As Carolyne Larrington reveals in this essential companion to George R R Martin s fantasy novels and the HBO mega-hit series based on them the show is the epitome of water-cooler TV. It is the subject of intense debate in national newspapers and by bloggers and cultural commentators contesting the series startling portrayals of power, sex and gender. Yet no book has divulged how George R R Martin constructed his remarkable universe out of the Middle Ages. Discussing novels and TV series alike, Larrington explores among other topics: sigils, giants, dragons and direwolves in medieval texts; ravens, old gods and the Weirwood in Norse myth; and a gothic, exotic orient in the eastern continent, Essos. From the White Walkers to the Red Woman, from Casterley Rock to the Shivering Sea, this is an indispensable guide to the twenty-first century s most important fantasy creation."

    The lucid understandings presented here are gripping and transformative in themselves. Investigating the power of poetry to move and change us becomes in these pages an equal investigation into the inhabitance and navigation of our human lives.Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among many others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.

    Ranging across her poetry, prose, letters, and biography, Toibin creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Toibin.For Toibin, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop's famous attention to detail, Toibin describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop's attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents--and how this connection finds echoes in Toibin's life as an Irish writer who has lived in Barcelona, New York, and elsewhere.Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Toibin's travels to Bishop's Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today's most acclaimed novelists.

    Authors come from a variety of backgrounds and perspectives, though all affirm the inerrancy and inspiration of Scripture. United in their high view of Scripture, and in their belief in the underlying unity of Scripture, which is ultimately grounded in the unity of God himself, each author explores the contribution of a given book or group of books to the theology of Scripture as a whole. While conceived as stand-alone volumes, each volume thus also makes a contribution to the larger whole. All volumes provide a discussion of introductory matters, including the historical setting and the literary structure of a given book of Scripture. Also included is an exegetical treatment of all the relevant passages in succinct commentary-style format. The biblical theology approach of the series will also inform and play a role in the commentary proper. The commentator permits a discussion between the commentary proper and the biblical theology that it reflects by a series of cross-references.The major contribution of each volume, however, is a thorough discussion of the most important themes of the biblical book in relation to the canon as a whole. This format allows each contributor to ground Biblical Theology, as is proper, in an appropriate appraisal of the relevant historical and literary features of a particular book in Scripture while at the same time focusing on its major theological contribution to the entire Christian canon in the context of the larger salvation-historical metanarrative of Scripture. Within this overall format, there will be room for each individual contributor to explore the major themes of his or her particular corpus in the way he or she sees most appropriate for the material under consideration.This format, in itself, would already be a valuable contribution to Biblical Theology. But there are other series that try to accomplish a survey of the Bible’s theology as well. What distinguishes the present series is its orientation toward Christian proclamation. This is the Biblical Theologyfor Christian Proclamation commentary series! As a result, the ultimate purpose of this set of volumes is not exclusively, or even primarily, academic. Rather, we seek to relate Biblical Theology to our own lives and to the life of the church. Our desire is to equip those in Christian ministry who are called by God to preach and teach the precious truths of Scripture to their congregations, both in North America and in a global context.It is our hope and our prayer that the 40 volumes of this series, once completed, will bear witness to the unity in diversity of the canon of Scripture as they probe the individual contributions of each of its 66 books. The authors and editors are united in their desire that in so doing the series will magnify the name of Christ and bring glory to the triune God who revealed himself in Scripture so that everyone who calls on the name of the Lord will be saved—to the glory of God the Father and his Son, the Lord Jesus Christ, under the illumination of the Holy Spirit, and for the good of his church. To God alone be the glory: soli Deo gloria. In his volume on Hebrews, Thomas R. Schreiner says, "The words of Jesus on the cross, 'it is finished' (John 19:30) capture the theology of Hebrews."My aim in this commentary is to focus on the biblical theology of the letter. The emphasis on biblical theology shows up especially in the introduction and conclusion where theological structures and themes are considered. In the introduction I will examine four different structures that are woven into the entire letter: 1) promise/fulfillment; 2) eschatology; 3) typology; and 4) spatial orientation (which can also be described as the relationship between heaven and earth in the letter). The commentary will conclude, after presenting an exegesis of each chapter, with a discussion of some major theological themes in Hebrews."Most modern commentaries consist of significant introductions and then conduct an intensive exegesis of the text, chapter by chapter and verse by verse. By way of contrast, the introduction and the commentary are relatively brief and non-technical.  With the proliferation of commentaries today, a new commentary should have a distinctive approach. We now have many excellent commentaries on Hebrews which examine the letter in some detail. Many of these commentaries provide a useful function in that they draw on other parallels from both Jewish and Hellenistic literature to illuminate Hebrews. The advantage of such an approach is that the reader is plunged into the cultural world of the author. On the other hand, the careful sifting of various traditions may cause the reader to lose track of the argument of the letter. At the same time, the theology of the author may be muted, not because it isn’t recognized but because it may be difficult to follow in the welter of information given to readers. I hope a commentary that probes the theology of Hebrews will prove to be helpful. I have been helped by many scholars in preparing this commentary, especially those who have written in depth commentaries and those who have written monographs on the letter. No one writes from an objective standpoint, and hence I should state up front that I write as an evangelical Christian who believes that the scriptures are the living and authoritative word of God."

    But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.It was a memorable year in England as well—and a grim one, in the aftermath of a terrorist plot conceived by a small group of Catholic gentry that had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation’s political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom.It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra.The Year of Lear sheds light on these three great tragedies by placing them in the context of their times, while also allowing us greater insight into how Shakespeare was personally touched by such events as a terrible outbreak of plague and growing religious divisions. For anyone interested in Shakespeare, this is an indispensable book.

    Before the Norman Conquest, Anglo-Saxons living in a wintry world wrote about the coldness of exile or the shelters they had to defend against enemies outside. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossoms and cuckoos. Descriptions of a rainy night are rare before 1700, but by the end of the eighteenth century the Romantics had adopted the squall as a fit subject for their most probing thoughts.The weather is vast and yet we experience it intimately, and Alexandra Harris builds her remarkable story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. “Bloody cold,” says Jonathan Swift in the “slobbery” January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life story of those who have lived in it.

    Caroline Levine argues that forms organize not only works of art but also political life-and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. Yet, forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of affordances from design theory, this book investigates the specific ways that four major forms-wholes, rhythms, hierarchies, and networks-have structured culture, politics, and scholarly knowledge across periods, and it proposes exciting new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and she offers engaging accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles's Antigone and the television series The Wire. The result is a radically new way of thinking about form for the next generation and essential reading for scholars and students across the humanities who must wrestle with the problem of form and context.

