It features unpublished photographs from Shore's influential work that has been widely exhibited in the US but never captured in a book for the general public.

    With twisted pleasure, he showed her two dead female bodies on the floor and a third, live one--naked, gagged and bound, and spread-eagled on a mattress. "Anybody Stupid Enough To Believe Me Deserves To Get Screwed!" Neal who called himself "Wild Bill Cody," was seductive and skillful at separating love-struck women from their money, and ultimately, their lives. 43-year-old divorcee Rebecca Holberton let Neal move into her townhouse and "loaned" him $70,000. On June 30, 1998, he repaid her by crushing her skull with an ax and wrapping her in plastic. On Friday, July 3, he brought another girlfriend, Candace Walters, 48, to the townhouse, clubbing her to death and desecrating the body. On Sunday, yet another acquaintance, Suzanne Scott, 21, watched helplessly as Angela Fite was murdered by Neal, who then sodomized and raped his bound captive. "Here's What Happens When You Mess With Me!" Apprehended by police, Neal, who proclaimed himself better than Ted Bundy, insisted on representing himself at the trial. Though the evidence against him was overwhelming, it was the testimony of Suzanne, who had survived Neal's unspeakable torture, that finally put this monster on Colorado's death row. Includes 16 Pages Of Shocking Photos

    This compendium is bursting with little-known gems such as: the Bible is the most stolen book in America; humans and giraffes have the same number of vertebrae in their necks (seven); and the first thermometer was filled with brandy, not mercury (and was quite accurate). Presented with humor and precision, The Instant Genius is an engrossing battery of over 200 facts sure to settle at least one thorny question in everyone's mind.

    Mari - New York City Criminal Attorney for 36 years*****"The Biggest Rat - Whitey Bulger's Decades of Deceit" is the story of James "Whitey" Bulger, the Boston mob boss; from his early days of crime, to his heyday running Boston's underworld, including his escape and capture after 16 years on the run. This book also includes Bulger's trial, and the jury verdict which found Bulger guilty of 31 of the 32 counts in the indictment. Bulger was also found guilty of 11 of the 19 murders included in the indictment.It's fair to say Whitey Bulger will die in jail. Bulger's lucky he didn't get the electric chair; which would have been a more fitting punishment for one of the vilest individuals to ever roam the earth.*****On July 9, 2013, Whitey Bulger's former protégé, Kevin Weeks, hate and contempt in his eyes, took the witness stand against his former boss. The 57-year-old Weeks and Bulger were once so tight, they spoke nearly every day for more than a decade. Bulger, 83-years-old, was facing life in prison for committing more than 19 murders.Since Weeks served only five years in prison for aiding and abetting five of Bulger's murders, Bulger's lawyer, J.W. Carney, tried to portray Weeks as a con artist who knew how to manipulate the justice system."You won against the system," Carney told Weeks."What did I win? What did I win?" Weeks said. "Five people are dead."Carney asked Weeks if the killings bothered him.Weeks shot back, "We killed people that were rats. And I had THE BIGGEST RAT right next to me."Whitey Bulger, unlike Genovese turncoat Joe Valachi, Bonanno boss Joe Massino, and Gambino consiglieri Salvatore "Sammy the Bull" Gravano, willingly became an F.B.I. informant while he was still active on the streets as the Mob Boss of Boston. And Bulger remained an F.B.I. informant for more than 20 years.Kevin Weeks was right. Whitey Bulger was THE BIGGEST RAT of them all.******************************************************Joe Bruno's "Mobsters, Gangs, Crooks, and Other Creeps" finished runner-up (second place) in the 2013 eFestival of Words Best of the Independent Ebook Awards in the category "Nonfiction."efestivalofwords.com/portal.php

    We see cowboys and clowns, dancers and dog groomers, miners and models. On one page, drill sergeants bark orders to U.S. Navy recruits; on another, young Tibetan monks study Buddhist scriptures; and on another, Kenyan women spread coffee beans to dry. Work is a subject that is both worldwide and personal. It is a shared endeavor at the very core of our identity. From the glamour of a Parisian fashion show to the grit of an African diamond mine, there are countless ways to make a living. The book illuminates scores of them many in never-before-published photographs offering revealing glimpses into various eras and cultures and engaging the reader with entertaining text and informative captions. With a wonderful mix of the utterly unexpected and the instantly familiar, this vivid panorama takes an essential human activity and shows us myriad ways in which work is at once universal and delightfully, unforgettably unique."

