In the course of a confession to a white 'sahib' the imprisoned Ameer Ali recounts his life as a devoted follower of Thuggee, a secret religious cult practising ritual mass murder and robbery. Taylor uncovered evidence of the crimes committed by bands of Thugs as a Superintendent of Police in India during the 1820s. Introducing a new standard of ethnographic realism to western fiction about India, Confessions of a Thug is a strikingly vivid, chilling and immensely readable thriller. This unique critical edition makes available a fascinating and significant work of Empire writing.

    Each of them must seek to discover the treasures of a fallen empire and master long-forgotten but incredibly powerful magical lore. Each player takes on the role of a wizard from one of ten schools of magic, and builds his band of followers. While the wizard's apprentice will usually accompany his master, more than a dozen other henchmen types are available for hire, from lowly thugs to heavily armored knights and stealthy assassins. Wizards can build their magical knowledge by unlocking ancient secrets, with the potential to learn up to 80 spells in total. As players gain power and wealth, they can develop their headquarters on the outskirts of the city, turning one of a dozen different basic locations into bastions of their art, equipping them with alchemical laboratories, mystical forges, astronomical telescopes and other magical resources. While individual games of Frostgrave are quick and can easily be played in an hour or two, it is by connecting these games into an ongoing campaign, that players will find the most enjoyment. The scenarios given in the book are merely the beginning of the limitless, thrilling adventures that can be found amidst the ruins of the lost city.

    Armed with top-secret devices, a band of intrepid gnome explorers sets out on a legendary journey to sub-navigate the continent of Ansalon and determine why very large rocks float. Though the fate of the world does not hang in the balance, theirs certainly does. This is their story--and the story of a single member of that ignoble crew: Conundrum, the heroic gnome featured in Margaret Weis and Tracy Hickman's best-selling War of Souls trilogy.

    When popular revolutions erupted in Tunisia and Egypt, the West assumed that democracy and pluralism would triumph. Greatly praised author and foreign correspondent John R. Bradley draws on his extensive firsthand knowledge of the region's cultures and societies to show how Islamists will fill the power vacuum in the wake of the revolutions. This vivid and timely book gives an original analysis of the new Tunisia, Egypt, Syria, Yemen, Libya, and Bahrain by highlighting the dramatic spread of Saudi-funded Wahhabi ideology, inter-tribal rivalries, and Sunni-Shia divisions. Bradley gives a boots on the ground look at how the revolutions were first ignited and the major players behind them, and shows how the local population participated in and responded to the uprisings. In Tunisia he witnesses secularists under violent attack and in Egypt observes radical Islamists taking control of the streets. He illuminates the ancient sectarian strife shaking Bahrain, fierce civil war pitching tribe against tribe in Libya and Yemen, and ethnic divisions threatening to tear apart Syria and Iran. Taking it one step further, Bradley offers a comprehensive look at how across countries, liberal, progressive voices that first rallied the Arab masses were drowned out by the slogans of the better-organized and more popular radical Islamists. With the in-depth knowledge of a local and the keen perspective of a seasoned reporter, After the Arab Spring offers a piercing analysis of what the empowerment of Islamism bodes for the future of the Middle East and the impact on the West.

    You will explore untracked wilds, fight desperate battles, forge bonds with isolated communities, and reveal the secrets of this harsh land.Are you ready to swear iron vows and see them fulfilled—no matter the cost?

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Their beloved son, Dhaqaneh, however, is driven by feelings of alienation to jihadism in Somalia, where he kills himself in a suicide attack. The couple reluctantly offers a haven to his family. But on arrival in Oslo, their daughter-in-law cloaks herself even more deeply in religion, while her children hunger for the freedoms of their new homeland, a rift that will have lifealtering consequences for the entire family.Set against the backdrop of real events, North of Dawn is a provocative, devastating story of love, loyalty, and national identity that asks whether it is ever possible to escape a legacy of violence—and if so, at what cost.

    Her publications in English include The Embroidered Shoes, Five Spice Street, Vertical Motion, and The Last Lover, which won the 2015 Best Translated Book Award for Fiction.Karen Gernant is a professor emerita of Chinese history at Southern Oregon University. She translates in collaboration with Chen Zeping.Chen Zeping is a professor of Chinese linguistics at Fujian Teachers' University, and has collaborated with Karen Gernant on more than ten translations.

    I have no interest in one person killing another. I only want to draw out morbid desires, imprisoned deep in the unconscious. This lust, once freed, starts growing. Their imaginations run free, and they soon discover their potential... They are waiting for someone like me.A spectral, nameless narrator haunts the lost and wounded of big-city Seoul, suggesting solace in suicide. Wandering through the bright lights of their high-urban existence, C and K are brothers who fall in love with the same woman - Se-yeon. As their lives intersect, they tear at each other in a struggle to find connection in their fast-paced, atomized world.Dreamlike and cinematic, I Have the Right to Destroy Myself brilliantly affirms Young-ha Kim as Korea's leading young literary master.