    Rowling's messages about political and social repression, and about the empowering qualities of empathy, invisibility, and transformative love, will discover inspiration in the latest compilation of essays from editors Kathryn N. McDaniel and Travis Prinzi. Fans of the first Harry Potter for Nerds will find this second volume packed with literary studies of favorite characters, like Remus Lupin, Dobby, Nearly Headless Nick, and the Weasley Twins. And they will also encounter political, economic, and philosophical analyses that explore the problems of our world and point to Rowling's belief in the "power of the powerless" when it comes to solving them. From Squibs to house-elves, from ghosts to young wizards-in-training and even wands and Snitches, the authors in this volume find power in unexpected places. Most of all, they demonstrate the power of expert readers to apply fantasy to the real world in ways that liberate, delight, and inspire.

    With so many books, articles, and Web sites vying for our attention, we must choose wisely. But what does that actually look like? In Writers to Read, Douglas Wilson—someone who’s spent a career writing, reading, and teaching others to do the same—introduces readers to nine great authors whose work deserves to be read. Whether it’s G. K. Chesterton, C. S. Lewis, or Robert Capon, the well-known and less-known authors Wilson examines are all masters of creative writing and worthy of study and enjoyment. Those looking to become better writers or better readers will find this book to be an invaluable guide for wisely selecting their literary mentors.

    Known in the U.S. primarily as Merton's best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers.In his early life, as he alternated working at the New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act--a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him "one of America's greatest experimental poets" and "one of the new 'saints' of the avant-garde."Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it's a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

    In this new volume of the Collected Works of Joseph Campbell, editor Evans Lansing Smith collects Campbell’s writings and lectures on Arthurian legends, including his never-before-published master’s thesis on Arthurian myth, “A Study of the Dolorous Stroke.” Campbell’s writing captures the incredible stories of such figures as Merlin, Gawain, and Guinevere as well as the larger patterns and meanings revealed in these myths. Merlin’s death and Arthur receiving Excalibur from the Lady of the Lake, for example, are not just vibrant stories but also central to the mythologist’s thinking.The Arthurian myths opened the world of comparative mythology to Campbell, turning his attention to the Near and Far Eastern roots of myth. Calling the Arthurian romances the world’s first “secular mythology,” Campbell found metaphors in them for human stages of growth, development, and psychology. The myths exemplify the kind of love Campbell called amor, in which individuals become more fully themselves through connection. Campbell’s infectious delight in his discoveries makes this volume essential for anyone intrigued by the stories we tell—and the stories behind them.

    Wolfe is famous for creating labyrinthine and complicated stories full of allusions that are not always easily understood; Between Light and Shadow explores every short story and novel that Wolfe composed in the first half of his career. Between Light and Shadow is not only a holistic illustration of Wolfe's work, but attempts to solve many of the narrative mysteries that have eluded readers for decades. From focused essays interpreting masterpieces such as "The Fifth Head of Cerberus" and "Peace" to complete story analyses which not only delineate allusions and themes but also take a rigorous, logical approach to reading Wolfe, the book is above all an enormous commitment to understanding the work of one of modern literature's most unique and challenging figures. Between Light and Shadow presents the thesis that objective closure is possible in even Wolfe's most complicated cosmological and metaphysical narratives, and reveals that the mysteries behind the ideas and images inspiring Wolfe are ultimately comprehensible.

    He presents the author who was always being told he had nearly written a masterpiece, and the genius of the short story who brewed his own cider and lived in a railway carriage. Then there’s the figure of the 1890s, praised by Max Beerbohm, who liked to wander around London wearing horns and chewing railings, and the young man in the 1930s who tried to sell his poetry door to door. There are also new angles on key figures: the strange case of Robert Aickman, sailor and philosopher; the book that Sax Rohmer really wanted to write; the enigma of Walter de la Mare’s ‘Seaton’s Aunt’. And there are literary mysteries; what was the MS in a Red Box? Who wrote Shakespeare’s Gunpowder Plot? What became of Dr Ludovicus? Other essays celebrate neglected writers worth discovering, such as Mary Butts, Claude Houghton, and Vernon Knowles, or offer fresh perspectives, looking at Lewis Grassic Gibbon’s fantasies, Malcolm Lowry’s reading in occult fiction. There are even studies of books that were never written. Haunted by Books will delight all readers and book collectors who like to leave the beaten path and wander in the wild woods, forgotten lanes and lonely houses of literature.

    The Ocean, the Bird, and the Scholar gathers two decades' worth of Helen Vendler's essays, book reviews, and occasional prose--including the 2004 Jefferson Lecture--in a single volume. Taken together, they serve as a reminder that if the arts and the patina of culture they cast over the world were deleted, we would, in Wallace Stevens's memorable formulation, inhabit "a geography of the dead." These essays also remind us that without the enthusiasm, critiques, and books of each century's scholars, there would be imperfect perpetuation and transmission of culture.All of the modern poets who have long preoccupied Vendler--Wallace Stevens, Seamus Heaney, John Ashbery, and Jorie Graham--are fully represented, as well as others, including Langston Hughes, Allen Ginsberg, Robert Lowell, Elizabeth Bishop, Amy Clampitt, James Merrill, A. R. Ammons, and Mark Ford. And Vendler reaches back into the poetic tradition, tracing the influence of Keats, Yeats, Whitman, T. S. Eliot, and others in the work of today's poets. As ever, her readings help to clarify the imaginative novelty of poems, giving us a rich sense not only of their formal aspects but also of the passions underlying their linguistic and structural invention. The Ocean, the Bird, and the Scholar is an eloquent plea for the centrality, both in humanistic study and modern culture, of poetry's beautiful, subversive, sustaining, and demanding legacy.

    Yet while many have written about the "heroine's journey," most of those authors base their models of this journey on Joseph Campbell's model of the Heroic Quest story or on old myths and tales written down by men, not on the stories that women tell.In Jane Eyre's Sisters: How Women Live and Write the Heroine's Story, cultural mythologist Jody Gentian Bower looks at novels by women--and some men--as well as biographies of women that tell the story of the Aletis, the wandering heroine. She finds a similar pattern in works spanning the centuries, from Lady Mary Wroth and William Shakespeare in the 1600s to Sue Monk Kidd, Suzanne Collins, and Philip Pullman in the current century, including works by Jane Austen, the Brontë sisters, George Eliot, Elizabeth Gaskell, Charles Dickens, Kate Chopin, Virginia Woolf, Doris Lessing, J.R.R. Tolkien, and Alice Walker, to name just a few. She also discusses myths and folk tales that follow the same pattern.Dr. Bower argues that the Aletis represents an archetypal character that has to date received surprisingly little scholarly recognition despite her central role in many of the greatest works of Western fiction. Using an engaging, down-to-earth writing style, Dr. Bower outlines the stages and cast of characters of the Aletis story with many examples from the literature. She discusses how the Aletis story differs from the hero's quest, how it has changed over the centuries as women gained more independence, and what heroines of novels and movies might be like in the future. She gives examples from the lives of real women and scatters stories that illustrate many of her points throughout the book. In the end, she concludes, authors of the Aletis story use their imagination to give us characters who serve as role models for how a woman can live a full and free life.

