The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    He lives in Canberra. In 1858, fourteen-year-old French cabin boy Narcisse Pelletier was aboard the trader Saint-Paul when it was wrecked off the eastern tip of New Guinea. Scrambling into a longboat, Narcisse and the other survivors crossed almost 1000 kilometres of the Coral Sea before reaching the shores of Far North Queensland. If not for the local Aboriginal people, Narcisse would have perished. For seventeen years he lived with them, growing to manhood and participating fully in their Uutaalnganu world. Then, in 1875, his life was again turned upside down.Drawing from firsthand interviews with Narcisse after his return to France and other contemporary accounts of exploration and survival, and documenting the spread of European settlement in Queensland and the brutal frontier wars that followed, Robert Macklin weaves an unforgettable tale of a young man caught between two cultures in a time of transformation and upheaval.

    Failing to gain recognition for his music in his native United States, he achieved celebrity in South America in the early 1960s and then, unbelievably, became the biggest rock star in the Soviet Union, where he was awarded the Lenin Prize and his icons were sold alongside those of Josef Stalin. His albums went gold from Bulgaria to Berlin. He made highly successful movies and, naively earnest, was an unwitting acolyte for socialism; everywhere he went, he was mobbed by his fans. And then, in 1986, at the height of his fame, right after 60 Minutes had devoted a segment to him, finally giving him the recognition he had never attained at home, he drowned in mysterious circumstances in East Berlin.Drawn magnetically to his story, Reggie Nadelson pursued the mystery of Dean Reed's life and death across America and Eastern Europe, her own journey mirroring his. As she traveled, the Berlin Wall came down, the Soviet Union crumbled, and Reed became an increasingly alluring figure, his life an unrepeatable tale of the Cold War world. Encountering the characters— musicians and DJs, politicians and public figures, lovers and wives—who peopled Reed's life, Nadelson was drawn further and further into a seedy, often hilarious subculture of sex, politics, and rock 'n' roll. Part biography, part memoir and personal journey, Comrade Rockstar is an unforgettable chronicle of an utterly improbable life

    They are a selection from a group known as the Apostolic Fathers, so-called because several of the authors were most likely disciples of the Apostles themselves. Like much of the New Testament, their writings take the form of letters, and for the most part deal with practical problems of the life of the early Church, as it struggled in the face of persecution to establish itself in the Roman world. They give us a picture of Christianity still drawing on the theology and traditions of its parent religion, Judaism.

    Pope Francis’s stewardship of the Church, while perceived as a revelation by many, has provoked division throughout the world. “If a conclave were to be held today,” one Roman source told The New Yorker, “Francis would be lucky to get ten votes.” In To Change the Church, Douthat explains why the particular debate Francis has opened—over communion for the divorced and the remarried—is so dangerous: How it cuts to the heart of the larger argument over how Christianity should respond to the sexual revolution and modernity itself, how it promises or threatens to separate the church from its own deep past, and how it divides Catholicism along geographical and cultural lines. Douthat argues that the Francis era is a crucial experiment for all of Western civilization, which is facing resurgent external enemies (from ISIS to Putin) even as it struggles with its own internal divisions, its decadence, and self-doubt. Whether Francis or his critics are right won’t just determine whether he ends up as a hero or a tragic figure for Catholics. It will determine whether he’s a hero, or a gambler who’s betraying both his church and his civilization into the hands of its enemies.

    It is written as history ought to be, especially for nonspecialist readers."—Richard A. Kauffman, Christian Century In this eloquent introduction to early Christian thought, eminent religious historian Robert Louis Wilken examines the tradition that such figures as St. Augustine, Gregory of Nyssa, and others set in place. These early thinkers constructed a new intellectual and spiritual world, Wilken shows, and they can still be heard as living voices in the modern world. In chapters on topics including early Christian worship, Christian poetry and the spiritual life, the Trinity, Christ, the Bible, and icons, Wilken shows that the energy and vitality of early Christianity arose from within the life of the Church. While early Christian thinkers drew on the philosophical and rhetorical traditions of the ancient world, it was the versatile vocabulary of the Bible that loosened their tongues and minds and allowed them to construct the world anew, intellectually and spiritually. These thinkers were not seeking to invent a world of ideas, Wilken shows, but rather to win the hearts of men and women and to change their lives. Early Christian thinkers set in place a foundation that has endured. Their writings are an irreplaceable inheritance, and Wilken shows that they can still be heard as living voices within contemporary culture.

    Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.

    St Maximus' two main collections of theological reflections-his Ambigua (or "Difficulties") and his Questions to Thalassius - plus one of his christological opuscula, hitherto unavailable in English, are accompanied by immensely helpful notes, and prefaced by a long, brilliant introduction to the theology of the Confessor.