    Since its 1970 s renaissance in the iconic album designs of bands such as the Grateful Dead, the skull has found its way into the visual vocabulary of urban life, adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion. Repurposed and recast by artists, illustrators and designers, it has become one of the most iconic cultural symbols of our time. In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today s ultimate anti-establishment icon. From Black Sabbath to Cypress Hill, skater punk graffiti to Gothic tattoos, from high-couture to Hello Kitty and Dali to Damien Hirst, this book is the ultimate collection of cool and iconic skull motifs. Drawing together artwork from music, fashion, street art and graphic design The Book of Skulls is a celebration of one of today s most iconic cultural symbols.

    This significantly expanded edition is a full-color, lavishly illustrated, comprehensive resource that explores every aspect of alternative process image making. With his highly conversational writing style, James explores the techniques, processes, idiosyncrasies, history, and cultural connections that are such a significant part of the genre. Best of all, James makes it extremely accessible, providing clear instructions and practical workflow advice. The book delves into a vast menu of alternative and traditional options, among them: calotype, salted paper, cyanotype, argyrotype, chrysotype, POP, kallitype, ambrotype/wet collodion, Van Dyke, platinum/palladium, Ziatype, gelatin dry plate emulsions, carbon, gum bichromate, albumen, hand-applied emulsions, paper, alternative imaging systems, and digital negative production for alternative process image making. This book has become the unanimous standard reference text for alternative process photography, one that students love to read and work from. Not only does this definitive work make the most complex ideas easy to understand, it is conversational, comfortable, inspirational, and fun to read- a tremendous resource and a treasure trove of alternative process images. "The first edition was a stunning achievement, and one I felt that was not likely to be superceded. Five short years later Christopher James has created a very new work and a new standard. The Book of Alternative Photographic Processes: 2nd Edition is, by far, the best alternative photographic process book ever!" - Richard Sullivan, Founder and Co-Owner, Bostick & Sullivan "If I could only have one photography book this would be it." -Timothy Whelan, Photographic Books

    In Through the Lens, 250 spectacular images--some famous, others rarely seen--are gathered in one lavish volume.Through the Lens is divided into geographical regions with a special section devoted to space exploration. Each geographical section features an outstanding array of photographs that exemplifies the area's unique people, wildlife, archaeology, culture, architecture, and environment, accompanied by brief but informative captions. From Barry Bishop's heroic Mount Everest climb in the 1950s to the glorious wildlife of Asia and Africa, from ancient Maya culture to the Afghan woman found 17 years after her piercing green eyes captivated the world, these are some of the finest and most important photographs ever taken.Featuring master photographers from the late 1800s to today, including Frans Lanting, David Doubilet, David Alan Harvey, Jodi Cobb, William Albert Allard, Nick Nichols, and Annie Griffiths Belt, Through the Lens is an extraordinary photographic celebration of some of the greatest the world has to offer.

    Relevant psychological principles will help you predict your viewer's emotional reaction to your photographic images, giving you more power, control, and tools for communicating your desired message. Knowing how our minds work helps photographers, graphic designers, videographers, animators, and visual communicators both create and critique sophisticated works of visual art. Benefit from this insight in your work. Topics covered in this book: gestalt grouping, memory and association, space, time, color, contours, illusion and ambiguity, morphics, personality, subliminals, critiquing photographs, and rhetoric.

    According to him, it just happened that way. And that one day, when he was looking through his boxes of photographs, he realized that somehow or other dogs had crept into a fair proportion of them. Not that they were dog portraits. More just photographs with dogs in. Pictures of poodles taken at dog shows, of Airedales fetching sticks in the park, of crowds of dogs larking around together, of Highland Terriers jumping in the air for joy - and hundreds of images of dogs walking, being carried, sitting on hearthrugs, beaches, riverbanks, sofas, park benches.DogDogs is a delightful object presenting the largest selection ever published of Erwitt's dog photographs. Any dog-lover's dream title, it contains 500 pictures, all of them printed full-bleed and in arresting duotone. Also included is a captivating essay by P G Wodehouse, who was an admirer of Erwitt's work and a keen dog-owner himself. As he says, ' ... what superb photographs these are. It does one good to look at them. There is not one sitter in his gallery who does not melt the heart.'