    My only chance to go beyond being breach--to resist being quelled as a bit of inner city entropy--is to speak up for the public which has birthed me.To build this language house. To make this case. Create.This loving which lives outside time. Lord, this is time. --from "Turning into Dwelling"Christopher Gilbert's award-winning Across the Mutual Landscape has become an underground classic of contemporary American poetry. Now reissued and presented with Gilbert's never-before-published last manuscript written before his death in 2007, Turning into Dwelling offers new readers the original music and vision of one of our most inventive poets.

    If poems came with instructions like IKEA(R) coffee tables, we'd all be missing the point. But this book will give you some strategies-some tools, if you will-to assemble your personal, imaginative raw materials into poems that will surprise and intrigue. These strategies are focused primarily on free verse, yet many of the concepts can also be applied to form poetry, at both the inception and revision stages.How to Write a Poem uses images like the buzz, the switch, the wave-from the Billy Collins poem "Introduction to Poetry"-to guide writers into new ways of writing poems. Excellent teaching tool. Anthology and prompts included.

    A powerful selection of Susan Howe's previously uncollected essays, The Quarry moves backward chronologically, from her brand-new "Vagrancy in the Park" (about Wallace Stevens) through such essential texts as "The Disappearance Approach," "Personal Narrative," "Sorting Facts," "Frame Structures," and "Where Should the Commander Be," and ending with her seminal early criticism, "The End of Art." The essays of The Quarry map the intellectual territory of one of America's most important and vital avant-garde poets.

    Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities.Theory of the Lyric constitutes a major advance in our understanding of the Western lyric tradition. Examining ancient as well as modern poems, from Sappho to Ashbery, in many European languages, Culler underscores lyric's surprising continuities across centuries of change--its rhythmical resources, its strange modes of address, its use of the present tense, and the intriguing tension between its ritualistic and fictional dimensions. He defends the idea of lyric as a genre against recent critiques, arguing that lyrics address our world rather than project a fictional world and also challenging the strongly established assumption that poems exist to be interpreted. Theory of the Lyric concludes with a discussion of how to conceive the relations between lyric and society in ways that would acknowledge and respond to lyric's enduring powers of enchantment.

    Howard Guide was born out of years of scholarship, but took its final form after answering the same questions from fans over and over again. In many ways, Howard remains a "famous unknown writer," the man who single-handedly defined modern fantasy, but whose life and works are still known mostly filtered through adaptations, pastiches and gross approximations. Because of those specificities, he is more often than not known for what and who he wasn't, for sentences he never wrote, or for characters who bear little resemblance—if any—to his original creations. This, in turn, explains how and why this book was conceived. It is sometimes amusing, sometimes sarcastic, but, built on 30 years of Howard scholarship, it is always insightful. A serious work . . . that tries not to take itself too seriously.

    Lewis a sexist, even a misogynist. Did the life and writing of the hugely popular British author and professor betray attitudes that today are unacceptable, even deplorable? The younger Lewis was criticized for a mysterious living arrangement with a woman, but his later marriage to an American poet, Joy Davidman, became a celebrated love story. Lewis and J.R.R. Tolkien formed a legendary literary group, the Inklings – but without women.Women and C.S. Lewis features academics and writers who come together to investigate the accusations: Alister McGrath, Randy Alcorn, Monika Hilder, Holly Ordway, Don W. King, Kathy Keller, Colin Duriez, Crystal Hurd, Jeanette Sears, David C. Downing, Michael Ward, Devin Brown, Malcolm Guite, Joy Jordan-Lake, Steven Elmore, Andrew Lazo, Mary Poplin, Christin Ditchfield, Lyle W. Dorsett, Paul McCusker, Crystal Downing, Kasey Macsenti, Brett McCracken, John Stonestreet, Kelly Belmonte, Brad Davis. Women and C.S. Lewis provides broad and satisfying answers. Editors are Carolyn Curtis, veteran journalist and book author; Mary Pomroy Key, Director, C.S. Lewis Study Center, Northfield, Massachusetts.

    It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

    S. Eliot, Robert Crawford presents us with the first volume of a definitive biography of this poetic genius. Young Eliot traces the life of the twentieth century’s most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land. Crawford’s depiction of Eliot’s childhood—laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted—provides readers with a new understanding of the foundations of some of the most widely read poems in the English language. Meticulously detailed and incisively written, Young Eliot portrays a brilliant, shy, and wounded American who defied his parents’ wishes and committed himself to an artistic life as an immigrant in England, creating work that is astonishing in its scope and vulnerability.     Quoting extensively from Eliot’s poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, the award-winning biographer Robert Crawford shows how the poet’s background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life—his anguishes and his fears—and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land. At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher—but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.

    Her short stories were awarded, lauded and extremely well-reviewed. They were also regarded as “ineluctably masculine,” because Alice Sheldon was writing as James Tiptree Jr. In celebration of Alice Sheldon's centenary, Letters to Tiptree presents a selection of thoughtful letters from thirty-nine science fiction and fantasy writers, editors, critics, and fans address questions of gender, of sexuality, of the impossibility and joy of knowing someone only through their fiction and biography. Letters From:Kathryn AllanMarleen BarrStephanie BurgisJoyce ChngAliette de BodardL. Timmel DuchampA.J. FitzwaterLisa GoldsteinTheodora GossNicola Griffith - read online at LA Review of BooksValentin D IvanovGwyneth JonesRose LembergSylvia KelsoAlex Dally MacFarlaneBrit Mandelo - read online at Tor.comSandra McDonaldSeanan McGuireKaren MillerJudith MoffettCheryl MorganPat MurphySarah PinskerCat RamboTansy Rayner RobertsJustina RobsonNisi ShawlNike SulwayLucy SussexRachel SwirskyBogi TakácsLynne M. ThomasElisabeth VonarburgJo WaltonTehani WesselyTess Williams And bonus reprint material including:- archived letters from Ursula K. Le Guin, Joanna Russ and James Tiptree Jr./Alice Sheldon- excerpts from The Secret Feminist Cabal: A Cultural History of Science Fiction Feminisms by Helen Merrick- excerpt from Battle of the Sexes in Science Fiction by Justine Larbalestier- essay by Michael Swanwick

    Tolkien and his wife Edith bears two simple epitaphs: "Lúthien" for Edith and "Beren" for Tolkien himself. These highly significant names reference two characters from The Silmarillion. Beren and Lúthien are a pair of fated lovers who set out on a perilous quest to wrest a coveted Silmaril from the grasp of the demonic Morgoth. In the process they do battle with Sauron, the cruel antagonist of The Lord of the Rings. In this in-depth exploration of the story, John Carswell brings together various threads of The Silmarillion and seeks to treat the tale of Beren and Lúthien as something like wisdom literature. Numerous insights are extracted in order to bring the reader to a deeper appreciation of one of Tolkien's greatest tales. In the process, a helpful introduction is provided to those seeking a start on The Silmarillion as well as to those seeking to understand how The Silmarillion relates to The Lord of the Rings. All readers will come away with a better understanding of the legend that Tolkien himself called "the kernel" of the Middle-earth mythology.