    It is different in a number of ways, all of which commend this volume to wide use by pastors whose task it is to introduce the members of their inquirers classes to an Orthodox way of life which will touch their lives in a full and complete way (Fr. Stanley Harakas). Chapters include: What We Believe About the One Apostolic Church, the Nicene Creed, Jesus, the Holy Trinity, the Divine Liturgy, Salvation, the Church Fathers, the Church Year, Symbols, the Sacraments, the Saints and the Theotokos, Life After Death, the Bible, Icons, Prayers for the Dead, and Prayer. Recently translated in Korean and Romanian.

    The masterly essay on Tolstoy's view of history, in which Sir Isaiah underlines a fundamental distinction between those people (foxes) who are fascinated by the infinite variety of things and those (hedgehogs) who relate everything to a central, all-embracing system.

    But Vladimir Nabokov, who came to America fleeing the Nazis, came to think of his time here as the richest of his life. Indeed, Nabokov was not only happiest here, but his best work flowed from his response to this exotic land.Robert Roper fills out this period in the writer's life with charm and insight--covering Nabokov's critical friendship with Edmund Wilson, his time at Cornell, his role at Harvard's Museum of Comparative Zoology. But Nabokov in America finds its narrative heart in his serial sojourns into the wilds of the West, undertaken with his wife, Vera, and their son over more than a decade. Nabokov covered more than 200,000 miles as he indulged his other passion: butterfly collecting. Roper has mined fresh sources to bring detail to these journeys, and traces their significant influence in Nabokov's work: on two-lane highways and in late-'40s motels and cafés, we feel Lolita draw near, and understand Nabokov's seductive familiarity with the American mundane. Nabokov in America is also a love letter to U.S. literature, in Nabokov's broad embrace of it from Melville to the Beats. Reading Roper, we feel anew the mountain breezes and the miles logged, the rich learning and the Romantic mind behind some of Nabokov's most beloved books.

    But Britain eluded him. To conquer the island nation, he needed Russia's Tsar Alexander's help. The Tsar refused, and Napoleon vowed to teach him a lesson by intimidation and force. The ensuing invasion of Russia, during the frigid winter of 1812, would mark the beginning of the end of Napoleon's empire. Although his army captured Moscow after a brutal march deep into hostile territory, it was a hollow victory for the demoralized troops. Napoleon's men were eventually turned back, and their defeat was a momentous turning point in world affairs. Dramatic, insightful, and enormously absorbing, Moscow 1812 is a masterful work of history.

    But Bunin's other stories are not to be missed. In Sunstroke, Graham Hettlinger has selected the "Gentleman" and twenty-four other stories and translated them afresh—several for the first time in English. The result is a collection that is remarkable in its crystalline prose, surprising in its vibrancy. It includes, among others, "Raven," "Cold Fall," "Muza," "Styopa," "Antigone," "In Paris," and "Late Hour." Never has the last of the great "gentry" writers and the first Russian to win the Nobel Prize for Literature received a more caring and passionate translation. The lyric impulse that motivated so much of Bunin's writing is evident throughout the stories in Sunstroke. In the prose miniatures, such as "Summer Day" and "Sky Above a Wall," he seeks only to capture a momentary impression or a passing scene rather than to write a traditional narrative. And even in his longer works, Bunin displays little interest in exploring the psychology of his characters or creating detailed plots. Instead these stories are primarily shaped by an urge to express both the intense, sensual pleasure of existence and the tragic fleetingness of life. Thus, even as they depict a wide range of affairs, seductions, betrayals, and deaths, they tend to read more like poetry than potboilers, delivering their most powerful effects through the rhythms and pacing of their sentences, their highly detailed, sensuous imagery, and the connotative richness of their language.Sunstroke confirms Bunin's stature as one of the greatest—and most neglected—Russian writers of the twentieth century.

    From the beginning of the nineteenth century to the Russian Revolution, the tsarist regime exiled more than one million prisoners and their families beyond the Ural Mountains to Siberia.Daniel Beer's new book, The House of the Dead, brings to life both the brutal realities of an inhuman system and the tragic and inspiring fates of those who endured it. This is the vividly told history of common criminals and political radicals, the victims of serfdom and village politics, the wives and children who followed husbands and fathers, and of fugitives and bounty-hunters.Siberia served two masters: colonisation and punishment. In theory, exiles would discover the virtues of self-reliance, abstinence and hard work and, in so doing, they would develop Siberia's natural riches and bind it more firmly to Russia. In reality, the autocracy banished an army not of hardy colonists but of half-starving, desperate vagabonds. The tsars also looked on Siberia as creating the ultimate political quarantine from the contagions of revolution. Generations of rebels - republicans, nationalists and socialists - were condemned to oblivion thousands of kilometres from European Russia. Over the nineteenth century, however, these political exiles transformed Siberia's mines, prisons and remote settlements into an enormous laboratory of revolution.This masterly work of original research taps a mass of almost unknown primary evidence held in Russian and Siberian archives to tell the epic story both of Russia's struggle to govern its monstrous penal colony and Siberia's ultimate, decisive impact on the political forces of the modern world.

    Poems selected from Verlaine's first six books of verse are presented in the original French as well as in English translation.