I won't be unhappy ... I haven't enough other blessings."

    Together, the two represent the epic literature of the ancient Hindus, offering latter-day readers the most realistic image of the civilization and culture of India 3,000 years ago — its political and social life as well as its religion and philosophy.The Ramayana portrays domestic and religious life, with vignettes of tenderness, endurance, and devotion. The Mahabharata depicts the political climate of ancient India, with tales of valor and heroism, ambition, and chivalry. This condensed version of these extremely long tales features selection from cantos that convey the leading incidents of the epic, linking them with short notes. Readers seeking a practical knowledge of these magnificent works within a reasonable compass can do no better than this convenient and poetic translation.

    For the next two and a half years he would document his ongoing efforts (and failures) from his laundry-room-cum-laboratory, hiring plumbers and mechanics to construct his models while spinning out a series of imagined futures that his invention-in-the-making was going to enable. The Perpetual Motion Machine: The Story of an Invention, originally published in German in 1910, is an indefinable blend of diary, diagrams and digression that falls somewhere between memoir and reverie: a document of what poet and translator Andrew Joron calls a "two-and-a-half-year-long tantrum of the imagination." Shifting ambiguously from irony to enthusiasm and back, Scheerbart's unique amalgamation of visionary humor and optimistic failure ultimately proves to be a more literary invention than scientific: a perpetual motion of a fevered imagination that reads as if Robert Walser had tried his hand at science fiction. With "toiling wheels" inextricably embedded in his head, Scheerbart's visions of rising globalization, ecological devastation, militaristic weapons of mass destruction and the possible end of literature soon lead him to dread success more than failure. The Perpetual Motion Machine is an ode to the fertility of misery and a battle cry of the imagination against praxis.

    Edmond Rostand's best-known work was Cyrano de Bergerac. In 1901, Rostand became the youngest writer to be elected to the Academie Francasie. Chantecter is a fantasy play about bird and animal life, with the characters being denizens of the farmyard and the woods.

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    In this fictional memoir, the renowned composer Kuhn recounts his tangled relationships with two artists--his friend Heinrich Muoth, a brooding, self-destructive opera singer, and the gentle, self-assured Gertrude Imthor. Kuhn is drawn to Gertrude upon their first meeting, but Gertrude falls in love with Heinrich, to whom she is introduced when Kuhn auditions them for the leads in his new opera. Hopelessly ill-matched, Gertrude and Heinrich have a disastrous marriage that leaves them both ruined. Yet this tragic affair also becomes the inspiration for Kuhn's opera, the most important success of his artistic life.

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    "Soul and Form" was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, LukAcs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text.For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which LukAcs wrote at the time of "Soul and Form," and an introduction by Judith Butler, which compares LukAcs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the LukAcsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.