Based on the story of the third-century saint who lived on an isolated mountaintop in the Egyptian desert, it is a fantastical rendering of one night during which Anthony is besieged by carnal temptations and philosophical doubt.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    On the Road with the Archangel is sure to continue this tradition with its powerful blend of humor, artistry, and insight into the nature of the human and the divine. Inspired by events in the apocryphal Book of Tobit, from the second century B.C., this is the magical tale of two families brought together, as no mere coincidence, by the devilishly clever archangel Raphael. One is the family of Tobit, a virtuous man who can no longer support his wife and son because of Raguel, the quiet, devoted father of Sarah whose pact with the demon Asmodeus has left her life in tragic shambles.Assuming human form, Raphael appears before Tabias, Tobit's devoted son, to help him retrieve his father's fortune hidden in a faraway city. Together, they embark on a miraculous journey in search of the answers to both families' prayers--a journey that is made challenging and delightful by Rapheal's artful efficiency.On the Road with the Archangel is a masterful combination of fluid writing, lyrical storytelling, and ancient truth blended with modern wisdom. And beneath it all lies a subtle, glowing meditation on the nature of the Holy.Hailed as "one of our most original storytellers" (USA Today), Pulitzer Prize-nominated author Frederick Buechner has written an extraordinary new novel that shines with the mystery and wonder of the divine. Drawn from the ancient apocryphal Book of Tobit, On the Road with the Archangel unravels the tale of a eccentric blind father and his somewhat bumbling song who journeys to seek his family's lost treasure. Narrated by the wry and resourceful archangel Raphael, Buencher's tale is a pure delight, alive with vivid characters, delightful adventures and wondrous revelations.

    This long out-of-print classic is the perfect stocking-stuffer for any bah humbug.

    She also writes of her fiercely independent mother, whose skill with healing plants and inner strength she inherited. She writes of her druid teacher, the brusque but magnetic Giannon, who first introduced her to the mysteries of written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation.

    It was a special mirror and the man he followed was a special man - a man who led him to the things that underlie the fate of all creation. Lilith is considered among the darkest of MacDonald's works, and among the most profound. It is a story concerning the nature of life, death, and salvation. In the story, MacDonald mentions a cosmic sleep that heals tortured souls, preceding the salvation of all.

    Nietzsche's basic claim is that Christianity is a poisoner of western culture and perversion of the words of and practice of Jesus. Throughout the text, Nietzsche is very critical of institutionalized religion and its priest class, from which he himself was descended. The majority of the book is a systematic attack upon the interpretations of Christ's words by St. Paul and those who followed him. Nietzsche claimed in the Foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "... must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion." The reader should be above politics and nationalism. Also, the usefulness or harmfulness of truth should not be a concern. Characteristics such as "Strength which prefers questions for which no one today is sufficiently daring; courage for the forbidden" are also needed. He disdained all other readers.

    It has exerted a living influence in China for 3000 years and interest in it has spread in the West. Set down in the dawn of history as a book of oracles, the Book of Changes deepened in meaning when ethical values were attached to the oracular pronouncements; it became a book of wisdom, eventually one of the Five Classics of Confucianism, and provided the common source for both Confucianist and Taoist philosophy. Wilhelm's rendering of the I Ching into German, published in 1924, presented it for the 1st time in a form intelligible to the general reader. Wilhelm, who translated many other ancient Chinese works and who wrote several books on Chinese philosophy and civilization, long resided in China. His close association with its cultural leaders gave him a unique understanding of the text of the I Ching. In the English translation, every effort has been made to preserve Wilhelm's pioneering insight into the spirit of the original.This 3rd edition, completely reset, contains a new forward by Hellmut Wilhelm, one of the most eminent American scholars of Chinese culture. He discusses his father's textual methods and summarizes recent studies of the I Ching both in the West and in present-day China. The new edition contains minor textual corrections, bibliographical revisions and an index.

    Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford.Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. This collection will delight his growing number of fans, and provide a perfect introduction for new readers.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

    Suppressed in turn by the tzarist and Soviet regime, the tales contained in this book have, for the most part, never been published in English until now. Emerging at last, they offer western readers fresh glimpses of novelist and philosopher Leo Tolstoy. Divine and Human consists of choice selections from The Sunday Reading Stories, the second volume in a two-part work titled The Circle of Reading. In the words of translator Peter Sekirin, "Tolstoy considered The Circle of Reading to be the major work of his life. Considering its difficult history, it is not surprising that only recently has it been rediscovered." From its sparkling vignettes to its lengthier stories, Divine and Human probes the complexities of life and faith. Its characters range the spectrum of human emotions and qualities, from hatred to love and joy to grief; from sublime nobility to grotesque self-absorption. Tolstoy's world, though far-removed from today's information age, becomes our world -- indeed, has always been and always will be our world. Motor cars may have replaced horse-drawn cars, but human hearts remain the same, and questions of truth, mercy, forgiveness, devotion, justice, and the nature of God knock as insistently on the doors of our lives today as they did in Tolstoy's time. Welcome, then, to Divine and Human: a buried treasure at last unearthed, and certain to be prized by Tolstoy readers and lovers of great literature.

    But Mariamne has a further gift: an illness has left her with visions; she has the power of prophecy. It is her prophesying that drives the two girls to flee to Egypt, where they study philosophy, mathematics, and astronomy in the Great Library of Alexandria.After seven years they return to a Judaea where many now believe John the Baptizer is the messiah. Salome too begins to believe, but Mariamne, now called Magdalene, is drawn to his cousin, Yeshu'a, a man touched by the divine in the same way she was during her days of illness. Together they speak of sharing their direct experience of God; but Yeshu'a unexpectedly gains a reputation as a healer, and as the ill and the troubled flock to him, he and Magdalene are forced to make a terrible decision.This radical retelling of the greatest story ever told brings Mary Magdalene to life—not as a prostitute or demon-possessed—but as an educated woman who was truly the "apostle to the apostles."From the Hardcover edition.

    It is the first in a two volume work; the companion volume, Praxis, being an exposition of ritual actions, is due to be published in 2016.The fall of Lucifer, and that of the rebel angels who descended upon the daughters of men, comprise the foundation myth of the Western occult tradition. Lucifer: Princeps is a study of origins, a portrait of the first ancestor of witchcraft and magic. In tracing the genealogy of our patron and prince, the principles that underlie the ritual forms that have come down to us, through the grimoires and folk practices, are elucidated. The study draws on the extensive literature of history, religion and archaeology, engaging with the vital discoveries and advances of recent scholarship, which render previous works on Lucifer, however well intentioned, out of date. A concomitant exegesis of the core texts conjures the terrain and koine of the Ancient Near East, the cradle cultures and language of his nascence. Of critical importance are the effaced cultures and cults that lie behind the Old Testament polemics, viz. those of Assyria, Ugarit and Canaan, as well as Sumeria, Egypt and Greece; they provide the context that give meaning to what would otherwise be an isolated brooding figure, one who makes no sense without being encountered in the landscape.Intended to be the definitive text on Lucifer for the witch, magician and student of the grimoires, Princeps spans wingtip to wingtip from the original flood myth and legends of divine teachers to the Church Fathers, notably Augustine, Origen and Tertullian. The tales of the Garden of Eden, the Nephilim, of the fall of Helel ben Šahar and the Prince of Tyre, the nature of Azazel, and the creation of the Satan are drawn beneath the shadow of these wings into a narrative that binds Genesis and Revelation via the Enochian tradition. The story of the Serpent in the Garden and that of Lucifer are revealed to be a singular myth whose true significance had been lost and can now be restored. It illuminates the path to apotheosis, and the role of the goddess as the transforming initiatrix who bestows the crown.