    But can the anticipation of violence be a form of violence as well? Tense Future argues that it can-that twentieth-century war technologies and practices, particularly the aerial bombing of population centers, introduced non-combatants to acoercive and traumatizing expectation. During wartime, civilians braced for the next raid; during peacetime they braced for the next war. The pre-traumatic stress they experienced permeates the century's public debates and cultural works. In a series of groundbreaking readings, Saint-Amourillustrates how air war prophets theorized the wounding power of anticipation, how archive theory changed course in war's shadow, and how speculative fiction conjured visions of a civilizational collapse that would end literacy itself. And in this book's central chapters, he shows us how Ford MadoxFord, Robert Musil, James Joyce, Virginia Woolf, and other interwar modernist writers faced the memory of one war and the prospect of another, some by pitting their fictions' encyclopedic scale and formal turbulence against total war, others by conceding war's inevitability while refusing to longfor a politically regressive peace.Total war: a conflict that exempts no one, disregarding any difference between soldier and civilian. Tense Future forever alters our understanding of the concept of total war by tracing its emergence during the First World War, its incubation in air power theory between the wars, and above all itsprofound partiality. For total war, during most of the twentieth century, meant conflict between imperial nation states; it did not include the violence those states routinely visited on colonial subjects during peacetime. Tacking back and forth between metropole and colony, between world war andpolice action, Saint-Amour describes the interwar refashioning of a world system of violence-production, one that remains largely intact in our own moment of perpetual interwar.

    . . And you wonder--what other highbrow writer, or indeed lowbrow writer has such a reflexive grasp of the street, the machine, the law courts, the rackets?" --Martin Amis, The New York Times Book Review The year 2015 marks several literary milestones: the centennial of Saul Bellow's birth, the tenth anniversary of his death, and the publication of Zachary Leader's much anticipated biography. Bellow, a Nobel Laureate, Pulitzer Prize winner, and the only novelist to receive three National Book awards, has long been regarded as one of America's most cherished authors. Here, Benjamin Taylor, editor of the acclaimed Saul Bellow: Letters, presents lesser-known aspects of the iconic writer.Arranged chronologically, this literary time capsule displays the full extent of Bellow's nonfiction, including criticism, interviews, speeches, and other reflections, tracing his career from his initial success as a novelist until the end of his life. Bringing together six classic pieces with an abundance of previously uncollected material, There Is Simply Too Much to Think About is a powerful reminder not only of Bellow's genius but also of his enduring place in the western canon and is sure to be widely reviewed and talked about for years to come.

    It is an essential reference tool for students of literature in any language. Now expanded and in its fourth edition, it includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. Completely revised and updated, this edition also features brand-new entries on terms such as distant reading, graphic novels, middle generation, and misery memoir. Many new bibliographies have been added to entries and recommended web links are available via a companion website.

    Giselle Liza Anatol focuses on the figure of the soucouyant, or Old Hag—an aged woman by day who sheds her skin during night’s darkest hours in order to fly about her community and suck the blood of her unwitting victims. In contrast to the glitz, glamour, and seductiveness of conventional depictions of the European vampire, the soucouyant triggers unease about old age and female power. Tracing relevant folklore through the English- and French-speaking Caribbean, the U.S. Deep South, and parts of West Africa, Anatol shows how tales of the nocturnal female bloodsuckers not only entertain and encourage obedience in pre-adolescent listeners, but also work to instill particular values about women’s “proper” place and behaviors in society at large.   Alongside traditional legends, Anatol considers the explosion of soucouyant and other vampire narratives among writers of Caribbean and African heritage who in the past twenty years have rejected the demonic image of the character and used her instead to urge for female mobility, racial and cultural empowerment, and anti colonial resistance. Texts include work by authors as diverse as Nobel Laureate Toni Morrison, U.S. National Book Award winner Edwidge Danticat, and science fiction/fantasy writers Octavia Butler and Nalo Hopkinson.This book is available as an audio book (https://www.abantuaudio.com/books/119...).

    Felski argues that critique is a sensibility best captured by Paul Ricoeur’s phrase “the hermeneutics of suspicion.” She shows how this suspicion toward texts forecloses many potential readings while providing no guarantee of rigorous or radical thought. Instead, she suggests, literary scholars should try what she calls “postcritical reading”: rather than looking behind a text for hidden causes and motives, literary scholars should place themselves in front of it and reflect on what it suggests and makes possible. By bringing critique down to earth and exploring new modes of interpretation, The Limits of Critique offers a fresh approach to the relationship between artistic works and the social world.

    The result is a very subtle, thought-provoking book.”—Anka Muhlstein, author of Balzac’s Omelette and Monsieur Proust’s Library   Marcel Proust came into his own as a novelist comparatively late in life, yet only Shakespeare, Balzac, Dickens, Tolstoy, and Dostoyevsky were his equals when it came to creating characters as memorably human. As biographer Benjamin Taylor suggests, Proust was a literary lightweight before writing his multivolume masterwork In Search of Lost Time, but following a series of momentous historical and personal events, he became—against all expectations—one of the greatest writers of his, and indeed any, era.   This insightful, beautifully written biography examines Proust’s artistic struggles—the “search” of the subtitle—and stunning metamorphosis in the context of his times. Taylor provides an in-depth study of the author’s life while exploring how Proust’s personal correspondence and published works were greatly informed by his mother’s Judaism, his homosexuality, and such dramatic events as the Dreyfus Affair and, above all, World War I. As Taylor writes in his prologue, “Proust’s Search is the most encyclopedic of novels, encompassing the essentials of human nature. . . . His account, running from the early years of the Third Republic to the aftermath of World War I, becomes the inclusive story of all lives, a colossal mimesis. To read the entire Search is to find oneself transfigured and victorious at journey’s end, at home in time and in eternity too.”

    

    His widely-published work maps the furthest frontiers of contemporary fiction and theory. The essays in this book range from the American satirist Sam Lipsyte to the reclusive Australian genius Gerald Murnane; from the "distant reading" of Franco Moretti to the legacy of Gordon Lish. Meditations on style, form and fictional worlds sit side-by-side with overviews of the cult status of Oulipo, the aftermath of modernism, and the history of continental philosophy. Infinite Fictions is indispensable reading for anyone interested in the forefront of literary thought.

    Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as:- The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg- New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationallyWith a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels

    You’ll see how Akira Toriyama combines thousands of years of martial arts history and modern cinema together to create the Tenkaichi Budōkai. And you’ll hear how Dragon Ball almost gets cancelled, but then changes its format to become the world’s most recognized anime and manga series on the planet.Travel alongside Goku as he becomes the disciple of the world’s greatest martial artist, meets his new training partner, and competes in the largest tournament on Earth. Will this wild monkey boy gain the discipline he needs to become the champion?Volume 3 explores Chapters 24 to 53 of the Dragon Ball manga. Let the battle begin!

     With each step that Goku takes, you’ll discover more of the hidden spirituality and symbolism in Dragon Ball that makes the series so successful. You’ll see how author Akira Toriyama synthesizes Chinese culture, Western technology, and Buddho-Daoist philosophy to create a series that speaks to your humanity. Not because of the action or the humor, but because it reminds you of what it means to be alive. Along the way you’ll learn of Goku’s ancient origin. You’ll hear how the legend of a wild monkey-man begins in India, evolves across 2,000 years of Chinese and Japanese history, and leads to the Goku you know and love. I’ll walk you through the journey from the first page to the last. And by the time we’re done, you will be an expert on Dragon Ball’s culture. Volume 2 explores Chapters 1 to 23 of the Dragon Ball manga. So let's take our first step with Goku!

    At once farcical and deeply philosophical, Cervantes’ novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Professor Roberto González Echevarría’s popular open course at Yale University, this essential guide to the enduring Spanish classic facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain while exploring why Cervantes’ masterwork is still widely read and relevant today. González Echevarría addresses the novel’s major themes and demonstrates how the story of an aging, deluded would-be knight-errant embodies that most modern of predicaments: the individual’s dissatisfaction with the world in which he lives, and his struggle to make that world mesh with his desires.

    But what will happen when this naïve boy enters the real world and meets people who want to harm him? Will he be able to find his grandpa’s 4-Star dragon ball, or will the villainous Red Ribbon Army get to it first?! In Dragon Ball Culture Volume 4, you’ll discover the origin of the Red Ribbon Army in Western cinema. You’ll see how author Akira Toriyama brings Western concepts into his Eastern world and fuses them together, creating the Dragon World that we know and love. And you’ll learn how monster movies, witches, and magical dragons mix together to tell a story about a young boy with a dream of becoming stronger. Volume 4 explores Chapters 54 to 112 of the Dragon Ball manga. So let’s hop on our magic cloud and head west with Goku!

    

    But for those of us who remain a bit intimidated or simply want to get more out of our reading, this companion to Crossway's Christian Guides to the Classics series is here to help.In this brief guidebook, popular professor, author, and literary expert Leland Ryken explains what the classics are, how to read them, and why they're still valuable. Written to help you become a seasoned reader and featuring a list of books to get you started, this guide will give you the tools you need to read and enjoy some of history's greatest literature.

    In this, the first biography of Garnett, (known as Bunny), author Sarah Knights Â? who has had unprecedented access to Garnett's papers Â? goes beyond stereotype and myth to present a clear sighted account of this often contradictory figure. Trained as a scientist, Garnett worked as a novelist and wrote exquisite prose. Lady into Fox was made into a Rambert ballet and Aspects of Love into an Andrew Lloyd Webber musical. In the First World War, he was a conscientious objector whereas in the Second he worked for British intelligence. A free love enthusiast, he nevertheless married. He loathed literary criticism but became a leading literary critic.Born into the Victorian period, Garnett's life spanned two World Wars, the Swinging Sixties and beyond. From pre-Revolutionary Russia, by way of Indian Nationalists in London and carefree Neo-Paganism, Garnett's early life was packed with adventure. Propelled by a desire to be constantly in love, he dazzled men and women, believing the person mattered, irrespective of gender. An overnight literary sensation in the 1920s he was at the centre of literary London. Confidante and mentor of many writers, T. E. Lawrence, Rupert Brooke, D. H. Lawrence, Joseph Conrad and H. G. Wells, were among his friends. Garnett felt most at home with the Bloomsbury Group, in particular with Vanessa Bell and Duncan Grant, his lover, with whom he lived during the First World War. Their long friendship was threatened, however, when Garnett's cradle-side prophecy to marry their daughter Angelica came true.David 'Bunny' Garnett is brought to life by Ben Lloyd-Hughes and Jack Davenport in the BBC series 'Life in Squares'.

    S. Lewis's novels reveal everywhere the modern writer's admiration for Dante's Divine Comedy. Throughout his career Lewis drew on the structure, themes, and narrative details of Dante's medieval epic to present his characters as spiritual pilgrims growing toward God. Dante's portrayal of sin and sanctification, of human frailty and divine revelation, are evident in all of Lewis's best work. Readers will see how a modern author can make astonishingly creative use of a predecessor's material; in this case, the way Lewis imitated and adapted medieval ideas about spiritual life for the benefit of his modern audience. Nine chapters cover all of Lewis s novels, from Pilgrim's Regress and his science-fiction to The Chronicles of Narnia and Till We Have Faces. Readers will gain new insight into the sources of Lewis's literary imagination that represented theological and spiritual principles in his clever, compelling, humorous, and thoroughly human stories.

    Why Americans think home in on something is a mistake and Brits think hone in is. Is it OK to spell OK okay? What's wrong with hence why? Was Alanis Morrisette ever ironic? Fowler's Dictionary of Modern English Usage is the world-famous guide to English usage, loved and used by writers, editors, and anyone who values correct English since it first appeared in 1926. Fowler's gives comprehensive and practical advice oncomplex points of grammar, syntax, punctuation, style, and word choice. Now enlarged and completely revised to reflect English usage in the 21st century, it provides a crystal-clear, authoritative picture of the English we use, while illuminating scores of usage questions old and new. International inscope, it gives in-depth coverage of both British and American English usage issues, with reference also to the English of Australia, Canada, India, New Zealand, and South Africa. The thousands of authentic examples in the book vividly demonstra

    Providing an overview of modern activities and trends in the teaching and performance of Duncan's dance, the author describes her own work directing The Isadora Duncan Dance Ensemble, the company that sought to implement Duncan's mission to create not a school of dance but "a school of life."

