It will feature the best sports writing from the website, delivered in a full-color book featuring original artwork and a host of print exclusives—including original fiction, new writing from editor-in-chief Bill Simmons, posters and pull-out sections, old-school baseball cards and mini-booklets, and a cover that looks and feels like you're holding a basketball. Like its namesake website, Grantland Quarterly will regularly include some of the most exciting and form-pushing sports writers currently plying the trade, including Chuck Klosterman, Malcolm Gladwell, Tom Bissell, Harris Wittels, John Brandon, Anna Clark, Chris Jones, Colson Whitehead, and many more.

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.

    Hester Prynne, a young woman married to a much older man, has arrived in New England before him and has not heard from him for many months. He is presumed lost at sea. She bears an illegitimate child and is sentenced to wear a red A as a badge of shame. By the end of the ensuing drama, it is her husband who is morally degraded, and her lover who is broken by his own sense of guilt. A time-worn mansion in Salem is the setting of The House of the Seven Gables, the story of a distinguished but troubled New England family -- the Pyncheons. A haunting, centuries-old curse, a forceful probing of national and personal guilt, a romance between the young heroine and an attractive stranger -- all intertwine in this work that Henry James declared "the closest approach we are likely to have to the Great American Novel." The text of The Toby Press edition is based on the first editions of these works, published in 1850 and 1851 respectively, and includes Hawthorne's preface to the second edition of The Scarlet Letter. It also features an introductory essay and chronology by Professor Michael J. Kramer, chair of the English department at Bar Ilan University.

    

    The towering figure of Adam Trask dominates the story--a good man whose satanic wife revealed to him the shuddering ecstasies of lustful evilKate came into Adam's life unannounced, and left amidst the ringing echo of gunfire. Behind her were a shattered man and a shattered world, and two infant boys doomed to play out, once again, the tragic roles of another Adam's offspring. Ahead of her was a frenzied life of depravity and perversion, wealth..and terror.THE WAYWARD BUS traveled the back roads through lush California countryside. Its driver was a man of the land--lusty, hot-blooded, uninhibited. On the bus were a magnificent creature cursed with a heart of gold an an irresistible allure for men, a traveling salesman out strictly for laughs, a boy with the sweet sap of manhood urgent in him, a college girl pursuing a secret, passionate quest...In one climactic day--and night--the lives of these and all the other passengers on the wayward bus were changed. And the electricity that John Steinbeck creates in their relation ships provides both power and shock.--jacket description

    Alexandre Dumas (1802-1870) continues the adventures of the Monte-Cristo family in the Countess of Monte-Cristo.

    Here are classic tales from writers including Truman Capote, Shirley Jackson, Dylan Thomas, Saki and Chekhov, as well as little-known treasures such as Italo Calvino's wry sideways look at Christmas consumerism, Wolfdietrich Schnurre's story of festive ingenuity in Berlin, Selma Lagerlof's enchanted forest in Sweden, and Irène Nemerovsky's dark family portrait. Featuring santas, ghosts, trolls, unexpected guests, curmudgeons and miracles, here is Christmas as imagined by some of the greatest short story writers of all time.

    The mission seems nearly impossible, but don’t count out these unlikely heroes just yet!SYMPHONY OF LIGHTIt’s the final, explosive showdown. Scott and his ragtag team must face the Invid Regess and her warrior race that will fight to the death to keep its prize. However, a shocking, unforeseen turn of events changes everything in the ultimate prelude to the Shadow Chronicles!

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    "The Dashiell Hammett Megapack" collects 20 early and rare stories by the famous mystery writer, plus one poem.Included in this volume are: AFRAID OF A GUNARSON PLUSTHE NEW RACKETBODIES PILED UPDEATH ON PINE STREETTHE MAN WHO KILLED DAN ODAMSMIKE, ALEC, OR RUFUSNIGHT SHOTSNIGHTMARE TOWNONE HOURTHE ROAD HOMERUFFIAN'S WIFETHE SECOND-STORY ANGELTHE TENTH CLUEWHO KILLED BOB TEAL?ZIGZAGS OF TREACHERYTHE WAGES OF CRIMENIGHT SHADETHE PARTHIAN SHOTIMMORTALITYCURSE IN THE OLD MANNER

    

    But to do this they need to outwit the evil General Woundwort.

    Explore the unique world of The Catcher in the Rye and JD Salinger

    Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Two Stories (1917) Kew Gardens (1919) Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Nurse Lugton's Golden Thimble (1966) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS Mr. Bennett and Mrs. Brown (1924) The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) A Letter to a Young Poet (1932) The Common Reader II (1932) Walter Sickert: a conversation (1934) Three Guineas (1938) Reviewing (1939) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) The Letters Vols. 1–6 (1975-80) The Letters of V.W. and Lytton Strachey (1956)  A Passionate Apprentice. The Early Journals 1887-1909 (1990)  THE PLAY Freshwater: A Comedy (both versions) (1976)

    Louis in the mid-thirties––a lovely Sunday for a picnic at Creve Coeur Lake. But Dorothea, one of Tennessee Williams’s most engaging "marginally youthful," forever hopeful Southern belles, is home waiting for a phone call from the principal of the high school where she teaches civics––the man she expects to fulfill her deferred dreams of romance and matrimony. Williams’s unerring dialogue reveals each of the four characters of A Lovely Sunday for Creve Coeur with precision and clarity: Dorothea, who does even her "setting-up exercises" with poignant flutters; Bodey, her German roommate, who wants to pair Dotty with her beer-drinking twin, Buddy, thereby assuring nieces, nephews, and a family for both herself and Dotty; Helena, a fellow teacher, with the "eyes of a predatory bird," who would like to "rescue" Dotty from her vulgar, common surroundings and substitute an elegant but sterile spinster life; and Miss Gluck, a newly orphaned and distraught neighbor, whom Bodey comforts with coffee and crullers while Helena mocks them both. Focusing on one morning and one encounter of four women, Williams once again skillfully explores, with comic irony and great tenderness, the meaning of loneliness, the need for human connection, as well as the inevitable compromises one must make to get through "the long run of life."