We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    Moving from memories of her gentle grandfather to her uncanny ability to attract stray animals, Siddons' intimate stories of her family are graced with the same poetic lilt and vibrant detail that have so wonderfully served her novels. For all those who know and love her works of fiction, John Chancellor Makes Me Cry is a glorious and thoroughly entertaining treat.

    It applies the techniques of electronic dance music to the production of words, dissolving language. In this mutated, liquid state, words are manipulated into new forms. The Cobralingus filtering device borrows text and samples it. The metamorphiction process remixes this inlet text, transforming it into something entirely different. The imaginary technologies utilized free the mind from all constrictive patterns, creating new and exciting poetry, songs, stories, jokes and even graphic texts. Please note: Cobralingus involves no computational algorithms except for the strangely twisted pathways inside Jeff Noon's head.

    When a young girl is snatched on her way home from school, Matty's police detective father knows that every minute counts. For the first time - but not the last - Detective Roger Turner enlists his son's unique help.With over 130,000 copies sold, the Matt Turner Series launched author Michael Siemsen to bestseller status. The Dig (Book 1) and The Opal (Book 2) hint at the troubled psychometrist's shocking childhood, using his ability to "read" an object's history to help his father solve the worst kinds of crimes. Only now, with the short story Matty are we offered a firsthand glimpse into a young Matt's first case - tracking down a kidnapped girl named Joss Lynn Leland.

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    Hearts bigger than planets devour light and warp the space around them; the city of London has a menstrual flow that gushes through its underground pipes; gobs of phlegm cement friendships and sexual relationships; and a floating fetus larger than a human becomes the new town pastor. In this debut story collection, Shelley Jackson rewrites our private passages, and translates the dumb show of the body into prose as gorgeous as it is unhygienic.

    Compiled by Dave Eggers and students of his San Francisco writing center, it is thoroughly "entertaining and thought-provoking reading" (Library Journal).

    But three months ago, he ran through the wrong door and found himself trapped in the city of Meridian – a literal necropolis, concealed from the modern world, made up of forgotten places and populated entirely by the dead. As the only living, breathing resident, Jake has struggled to scrape out an existence while waiting for the Necropolis Police Department to decide his fate, and it’s not looking good. But when an unusual string of crimes hits the city, Jake’s overseer and tormentor, NPD Detective Marsh offers him a deal: Jake’s life in exchange for helping them solve the worst series of crimes in the necropolis’ history. Someone, or some thing is killing the dead, and if Jake can’t figure out who’s responsible, he could be next. Necropolis PD is a hidden world fantasy that combines mystery, horror, magic, and more than a little humor. This book is perfect for the living and recently-departed alike.

    The characters on the 'Ship of Fools' - a ship that's going nowhere very fast - bicker and struggle for attention: telling tales that bounce off one another to form a compendium of interrelated stories.

    In Narcissus Leaves the Pool, he displays his signature verve and charm in sixteen agile, entertaining pieces. Among his targets in this collection are name-dropping, talent versus genius, the cult of youthfulness, and the information revolution.

    How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith, a National Book Award-winning author, first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus’s house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing.The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

    Tolkien--from which almost all fantasylands have devolved--also took shape and flower from Dunsany's example." --The Encyclopedia of Fantasy Most fantasy enthusiasts consider Lord Dunsany one of the most significant forces in modern fantasy; his influences have been observed in the works of H.P. Lovecraft, L. Sprague de Camp, Fritz Leiber, Jack Vance, and many other modern writers. The Book of Wonder is Dunsany at his peak of his talent. The stories here are a lush tapestry of language, conjuring images of people, places, and things which cannot possibly exist, yet somehow ring true. They are, in short, full of wonder. Together with Dunsany's other major collections, A Dreamer's Tales and Tales of Three Hemispheres, they are a necessary part of any fantasy collection.

    In 2009, she saw an advertisement for a job at the University of Iceland and applied on a whim, despite having two young children and a comfortable life in an English cathedral city. The resulting adventure was shaped by Iceland's economic collapse, which halved the value of her salary, by the eruption of Eyjafjallajökull and by a collection of new friends, including a poet who saw the only bombs fall on Iceland in 1943, a woman who speaks to elves and a chef who guided Sarah's family around the intricacies of Icelandic cuisine.Sarah was drawn to the strangeness of Icelandic landscape, and explored hillsides of boiling mud, volcanic craters and fissures, and the unsurfaced roads that link remote farms and fishing villages in the far north. She walked the coast path every night after her children were in bed, watching the northern lights and the comings and goings of migratory birds. As the weeks and months went by, the children settled in local schools and Sarah got to know her students and colleagues, she and her family learned new ways to live.

    Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice—caustic and sympathetic, insightful and double-edged—that has attracted a loyal following for her magazine writing and radio monologues on This American Life.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.