    Two hundred and fifty of these loathsome creatures from the wild and dangerous worlds of Fighting Fantasy are collected here - some are old adversaries, many you have yet to meet - each of them described in minute detail. An indispensable guide for Fighting Fantasy adventurers!Full monster statistics250 illustrations8 full pages in colourMapsTables and charts

    They vanished from history leaving scarcely a trace, lost to fire, censorship, theft, war or deliberate destruction. Yet those who seek them are convinced they will find them.This is the story of one man’s quest for eight mysterious lost books.Taking us from Florence to Regency London, the Russian Steppe to British Columbia, Giorgio van Straten unearths stories of infamy and tragedy, glimmers
of hope and bitter twists of fate. There are, among others, the rediscovered masterpiece that he read but failed to save from destruction; the Hemingway novel that vanished in a suitcase at the Gare de Lyon; the memoirs of Lord Byron, burnt to avoid a scandal; the Magnum Opus of Bruno Schulz, disappeared along with its author in wartime Poland; the mythical Sylvia Plath novel that may one day become reality.As gripping as a detective novel, as moving as an elegy, this is the tale of a love affair with the impossible, of the things that slip away from us but which, sometimes, live again in the stories we tell.Giorgio van Straten is director of the Italian Cultural Institute of New York and one of the editors of the literature review Nuovi Argomenti. He is the author of several novels, including the prize-winning My Name a Living Memory, along with two collections of short stories. He has translated the works of authors such as Kipling, London and Stevenson and has edited several works of non-fiction.

    Her secret is a fantastic companion: a faun with whom she plays in the woods.Years later Evelyn finds happiness as a wife and mother, but life turns sour when the family move to Tacoma where her husband is asked to fill in at his father’s business. Evelyn’s husband’s wish for them to stay permanently with his family causes a rift between them and then a terrible tragedy makes the situation even more impossible.Miraculously, when she needs a friend, Evelyn’s childhood companion reappears in Tacoma. Pan, now an adult satyr and a secret friend to both her and her son, eventually becomes her lover. He leads Evelyn on an odyssey out of her failed marriage to fulfillment in the woods of Alaska.

    But maybe I am not.  For most of her life, these thoughts plagued Amy Wilensky as her mind lurched and veered in ways she didn't understand and her body did things she couldn't control. While she excelled in school and led an otherwise "normal" life, she worried that beneath the surface she was a freak, that there was something irrevocably wrong with her.  Passing for Normal is Wilensky's emotionally charged account of her lifelong struggle with the often misunderstood disorders Tourette's syndrome and obsessive-compulsive disorder.  A powerful witness to her own dysfunction, Wilensky describes the strain it bore on her relationships with the people she thought she knew best: her family, her friends, and herself.  Confronting the labels we apply to ourselves and others--compulsive, crazy, out of control--Amy describes her symptoms, diagnosis, and her treatment with courage and a healthy dose of humor, gradually coming to terms with the absurdities of a life beset by irrational behavior.  This compelling narrative, by turnstragic and comic, broadly extends our understanding of the won-drously complex human mind, and, with subtlety and grace, challenges our notion of what it is to be "normal."

    Outside a storm rages and the fog is dense. Her phone is dead. She doesn't have a map or a compass or any food. How she ended up there, and the tragic events of her past emerges over the course of this slim, gripping novel. We discover that she's a writer with a bad case of writer's block - she hasn't written a word since her husband and daughter died in a tragic car crash. As we watch Jane's life spiral out of control, we also see how she got here - her troubled parents and loving marriage. This beautifully written, compelling novel moves seamlessly between Jane's past, and the extraordinary landscape of the Norwegian mountains, as we gradually unpick the emotional drama that has led her to this lonely landscape.

    Her work life is uneventful until trouble arises in the form of a predatory colleague.To forestall any disruption of business-as-usual, Jungle makes Yona a proposition: a paid "vacation" to the desert island of Mui. But Yona must pose as a tourist and assess whether Jungle should continue their partnership with the unprofitable destination.Yona travels to the remote island, whose major attraction is an underwhelming sinkhole, a huge disappointment to the customers who've paid a premium. Soon Yona discovers the resort's plan to fabricate a catastrophe in the interest of regaining their good standing with Jungle--and the manager enlists Yona's help. Yona must choose between the callous company to whom she's dedicated her life, or the possibility of a fresh start in a powerful new position. As she begins to understand the cost of the manufactured disaster, Yona realizes that the lives of Mui's citizens are in danger--and so is she.In The Disaster Tourist, Korean author Yun Ko-eun grapples with the consequences of our fascination with disaster, and questions an individual's culpability in the harm done by their industry.