'Revolution on Canvas' presents another collection of poetry from some of the country's most popular indie-rock bands, including Deftones, Fall Out Boy, Armor For Sleep, and Say Anything.

    . . Are you imprisoned by the joy-sucking dully-funks? . . . Maybe it’s time for a healthy dose of truth gift-wrapped in humor.Kick back a moment and take this revealing true-or-false stress test for women: T F I am frequently grumpy and I don’t know why. T F I used to enjoy cooking, but now it’s only a necessary chore. T F I don’t feel appreciated for all the tasks that I do. T F I’m embarrassed if caught relaxing or being "unproductive." T F The volume in my voice increases to MAKE MY POINT! T F I feel like I live in my car. T F I can’t remember the last time I laughed till I cried. T F A "free" day is exhausting because I must complete all my home duties. T F I tend to eat when feeling tense or overwhelmed. T F I feel like I’m constantly on the defensive. T F I often have unexplained headaches or stomachaches. T F My to-do lists have footnotes. Now count the answers that you marked "true" and check out your status: 4–6: Yellow Alert! You are at risk of becoming stressed out. 7–9: Orange Alert! Look out, girlfriend, you’re at toxic stress levels. 10–12: Red Alert!!! You are a bonified Stress Mess and need immediate help! If you often find yourself struggling with the stresses of finances, health, career, relationships, self-image, or family, then this humor-filled volume is just what you need. With simple, practical tips for attaining the peace you crave—the peace that passes all understanding—you’ll discover healing, refreshment, and revitalization for your spirit, body, and mind.<!--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /-->

    One cannot categorize these poems simply as confessional, narrative, or lyrical. They are all these things at once. They move beyond usual explorations of childhood or family to blend themes and influences that range from Neruda to Coltrane, Fat Albert to Orpheus, John Shaft to Gershwin. This book gives us an almost Whitmanesque account of an America, and an African American, replete with grace and imperfection. Moreover, it gives us a voice that does not sacrifice truth for music or music for accessibility. At the end of a poem that includes Bill Strayhorn, Andrew Carnegie, and Dante, Hayes says, "I know one of the rings of hell is reserved for men who refuse to weep. So I let it come. And it does not move from me." These lines reflect what is always at the core of Hayes's poetry: a faithfulness, not to traditional forms or themes, but to heart and honesty. It is a core bounded by and cradled by a passion for the music in all things.

    In making their selections, the editors have chosen the voices of seventeen poets and translators (Paul Auster, Samuel Beckett, Cid Corman, Eugene Jolas, W.S. Merwin, William Carlos Williams, and James Wright, to name a few), in homage to a writer long held in highest esteem by the literary avant-garde.

    It was the first time brothers had battled each other in this gladiatorial and quintessentially British tradition for over a hundred years. Only one could be victorious. In this book, David and James tell their stories for the first time, giving an intimate insight into one of our least understood but best-loved national sporting occasions. James, following in his family’s footsteps, is a student at St Catharine’s College, Cambridge, while David, wanting to escape his brother's shadow, joins Christ Church College at Oxford University. As the pair embark on training loads almost beyond endurance, their stories reveal the rivalries between these ancient and great institutions. Told in alternating narratives, Blood over Water is an emotional and searching joint self-portrait, and an account of a brotherly relationship tested to breaking point. David's fervent desire to beat his older brother pushes him on, but drives an impenetrable wedge between the siblings. As the race approaches they are unable even to speak to each other.It is only after the race, James wrestling with his final Cambridge exams, that they start to reconcile their shattered relationship, damaged by their pursuit of a shared dream.Not only a nail-biting drama for sports fans, Blood over Water also looks at the darker side of sibling rivalry and asks just what you would be willing to sacrifice to achieve your dreams.

    Written in forms that range from haiku to prose, and in a voice that veers from incanta­tory to deadpan, these seven poetic sequences offer diverse reflections on language and poetry, time and consciousness, civilization and art—to say nothing of bureaucrats, surfboards, and blue margaritas. Taken collectively, Seven Notebooks composes a season-by-season account of a year in the life of its narrator, from spring in Chicago to summer at the Jersey Shore to winter in Miami Beach. Not a novel in verse, not a poetic journal, but a lyric chronicle, this utterly unique book reclaims territory long abandoned by American poetry, a characteristic ambition of Campbell McGrath, one of the most honored, accessible, and humanistically engaged writers of our time.