    His writing has rendered the physical landscape of the South Carolina lowcountry familiar to legions of readers, and it has staked out a more complex geography as well, one defined by domestic trauma, racial anxiety, religious uncertainty, and cultural ambivalence. In Understanding Pat Conroy, Catherine Seltzer engages in a sustained consideration of Conroy and his work. The study begins with a sketch of Conroy's biography, a narrative that, while fascinating in its own right, is employed here to illuminate many of the motifs and characters that define his work and to locate him within southern literary tradition. The volume then moves on to explore each of Conroy's major works, tracing the evolution of the themes within and among each of his novels, including The Great Santini, The Lords of Discipline, The Prince of Tides, Beach Music, and South of Broad, and his memoirs, among them The Water Is Wide and My Losing Season.Seltzer's insightful close readings of Conroy's work are supplemented by interviews and archival material, shedding new light on the often-complex dynamics between text and context in Conroy's oeuvre. More broadly Understanding Pat Conroy also explores the ways that Conroy delights in troubling the boundaries that circumscribe the literary establishment. Seltzer links Conroy's work to existing debates about the contemporary American canon, and, like Conroy's work itself, Understanding Pat Conroy will be of interest to his readers, students of American literature, and new and veteran South watchers.

    In Heidegger's Confessions, Ryan Coyne isolates a crucially important player in this story: Saint Augustine. Uncovering the significance of Saint Augustine in Heidegger’s philosophy, he details the complex and conflicted ways in which Heidegger paradoxically sought to define himself against the Christian tradition while at the same time making use of its resources.             Coyne first examines the role of Augustine in Heidegger’s early period and the development of his magnum opus, Being and Time. He then goes on to show that Heidegger owed an abiding debt to Augustine even following his own rise as a secular philosopher, tracing his early encounters with theological texts through to his late thoughts and writings. Bringing a fresh and unexpected perspective to bear on Heidegger’s profoundly influential critique of modern metaphysics, Coyne traces a larger lineage between religious and theological discourse and continental philosophy.

    In this lively and authoritative introduction, Paul Edmondson presents Shakespeare afresh as a dramatist and poet, and encourages us to take ownership of the works for ourselves as words to be spoken as well as discussed. We get a wide sense of what his life was like, his rich language, and astonishing cultural legacy. We catch glimpses of Shakespeare himself, how he wrote and see what his works mean to readers and theatre practitioners. Above all, we see how Shakespeare tackled the biggest themes of humanity: power, history, war and love.Shakespeare scholar Paul Edmondson guides us through the most important questions around Shakespeare and in the process reminds us just why he is so celebrated in the first place.

    BY THE FINALIST FOR THE 2015 MAN BOOKER INTERNATIONAL PRIZETHE WINNER OF THE 2014 NEUSTADT PRIZEAND THE WINNER OF THE 2013 CAMÕES PRIZE"One of the greatest living writers in the Portuguese language."—Philip Graham, The Millions"Subtle and elegant."—The Wall Street Journal"At once deadpan and beguiling."—The Times Literary Supplement"To understand what makes António 'Mia' Emílio Leite Couto special—even extraordinary—we have to loosen our grip on the binary that distinguishes between 'the West' and 'Africa.' Couto is 'white' without not being African, and as an 'African' writer he's one of the most important figures in a global Lusophone literature that stretches across three continents."—The New InquiryWhat would Barack Obama's 2004 campaign have looked like if it unfolded in an African nation? What does it mean to be an African writer today? How do writers and poets from all continents teach us to cross the sertão, the savannah, the barren places where we're forced to walk within ourselves? Bringing together the best pieces from his previously untranslated nonfiction collections, alongside new material presented here for the first time in any language, Pensativities offers English readers a taste of Mia Couto as essayist, lecturer, and journalist—with essays on cosmopolitanism, poverty, culture gaps, conservation, and more.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Beneath the sphere of the moon in the medieval realm of mutability, the endless process of chemical transmutation of one element into another was seen as the basis of all physical change on Earth; human beings, animals, and all material things were thought to be part of a continual cycle of generation and corruption. This book investigates Chaucer's fascination with earthly mutability. Gabrovsky argues that an integrated knowledge of alchemy and physics is crucial to our understanding of the physical and psychological transformations central to Chaucer's poetry. He reveals that Chaucer's oeuvre represents a major contribution to the philosophy of physics, astronomy, alchemy, and logic, bringing to light a medieval worldview centered on the infinite variety of transformations in the natural world.

    It is edited by S.T. Joshi. This sixth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. It features original stories and essays by Laird Barron, Jonathan Thomas, Mollie Burleson, James Goho, Jason V Brock, and Michael Aronovitz; a lengthy interview with Clive Barker and a new interview with T.E.D. Klein; a 24-page full-color gallery of art by Christopher Conn Askew, an essay on Robert E. Howard-inspired art in the comics; an essay on the artwork of L.B. Cole, extensively illustrated; and much more.

    Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers.

    Some claim it promotes violence, glorifies suffering and death, and amounts to divine child abuse. Others argue it plays a pivotal role in classical Christian doctrine. Here world-renowned New Testament scholar Simon Gathercole offers an exegetical and historical defense of the traditional substitutionary view of the atonement. He provides critical analyses of various interpretations of the atonement and places New Testament teaching in its Old Testament and Greco-Roman contexts, demonstrating that the interpretation of atonement in the Pauline corpus must include substitution.

    Michigan Literary Luminaries shines a spotlight on this rich heritage of the Great Lakes State. Discover how Saginaw greenhouses shaped the life of Pulitzer Prize-winning writer Theodore Roethke. Compare the common traits of Detroit crime writers like Elmore Leonard and Donald Goines. Learn how Dudley Randall revolutionized American literature by doing for poets what Motown Records did for musicians. Join author Anna Clark as she unveils Michigan's extraordinary written culture with a mixture of history, literary criticism and original reporting.

    Her Vorkosigan series redefined space opera with its emotional depth and explorations of themes such as bias against the disabled, economic exploitation, and the role of women in society.   Acclaimed science fiction scholar Edward James traces Bujold's career, showing how Bujold emerged from fanzine culture to win devoted male and female readers despite working in genres--military SF, space opera--perceived as solely by and for males. Devoted to old-school ideas such as faith in humanity and the desire to probe and do good in the universe, Bujold simultaneously subverted genre conventions and experimented with forms that led her in bold creative directions. As James shows, her iconic hero Miles Vorkosigan--unimposing, physically impaired, self-conscious to a fault--embodied Bujold's thematic concerns. The sheer humanity of her characters, meanwhile, gained her a legion of fans eager to provide her with feedback, expand her vision through fan fiction, and follow her into fantasy.

    Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder.The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and presents original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W. H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the poetry of H. D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this group of writers and artists, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, these figures could better project large-scale geopolitical events and crises.

    Emphasizing feminist cross-talk, transnational collaborations and influences, and cultural differences in context, this anthology heralds a new approach to studying feminist history. Provocations includes engaging, historically significant primary sources by writers of many nationalities in numerous genres—from political manifestos to theoretical and cultural analysis to poetry and fiction. These texts range from those of classical antiquity to others composed during the Arab Spring and represent Asia, the Middle East, Latin America, Western Europe, and the United States. Each section begins with an introductory essay that presents central ideas and explores connections among readings, placing them in historical, national, and intellectual contexts and concluding with questions for discussion and reflection.

    Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality?  The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.

    Since the 1980s, Asian American literary studies has developed into a substantial and vibrant field within English and American Studies. This Companion explores the variety of historical periods, literary genres, and cultural movements affecting the development of Asian American literature. Written by a host of leading scholars in the field, this book provides insight into the representative movements, regional settings, archival resources, and critical reception that define Asian American literature. Covering subjects from immigrant narratives and internment literature to contemporary race studies and the problem of translation, this Companion provides insight into the myriad traditions that have shaped the Asian American literary landscape.

    Lovecraft?I’ve known of the versus for a long time (see my remarks on the Howard-Lovecraft correspondence in the first issue of Necrofile back in 1992), with their ongoing debates known by the overarching term “Barbarism vs. Civilization” — but I credit my awareness of the rivalry specifically manifesting itself in “Pigeons from Hell” to none other than Brian Leno.--- Don Herron, from the Afterword to Lovecraft's Southern VacationLovecraft’s Southern Vacation collects the crème de la crème of Cimmerian Award-winning essayist Brian Leno’s Robert E. Howard criticism together for the first time under one set of covers, with an Introduction and Afterword by Don Herron.The title essay rocked standard perceptions of a classic supernatural tale that everyone thought they knew inside and out — as Leno took Howard’s “Pigeons from Hell” and showed convincingly how it satirized the New England horror fiction of H. P. Lovecraft.Then Leno took to the texts again to investigate one of the long-standing puzzles of Howard’s life: Did he or did he not see the 1933 film King Kong before his death in 1936?And trust to Leno to come up with an unexpected source for Howard’s popular tale “The Frost-Giant’s Daughter,” featuring the Texan’s most famous creation, Conan the barbarian.If you enjoy Howardian litcrit, Leno’s got the knack."I’ll be adding info that helps to confirm your theory in re: 'Pigeons'—a brilliant observation & deduction—in my REH chapter of Lovecraft’s Great Tales!"--John D. Haefele, author of A Look Behind the Derleth Mythos

    Interweaving her own experience as a pregnant teen forced to surrender her daughter and pledge secrecy for decades, Ellerby interrogates “out-of-wedlock” motherhood, mapping the ways archetypal scarlet women and their children have been exiled as social pariahs, pardoned as blameless pawns, and transformed into empowered women. Drawing on narrative, feminist, and autobiographical theory, the book examines the ways that the texts have affirmed, subverted, or challenged dominant thinking and the prevailing moral standards as they have shifted over time. Using her own life experience and her uniquely informed perspective, Ellerby assesses the effect these stories have on the lives of real women and children. By inhabiting the space where ideology meets narrative, Ellerby questions the constricting historical, cultural, and social parameters of female sexuality and permissible maternity.As a feminist cultural critique, a moving autobiographical journey, and an historical investigation that addresses both fiction and film, Embroidering the Scarlet A will appeal to students and scholars of literature, history, sociology, psychology, women’s and gender studies, and film studies. The book will also interest general readers, as it relates the experience of surrendering a child to adoption at a time when birthmothers were still exiled, birth records were locked away, and secrecy was still mandatory. It will also appeal to those concerned with adoption or the cultural shifts that have changed our thinking about illegitimacy.

    Engaging with the past to combat the creeping authoritarianism of the Putin era, she has become the latest in a long line of Russian dissident authors championing the values of liberalism and tolerance while critiquing the state. Ludmila Ulitskaya and the Art of Tolerance is the first English-language book about this influential writer, contextualizing her in the shifting landscape of post-Soviet society and culture.             Drawing on interviews with Ulitskaya and sources not readily available to Western scholars, Elizabeth A. Skomp and Benjamin M. Sutcliffe explore the ethical ideals that make Ulitskaya’s novels resonate in today’s Russia—tolerance, sincerity, and diversity—and examine how she uses innovative imagery to personalize history through a focus on body and kinship. This is essential reading for anyone interested in contemporary Russian literature and society.

    Or does it? This book describes Europe's image of Africa and relates how the conception of the Dark Continent has been fabricated in European culture--with the Congo as an analytical focal point. It also demonstrates that the myth was more than a creation of colonial propaganda; the Congo reform movement--the first international human rights movement--spread horror stories that still have repercussions today. The book cross-examines a number of witness testimonies, reports and novels, from Stanley's travelogues and Conrad's Heart of Darkness to Herge's Tintin and Burroughs' Tarzan, as well as recent Danish and international Congo literature. The Dark Continent? proposes that the West's attitudes to Africa regarding free trade, emergency aid and intervention are founded on the literary historical assumptions of stories and narrative forms that have evolved since 1870.

    However, while there has been much research into the interplay between society and its physical surroundings as reflected in medieval literature, the seasonal aspect of this dynamic has hitherto been neglected. This book analyses the narrative and psychological functions of seasonal settings in the literatures of medieval England and Iceland from the eighth to the fourteenth century, from Beowulf to Sir Gawain and the Green Knight. Dealing with both the material realities and the figurative functions of the seasonal cycle, it interprets seasonal spaces in myth and literature as conventionalised environments, where society deals with outside threats and powers which manifest themselves in marginal landscapes. Informing its literary investigations with relevant concerns from economic history, patristic doctrine and decision theory, the volume offers a comprehensive new look at the psychology of landscape and season in medieval literature; it also brings out beliefs concerning the seasons and their connections with the supernatural. Paul S. Langeslag is a lecturer of Medieval English Studies at the University of Gottingen, Germany.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    The journal will be focused on the contexts and concepts of horror fiction. Unlike other markets, it’s going to eschew the regular columns you’re used to—no news, no promotional fluff pieces, no reviews. Instead, this is going to be about horror itself, its philosophical mechanics, about how it interacts with us, and we with it. Each volume of the journal will focus on a single theme, the first of which is Horror in the Twenty-First Century featuring interviews with Nate Southard, Molly Tanzer, Simon Strantzas, Michael Kelly, Nathan Ballingrud, and Silvia Moreno-Garcia and essays by Kurt Fawver, Gary Fry, Helen Marshall, Jeremy R. Smith, Andrew P. Williams, and Michael Cisco.

