Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Generations of readers have been enchanted by Dickens’s A Christmas Carol—the most cheerful ghost story ever written, and the unforgettable tale of Ebenezer Scrooge’s moral regeneration. Written in just a few weeks, A Christmas Carol famously recounts the plight of Bob Cratchit, whose family finds joy even in poverty, and the transformation of his miserly boss Scrooge as he is visited by the ghosts of Christmas past, present, and future.From Scrooge’s “Bah!” and “Humbug!” to Tiny Tim’s “God bless us every one!” A Christmas Carol shines with warmth, decency, kindness, humility, and the value of the holidays. But beneath its sentimental surface, A Christmas Carol offers another of Dickens’s sharply critical portraits of a brutal society, and an inspiring celebration of the possibility of spiritual, psychological, and social change.This new volume collects Dickens’s three most renowned “Christmas Books,” including The Chimes, a New Year’s tale, and The Cricket on the Hearth, whose eponymous creature remains silent during sorrow and chirps amid happiness.Katharine Kroeber Wiley, the daughter of a scholar and a sculptor, has a degree in English Literature from Occidental College. Her work has appeared in Boundary Two and the recent book, Lore of the Dolphin. She is currently working on a book on Victorian Christmas writings.

    6 and Other Stories, by Anton Chekhov, is part of the Barnes & Noble Classics (1899), as well as several lesser-known works, no less masterful in their composition. David Plante is a Professor of Writing at Columbia University. He is the author of many novels, including The Ghost of Henry James, The Family (nominated for the National Book Award), and The Woods. He has been a contributor to The New Yorker, Esquire, and Vogue, and a reviewer and features writer for the New York Times Book Review. The cook's wedding --The witch --A dead body --Easter Eve --On the road --The dependents --Grisha --The kiss --Typhus --The pipe --The princess --Neighbours --The grasshopper --In exile --Ward No. 6 --Rothschild's fiddle --The student --The darling --A doctor's visit --Gooseberries --The Lady with the dog --In the ravine --The bishop.

    Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Often considered a prologue to Dostoevsky’s brilliant novels, the story “Notes from Underground” introduces one of the great anti-heroes in literature: the underground man, who lives on the fringes of society. In an impassioned, manic monologue this character—plagued by shame, guilt, and alienation—argues that reason is merely a flimsy construction built upon humanity’s essentially irrational core. Internal conflict is also explored in “The Double,” a surreal tale of a government clerk who meets a more unpleasant version of himself and is changed as a result. In addition to these two existential classics, this collection also includes the psychologically probing stories “The Meek One,” “The Dream of a Ridiculous Man,” and “White Nights.”Deborah A. Martinsen is Assistant to the Director of the Core Curriculum at Columbia University and Adjunct Associate Professor of Russian and Comparative Literature. She is the author of Surprised by Shame: Dostoevsky's Liars and Narrative Exposure.

    Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    After plans to elope with her lover to Australia and train as a nurse in London lead to nothing, she joins a traveling theater group and succumbs to the charms of the dark, passionate Italian Ciccio.This edition also contains pictures, personal notes, and other critical primary source material.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    

    Soon after their arrival at Illyria, the Reniers’ rambling beachside home, Theron is sent on a diplomatic mission, leaving Stella alone with his family. As she tries to settle into her new life, Stella quickly discovers that the Reniers are not what they seem. Trapped in a world unlike anything she’s ever known, vulnerable Stella attempts to uncover her new family’s dangerous secrets—and stirs up a darkness that was meant to stay buried.

    Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&RNew introductions commissioned from todays top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the readers viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences—biographical, historical, and literary—to enrich each readers understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RChief among &&LB&&RTolstoy&&L/B&&R’s shorter works is &&LI&&RThe Death of Ivan Ilych&&L/I&&R, a masterful meditation on the act of dying. The first major fictional work published by Tolstoy after a mid-life psychological crisis, this novella reflects the author’s struggle to find meaning in life, a challenge Tolstoy resolved by developing a religious philosophy based on brotherly love, mutual support, and charity. These guiding principles are the dominant moral themes in &&LI&&RThe Death of Ivan Ilych&&L/I&&R, an account of the spiritual conversion of a judge—an ordinary, unthinking, vulgar man—in the face of his terrible fear about death. &&L/P&&R&&LP&&RAlso included in this volume are &&LI&&RFamily Happiness&&L/I&&R, an early work that traces the arc of a marriage; &&LI&&RThe Kreutzer Sonata&&L/I&&R, a frank tale of sexual love that shocked readers when it first appeared; and &&LI&&RHadji Murád&&L/I&&R, Tolstoy’s final masterpiece about power politics, intrigue, and colonial conquest. &&L/P&&R&&LP&&R&&LB&&RDavid Goldfarb&&L/B&&R teaches Polish, Russian, and Comparative Literature at Barnard College and Columbia University. He has written about Witold Gombrowicz, Bruno Schulz, Zbigniew Herbert, Stanislaw Ignacy Witkiewicz, Mikhail Lermontov, and Nikolai Gogol. &&L/P&&R&&L/DIV&&R

