How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    Less well known is Gaddis's body of excellent critical writings. Here is a wide range of his original essays, some published for the first time. From "Stop Player. Joke No. 4", Gaddis's first national publication and the basis for his projected history of the player piano, to the title essay about missed opportunities in America during the past fifty years, to "Old Foes with New Faces", an examination of the relationship between the writer and the problem of religion-this diverse collection displays the power of an autonomous literary intelligence in an age increasingly dominated by political and religious conservatism.

    Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: is Tintin literature?"

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

    Detailing a series of filthy and ludicrous episodes in the life of a single family, saddled with a super-eccentric, sexually rapacious father, The Book of Jokes tells the story of the youth and education of a bland young boy doomed to record—in an incongruously serious, autobiographical mode—all the ridiculous incidents befalling his household. With their lives dictated by set ups and punchlines, the boy’s family quickly becomes luridly dysfunctional, and he realizes that the only way to escape his tragicomic fate is by trying to take control of the joke-telling himself. Channeling the spirits of Chaucer, Rabelais, Flann O’Brien, and Gian Francesco Poggio Bracciolini, the Vatican secretary who compiled the first known book of jokes in 1451, The Book of Jokes is a happy raspberry in the face of life as we know and tell it.

    In revised form it appears to have been first published in The Yale Review, October, 1926. Along with other essays, it first appeared in book form in Woolf's The Common Reader: Second Series in 1932.

    Keeping it teachable and flexible, the material allows for full and innocent immersion as well as raising inductive questions to develop critical and analytical skills. Students will be led to understand poetry as a means of imaginatively extending their own experience and indeed, probing the possibilities of the self. This latest incarnation of the landmark text facilitates a thorough study of poetry.

    His writings had a potency that was irresistible to the intellectual scene that swept post-war Europe, and have left a vital inheritance to contemporary thought. The central tenet of the Existentialist movement which he helped to found, whereby God is replaced by an ethical self, proved hugely attractive to a generation that had seen the horrors of Nazism, and provoked a revolution in post-war thought and literature. In What is Literature? Sartre the novelist and Sartre the philosopher combine to address the phenomenon of literature, exploring why we read, and why we write.

    She roams effortlessly from Kafka to James, Styron to Stein, and, in the book's most famous essay, dissects the gaudy commercialism that has reduced Anne Frank to "usable goods." Courageous, audacious, and sublime, these essays have the courage of conviction, the probing of genius, and the durable audacity to matter.

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    It wasn't a cry, or even a sob. It came from deep in my soul... It was the sound of a mother helpless to save her child from danger. I asked the same unanswered questions over and again. Where was he? Where was my Damien?On 2 November 1996, sixteen-year-old Damien Nettles went out for the evening in his home town of Cowes on the Isle of Wight. CCTV recorded him in a chip shop at 23:40 and on the High Street just after midnight. He has never been seen since.His mother, Valerie, has spent over two decades desperately trying to find out what happened to her son. Arrests have been made, and suspects released without charge. Despite years of research by journalists and a private investigator, Damien's vanishing remains a mystery.In this hugely moving and compelling account, Valerie Nettles tells the full, perplexing story of her son's disappearance. Someone must know what happened to Damien. Will the truth ever emerge from the shadows?

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    He did not crave my company, cling to and cuddle me endlessly. He showed no need to bond with me, his father, and we did not. He exhausted me, he frustrated me and he scared me. I came to dread coming home from work sometimes, or those moments when it was my turn to wrestle him into bed and begin the long struggle to settle him. I said things that will forever haunt me, like “What is wrong with that child?” and “Is he always going to be this annoying?” What I didn't know then was that he was autistic.When that realisation came, so did the beginning of my mission to understand my son, and to understand autism. This book chronicles that search for understanding and answers. It documents one parent’s attempts to come to terms with, and accept, his child. It is raw and real, sometimes confused and frightened but also, I’d like to think, written with warmth and love and an ability to smile through difficult times.This book is for anyone starting out on a pathway with their child that they did not expect. It’s also for people who, like me, are a little further down that road but still learning, still asking questions and still getting it wrong sometimes. You are not alone.