She's also looking forward to seeing her mentor, Marjorie Ainsworth, who will be hosting a party on her estate to celebrate her latest book. Marjorie is the grand dame of mystery writing. But a routine business trip becomes murderous business--when Jessica discovers Marjorie stabbed to death in her own bedroom.Librarian's note: the first five books in the Jessica Fletcher / Donald Bain "Murder She Wrote" series are #1, Gin & Daggers, 1989 with a 2nd edition in 2000; #2, Manhattans & Murder, 1994; #3, Rum & Razors, 1995; #4, Brandy & Bullets, 1995; and #5, Martinis & Mayhem, 1995.

    Eager to change her circumstances, she decides to depart for Buckinghamshire to take upon a governess position, but a great surprise awaits her; trying to escape from her cruel and deviant lover, Aaron Barlow, she will end up into another man's arms. Graham will steal her heart from the very first moment. When their sizzling passion becomes undeniable, will the fiery Bridget manage to find true love?Being the eldest son of the Duke of Huntington, Graham is the sort of man who never bothered himself with frivolous courting. When he meets the new governess of their family, he's faced with something powerful, life-altering; emotions he could never have foreseen. The whip-smart and bright-eyed Bridget immediately steals his heart, but this union is something the Duke would never approve of. Will Graham be able to prove that their love is meant to be?When the Duke's priceless heirloom is ripped from his study during a ball, it's obvious to everyone that Bridget is the thief. Now, she must prove her innocence both to Graham and the Duke himself. Their journey to discover the true thief will slowly lead them to a burning affair that will tear their worlds apart. Will they let each other close enough to fight together for their love? Will they survive to meet the passionate future they could have together?

    (Lovely place, Sunnydale.) Buffy's best friends, Xander and Willow, used to think the tale was nonsense - but after a few adventures with Buffy, they're not so sure.Even without a maniacal scarecrow, a Sunnydale Halloween is a truly horrific happening. There are enough zombies and vampires about, ready to party hearty and eat some brains, to keep the Slayer and her friends up all night.And then the rain starts to fall...https://openlibrary.org/works/OL79043...

    The star of the show, Sarah Michelle Gellar is only 24, but she already has to her credit five films, two soap operas and a global hit-TV show. Buffy fans up and down the country thirst for details about Gellar's life, and this biography will undoubtedly quench that thirst. It's filled with dozens of exclusive photos and original information on every aspect of her career. BITE ME! spotlights Sarah's role in the show and features entertaining commentary on each episode, as well as background information about the stories in them.

    In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and “difficult” as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture.

    There she becomes Hilda Hurricane, an erotic force of nature no man can resist. The exception is reporter-narrator Roberto Drummond, who attempts to unravel the mystery of why the girl in the gold bikini would forego a comfortable life to join the world's oldest profession. While some in Belo Horizonte cheer Hilda's liberated lifestyle, others seek to have her moved outside the city limits, and a would-be saint cannot seem to finish the exorcism he began outside the Hotel Marvelous. Set against the social and political upheaval of the 1960s, Hilda's story seduces even as Drummond becomes aware of more ominous forces approaching Belo Horizonte.Hilda Hurricane was both a critical and a commercial success in Brazil, with more than 200,000 copies sold. (The DVD of the television adaptation has sold more than a million copies.) Admirers of Kurt Vonnegut will revel in Drummond's similarly sharp satire and playful digressions, particularly about left-wing politics, which blur the boundary between fiction and autobiography. Yet the real genius of the author's interventions may be that they never slow the story long enough to lose sight of this mysterious beauty swept up in the turmoil of the times.

    

    But, by the time this fight is over, he'll have one more name: Lord! Or "dust"... maybe we'll just call him dust, considering how it seems things are going in his immediate future. But after enjoying this collection of the four-issue Spike: After the Fall series you'll be looking at the events of Angel: After the Fall in a whole new light, courtesy of Brian Lynch and Franco Urru!

    It is the 1980s and they are fleeing the civil war in Sudan. This remarkable account tracks Bol’s boyhood through one camp after another, through good times and bad, until he begins a vast journey through Kenya, Tanzania, Zambia and Zimbabwe which finally ends in South Africa some ten years later. By the time Bol reaches Pretoria, he is in his early twenties, and for the first time finds himself without a purpose. Hoping to lift his spirits, he starts studying English at a school for refugees. He recounts his life experiences to a teacher, who suggests he writes it all down. The result is this book.

    When war is declared Carrie knows all their lives will change. She and her best friend, Pearl who is also a maid at the same house promise each other they will always be best friends no matter what happens. Pearl is promised to her sweetheart, William when he returns from fighting at the front, and asks Carrie to be her bridesmaid. Carrie agrees, but wishes with all her heart she could tell Pearl about the baby she carries. When Carrie's parents discover she is pregnant, Florrie, Carrie's mother, takes matters into her own hands and arranges a marriage for Carrie that will see her leave her beloved father, Arthur and brother, Tom, and "sold" to a man she has never met whose regiment is bound for India. Carrie is terrified she will never see her family again and has never felt more alone. Will she ever find someone to give her the love she looks for? And will she and her baby ever return to the place she calls home? From the author of THE GIRL WITH THE RED SCARF and the Richard and Judy Search for a Bestseller Shortlisted Novel, THE OTHER BOY

    The greatest warrior of Islamic history also called "Saif-Ullah" i.e. Sword of Allah.

    In Stranger Things, writer Jody Houser and artist Ibrahim Moustafa bring the adventuring party back together after Eleven's disappearance, as Nancy and Steve find a way to lift the spirits of a despondent Mike. Perhaps all it takes is a roll of the dice. Then, in the world of the Eisner Award-winning Black Hammer series creator Jeff Lemire, guest writer Ray Fawkes, and artist David Rubín, take the reader on an EC-style tour through Madame Dragonfly's mysterious Cabin of Horrors to witness two groups of brand-new Black Hammer heroes from the past! Learn more at FreeComicBookDay.com.

    The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us a demon lies hidden. Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.

    The classic story of a boy's adventures in the Mississippi Valley.

    Gifted Bible preacher and inspiring teacher Jon Courson effortlessly combines both in this easy-to-read, verse-based devotional commentary on the New Testament.Pastor Jon's years of immersion in God's Word, as he regularly preached from the Bible, produced faithful, valuable teaching that is both a scholarly work and an encouragement for living the Christian life. His application commentaries combine the following elements in a unique blend of pertinent information and needed inspiration:Deep love for God's wordColorful cultural insightsInsightful historical informationApplicable topical studiesVivid illustrations and storiesHumorous, practical, and inspiring life lessonsJon Courson's devotional commentaries offer thorough and comprehensive teaching along with practical, in-depth topical studies in a very readable and comfortable expositional style.