    After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges. Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights. Six Plays by Henrik Ibsen is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: •New introductions commissioned from today's top writers and scholars •Biographies of the authors •Chronologies of contemporary historical, biographical, and cultural events •Footnotes and endnotes •Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work •Comments by other famous authors •Study questions to challenge the reader's viewpoints and expectations •Bibliographies for further reading •Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

    John Scott Eccles ; Tiger of San Pedro ; Adventure of the cardboard box ; Adventure of the red circle ; Adventure of Bruce-Partington plans ; Adventure of the dying detective ; Disappearance of Lady Frances Carfax ; Adventure of the devil's foot ; His last bow --Case book of Sherlock Holmes: Adventure of the illustrious client ; Adventure of the blanched soldier ; Adventure of the Mazarin stone ; Adventure of the three gables ; Adventure of the Sussex vampire ; Adventure of the three garridebs ; Problem of Thor Bridge ; Adventure of the creeping man ; Adventure of the lion's mane ; Adventure of the veiled lodger ; Adventure of Shoscombe Old Place ; Adventure of the retired colourman --Introduction to Doyle's parodies --Two parodies by Sir Arthur Conan Doyle: Field bazaar ; How Watson learned the trick --Two essays by Sir Arthur Conan Doyle: Truth about Sherlock Holmes ; Some personalia about Mr. Sherlock Holmes.

    Based loosely on the author's own life, the book follows a young bohemian woman, Margaret Sargent, through her experiences and lost loves in a time of coming war.

    I was lost, completely, hopelessly lost in the vast and labyrinthine recess of the Mammoth Cave. Turn as I might, in no direction could my straining vision seize on any object capable of serving as a guidepost to set me on the outward path. That nevermore should I behold the blessed light of day, or scan the pleasant hills and dales of the beautiful world outside, my reason could no longer entertain the slightest unbelief. Hope had departed. Yet, indoctrinated as I was by a life of philosophical study, I derived no small measure of satisfaction from my unimpassioned demeanour; for although I had frequently read of the wild frenzies into which were thrown the victims of similar situations, I experienced none of these, but stood quiet as soon as I clearly realised the loss of my bearings. Nor did the thought that I had probably wandered beyond the utmost limits of an ordinary search cause me to abandon my composure even for a moment. If I must die, I reflected, then was this terrible yet majestic cavern as welcome a sepulchre as that which any churchyard might afford, a conception which carried with it more of tranquillity than of despair. Starving would prove my ultimate fate; of this I was certain. Some, I knew, had gone mad under circumstances such as these, but I felt that this end would not be mine. My disaster was the result of no fault save my own, since unknown to the guide I had separated myself from the regular party of sightseers; and, wandering for over an hour in forbidden avenues of the cave, had found myself unable to retrace the devious windings which I had pursued since forsaking my companions. Already my torch had begun to expire; soon I would be enveloped by the total and almost palpable blackness of the bowels of the earth. As I stood in the waning, unsteady light, I idly wondered over the exact circumstances of my coming end. I remembered the accounts which I had heard of the colony of consumptives, who, taking their residence in this gigantic grotto to find health from the apparently salubrious air of the underground world, with its steady, uniform temperature, pure air, and peaceful quiet, had found, instead, death in strange and ghastly form. I had seen the sad remains of their ill-made cottages as I passed them by with the party, and had wondered what unnatural influence a long sojourn in this immense and silent cavern would exert upon one as healthy and vigorous as I. Now, I grimly told myself, my opportunity for settling this point had arrived, provided that want of food should not bring me too speedy a departure from this life.

    A noose is tied around his neck. In a moment he will meet his fate: DEATH BY HANGING. There is no escape. Or is there? Find out in . . . An Occurrence at Owl Creek Bridge.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.