    R. R. Tolkien's work is animated by a profound moral and religious vision. It is less clear that Tolkien's vision confronts the leading philosophical and literary concerns addressed by modern writers and thinkers. This book seeks to resolve such uncertainty. It places modern writers and modern quandaries in lively engagement with the broad range of Tolkien's work, while giving special attention to the textual particularities of his masterpiece, The Lord of the Rings.In ways at once provocative and original, the contributors deal with major modern artists and philosophers, including Miguel de Cervantes, Friedrich Nietzsche, Emmanuel Levinas, Iris Murdoch, and James Joyce. The essays in Tolkien among the Moderns also point forward to postmodernism by examining its implications for Tolkien's work. Looking backward, they show how Tolkien addresses two ancient questions: the problems of fate and freedom in a seemingly random universe, as well as Plato's objection that art can neither depict truth nor underwrite morality. The volume is premised on the firm conviction that Tolkien is not a writer who will be soon surpassed and forgotten—exactly because he has a permanent dwelling place "among the moderns.""This collection of essays places Tolkien in the context of the big themes of philosophy, historically and today. It will speak to readers who are already drawn to the work of Tolkien and who either have a desire to see into his work more deeply or desire to see how his work might be employed to think about other matters, for example, how might the work of Tolkien impact the so-called warfare between poetry and philosophy. I believe that the work of Tolkien is here to stay, that it will continue to stand the test of time, and that intelligent, curious readers will find Tolkien among the Moderns deeply rewarding." —Charles Taliaferro, St. Olaf College

    Much of this literary harvest, as Paul Fussell brilliantly demonstrated in The Great War and Modern Memory, hinged on an ironic response to the deadly absurdities of World War I. Yet, Fussell also acknowledges that fantasy could be a legitimate literary response to the war, a way of transforming the horrible experiences of the war into something more bearable, applicable, and relevant; into myth and “Escape” in the sense that Tolkien used the term in “On Fairy-stories.” This present volume sprang from a desire to examine selected examples of the fantastic response to World War I among British authors. The contents comprise a mix of five classic articles from the pages of Mythlore and twelve new essays. The first half of the book considers the Inklings, the Oxford literary group centered on J. R. R. Tolkien and C. S. Lewis, while the second half deals with other authors.

    This book focuses on this seventeen-year period of his life and literature. Author Jules B. Farber presents "life with Jimmy" through more than seventy interviews of personal reminisces with well-known literary figures, musicians, artists, and celebrities, such as Sidney Poitier, Toni Morrison, Maya Angelou, Quincy Jones, Henry Louis Gates, Jr., Bill Wyman, Harry Belafonte, Jr., George Wein, and many others. Farber also reached out to locals in Saint-Paul de Vence who adopted Baldwin into their village.Baldwin's oeuvre and lifestyle during this time was concentrated in this ProvenCal setting. These personal, and sometimes intimate, recollections provide an overview of the diversity of Baldwin's writing, the details of his social interactions, the magnitude of his literary relevance, and a first-time examination of his integration as the first black man in Saint-Paul de Vence.

    In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw'udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland.Al-Samman presents close readings of the fiction of six prominent authors whose works span over half a century and define the current status of Arab diaspora studies--Ghada al-Samman, Hanan al-Shaykh, Hamida al-Na'na', Hoda Barakat, Samar Yazbek, and Salwa al-Neimi. Exploring the journeys in time and space undertaken by these women, Anxiety of Erasure shines a light on the ways in which writers remain participants in their homelands' intellectual lives, asserting both the traumatic and the triumphant aspects of diaspora. The result is a nuanced Arab women's poetic that celebrates rootlessness and rootedness, autonomy and belonging.

     It features 3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career, written specifically for the Mixtape. Plus, an in-depth essay on Rodrigo Rey Rosa. Also includes hard-to-find interviews and essays, and each piece comes with a short intro explaining why I have chosen to place it in the mixtape. All in all, over 25,000 words of Latin American literary goodness.

    Reflecting the development of postcolonial literary studies into a significant and intellectually vibrant field, this Companion explores genres and theoretical movements such as magical realism, crime fiction, ecocriticism, and gender and sexuality. Written by a host of leading scholars in the field, this book offers insight into the representative movements, cultural settings, and critical reception that define the postcolonial novel. Covering subjects from disability and diaspora to the sublime and the city, this Companion reveals the myriad traditions that have shaped the postcolonial literary landscape, and will serve as a valuable resource to students and established scholars alike.

    Roh shows how infrastructure—in the form of legal policy and network distribution—slows or accelerates the rate of change. He analyzes the relationship between intellectual property rights and American literature in two recent copyright disputes. And, in comparing American fan fiction and Japanese dojinshi, he illustrates how infrastructure and legal climates detract from or encourage fledgling creativity.Illegal Literature fills a crucial gap between the scholarly and the popular by closely examining several modes of marginalized cultural production. Roh makes the case for protecting an environment conducive to literary heresy, the articulation of an accretive rather than solitary authorial genius, and the idea that letting go rather than holding on is important to a generative creative process. In a media ecology inundated by unauthorized materials, Illegal Literature argues that the proliferation of unsanctioned texts may actually benefit literary and cultural development.

    Both international and domestic law affirm that children haverights, but how are these norms disseminated so that they make a difference in children's lives? Human rights education research demonstrates that when children learn about human rights, they exhibit greater self-esteem and respect the rights of others. The Convention on the Rights of the Child --the most widely-ratified human rights treaty -- not only ensures that children have rights, it also requires that states make those rights widely known, by appropriate and active means, to adults and children alike. This first-of-its-kind requirement for a human rights treaty indicates that ifrights are to be meaningful to the lives of children, then government and civil society must engage with those rights in ways that are relevant to children.Human Rights in Children's Literature investigates children's rights under international law -- identity and family rights, the right to be heard, the right to be free from discrimination, and other civil, political, economic, social and cultural rights -- and considers the way in which those rightsare embedded in children's literature from Peter Rabbit to Horton Hears a Who! to Harry Potter. This book traverses children's rights law, literary theory, and human rights education to argue that in order for children to fully realize their human rights, they first have to imagine and understandthem.

    Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time. Kay Boyle shared the first issue of This Quarter with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.

    Descended from a lineage of trolls, shape-shifters, and warriors, Egil's transformation from a precocious and murderous child into a raider, mercenary, litigant, landholder, and poet epitomizes the many facets of Viking legend.The contributors to this collection of essays approach Egil's story from a variety of perspectives, including psychology, philology, network theory, social history, and literary theory. Strikingly original, their essays will appeal not only to dedicated students of Old Norse-Icelandic literature but also to those working in the fields of Viking studies, comparative ethnology, and folklore.

    In Nineteenth-Century American Literature and the Long Civil War, Cody Marrs argues that the war is a far more elastic boundary for literary history than has frequently been assumed. Focusing on the later writings of Walt Whitman, Frederick Douglass, Herman Melville, and Emily Dickinson, this book shows how the war took imaginative shape across, and even beyond, the nineteenth century, inflecting literary forms and expressions for decades after 1865. These writers, Marrs demonstrates, are best understood not as antebellum or postbellum figures but as transbellum authors who cipher their later experiences through their wartime impressions and prewar ideals. This book is a bold, revisionary contribution to debates about temporality, periodization, and the shape of American literary history.