    His five-year voyage on H.M.S. Beagle, when he was in his twenties, changed his life. Afterward, he began publishing his findings and working privately on groundbreaking theories about the development of animal species, including human beings, and he made a nervous proposal to his cousin Emma.Padel’s poems sparkle with nuance and feeling as she shows us the marriage that ensued, and the rich, creative atmosphere the Darwins provided for their ten children. Charles and Emma were happy in each other, but both were painfully aware of the gulf between her deep Christian faith and his increasing religious doubt. The death of three of their children accentuated this gulf. For Darwin, death and extinction were nature’s way of developing new species: the survival of the fittest; for Emma, death was a prelude to the afterlife.These marvelous poems—enriched by helpful marginal notes and by Padel’s ability to move among multiple viewpoints, always keeping Darwin at the center—bring to life the great scientist as well as the private man and tender father. This is a biography in rare form, with an unquantifiable depth of family intimacy and warmth.

    Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O'Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.

    No other poem in the English language is filled with as much daily love, light, intellect, and music. As William Carlos Williams once wrote of Zukofsky’s poetry, “I hear a new music of verse stretching out into the future.”

    The complete works of an extraordinary poet who consistently refines the notion of what constitutes an American sound.

    He was the Poet Laureate of the United States in 1990, and currently teaches at the Committee on Social Thought at the University of Chicago. He lives in Chicago.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    Lloyd recounts the founding of Television, the band's rise alongside other bands and personalities in the 1970’s New York Music scene, and the legend-making of the unparalleled music venue CBGB. As the rock ‘n’ roll tales unfold, he accompanies them with insights into his approach to music and the electric guitar.Lloyd’s mid-career vignettes detail his solo years, including the backstory of critically praised records such as Alchemy and Field of Fire, his drug addiction and recovery, his 90s-era work, and touring adventures with artists such as Matthew Sweet, John Doe, and Robert Quine. Throughout the book is an undercurrent—Lloyd’s continually evolving spiritual-philosophical approach to life, emerging from the conscious digestion of the highs and the lows—both ends of the same stick.In Everything is Combustible, Richard Lloyd relates his life, both inner and outer, in the narrative style, digging beneath the events and revealing their meanings.Considered a foundational band of alternative rock, Television’s debut record, Marquee Moon, is widely viewed by critics and musicians as one of the greatest albums ever recorded. As one half of Television’s unique guitar sound, and a legendary solo artist in his own right, Richard Lloyd’s music has influenced a range of bands and artists from U2, Johnny Marr and Joy Division to R.E.M., Sonic Youth, Wilco and John Frusciante.

    It was the worst bloodbath to take place in more than a century in the heart of the supreme authority of the world's one billion Roman Catholics. Four hours later, the Vatican announced that the lance corporal, twenty-three-year-old Cédric Tornay, had shot the couple, then committed suicide in "a fit of madness" brought on by frutstration with the unit's discipline - a conclusion it reaffirmed after a nine-month internal inquiry.But as John Follain's hard-hitting exposé shows, the official report was a travesty, a tissue of suppositions, contradictions, and omissions. Based on an exhaustive three-year investigation - the first independent attempt to establish the truth - 'City of Secrets' reveals how the Vatican, the oldest and most secretive autocracy in the world, staged an elaborate plot to obstruct justice and hide the scandals it dares not confess. Echoing the pace and plotting of a highstakes thriller, Follain's true-life tale of intrigue moves from the guards' barracks and the pope's palace in Vatican City to Paris, Berlin, and the Swiss Alps, and features a fascinating cast: an old, suffering John Paul II; his chief bodyguard, formerly accused of spying for the Soviet bloc; a mysterious priest punished by the Vatican; and the powerful Opus Dei sect.Timely and explosive, 'City of Secrets' is the story of a still-unsolved crime committed on holy territory, and of a systematic attempt to hide the fatal failings of a security force charged with protecting one of the world's most influential leaders.