In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society. In her new introduction, Susan V. Donaldson shows that the Southern Agrarians might have ultimately failed in their efforts to revive the South they saw as traditional, stable, and unified, but they nonetheless sparked debates and quarrels about history, literature, race, gender, and regional identity that are still being waged today over Confederate flags, monuments, slavery, and public memory.

    It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    He first made his presence known in October 1966, and since then he has continued, at irregular and infrequent intervals, to clump down the hall, slam doors, rock in a chair, frighten the family cat (now deceased, through no fault of Jeffrey), move heavy pieces of furniture, cause electronic equipment to malfunction, and hide objects. He frequently accompanies Mrs. Windham on her travels, and tales of Jeffrey's antics are widely recounted.

    Both were born and raised in Mississippi. Both fought in Vietnam. Both were gravely wounded. Now, twenty-two years later, the two men lie in adjacent beds in a VA hospital.Over the course of a day and a night, Walter James and Braiden Chaney talk of memories, of passions, of fate. With great vision, humor, and courage, Brown writes mostly about love in a story about the waste of war.

    Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body, in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until the trip to Tijuana changes them in ways neither of them had ever expected.

    'Britannia's Fist' is the story of powerful historical personalities who come together as America goes into total war mobilization in the fight for its life against the power of the British Empire.

    More than 150 poems from her seven books of poetry written between 1963 and 1982.

    Simons Island in Georgia after much hardship and success.

    A combined edition of the poet's early work, including Lord Weary's Castle, a collection of forty-two short poems, which won the 1947 Pulitzer Prize, and The Mills of the Kavanaughs, a narrative poem of six hundred lines, and five other long poems.

    Olivia assumed that bigotry was the product of her mother's loyalty to long-dead relatives, an allegiance to maintain the family's white blood line. After Emma's death though, Olivia finds a letter and an old journal among her belongings. Soon she discovers the secret that prompted Emma to irrationally blame an entire race -- a secret that had nothing to do with family history, although it strongly paralleled another tragic event from the past. 1846, Marianne Witherell's journal: Before Lincoln and the American Civil War, slavery is at its peak in South Carolina. A young slave girl named Willa suddenly arrives at Heavenly Plantation with her mother Heddie, destined to serve the wealthy plantation family as house servants. Right away, two of the Master's children-Marianne and Seth-forge a bond with Willa, in spite of their older brother Foster's warnings about the evils of mixing with the "darkies." Although she grows up in the "big house" treated like family by her pair of white friends, Willa cannot forget that she is still a slave. Never is that fact made clearer than when Foster cruelly taunts and threatens her in secret. As it threads through the lives of its diverse characters, this novel captures the complicated and often violent nature of life in the antebellum South. As Willa's story is told, a dramatic tapestry is woven, binding the Witherell family to a web of secrets that include forbidden love and faithful friendships alongside dangerous obsessions, mental instability, and even murder.

    A close-knit group of friends draws closer, and then apart, when scandal and tragedy erupt among them.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    Longfellow's epic poem about the expulsion of the Acadians has become mythologized and immortalized by Acadians in the Maritimes and Cajuns in Louisiana.

    In fact, it is a compelling adventure story with richly drawn characters and has earned a place in both literary and American history. Stowe's religious beliefs show up in the novel's final, overarching theme—the exploration of the nature of Christianity and how Christian theology is fundamentally incompatible with slavery.