When the online storytelling magazine SMITH asked readers to submit six-word memoirs, they proved a whole, real life can be told this way, too. The results are fascinating, hilarious, shocking, and moving. From small sagas of bittersweet romance ("Found true love, married someone else") to proud achievements and stinging regrets ("After Harvard, had baby with crackhead"), these terse true tales relate the diversity of human experience in tasty bite-size pieces. The original edition of Not Quite What I Was Planning spent six weeks on the New York Times bestseller list, and thanks to massive media attention—from NPR to the The New Yorker—the six-word memoir concept spread to classrooms, dinner tables, churches, synagogues, and tens of thousands of blogs. This deluxe edition has been revised and expanded to include more than sixty never-before-seen memoirs. From authors Elizabeth Gilbert, Richard Ford, and Joyce Carol Oates to celebrities Stephen Colbert, Mario Batali, and Joan Rivers to ordinary folks around the world, everyone has a six-word story to tell.

    It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too. They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre religious cult. . . . With its echoes of the infamous, real-life Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system), The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the country- side, it’s also one of her most moving.

    This is Jaden pretending not to notice. . . .Jaden McEntyre and Parker Whalen are a wrong fit from the start. Jaden is driven and focused, Harvard Med School within reach. Parker has a past-a reputation-and the rumors about his mysterious habits abound. So there's no reason why, when they're assigned to work together on a project in English, they should discover they have anything in common, or even like each other, and they definitely shouldn't be falling in love.As they bond over Edith Wharton's tragic novella, Ethan Frome, the "bad boy" vibe Parker plays begins to dissipate. Soon, Jaden finds herself shedding her own "good girl" image: sneaking around to be with him, confiding in him, and ultimately falling hard for this leather-wearing, motorcycle-driving loner who plays into the rebel stereotype.Still, Jaden can't shake the feeling that there's more to Parker than he's letting on. He's hiding something from her, and discovering the truth means reconciling the Parker she's grown to love with the person he really is. Because it's possible that his life inside the classroom-everything Jaden knows-is one massive lie.

    Aphrodite, as she calls herself when writing the relationship column for her school paper-is accused of knowing nothing about guys and giving girls bad relationship advice, she decides to investigate what guys really think and want. But the guys in her class won't give her straight or serious answers. The only solution? Disguising herself as a guy and spending a week at Underwood Academy, the private all-boy boarding school in town. There she learns a lot about guys and girls in ways she never expected-especially when she falls for her dreamy roommate, Emilio. How can she show him she likes him without blowing her cover?

    isn't it?'A John Cleese Twitter question ['What is your pet peeve?'], first sparked the 'Weird Things Customers Say in Bookshops' blog, which grew over three years into one bookseller's collection of ridiculous conversations on the shop floor. From 'Did Beatrix Potter ever write a book about dinosaurs?' to the hunt for a paperback which could forecast the next year's weather; and from 'I've forgotten my glasses, please read me the first chapter' to 'Excuse me... is this book edible?: here is a book for heroic booksellers and booklovers everywhere.This full-length collection illustrated by the Brothers McLeod also includes top 'Weird Things' from bookshops around the world.

    A disgruntled retired politician complains to his daughter that he hears the sound of digging at night. Could it be their tenant, that young Arab? But then the young Arab hears the digging sounds too. Where has the mayor's wife gone, vanished without trace, her note saying "Don't worry about me"? Around the village, the veneer of new wealth--gourmet restaurants, art galleries, a winery--barely conceals the scars of war and of past generations: disused air raid shelters, rusting farm tools, and trucks left wherever they stopped. Scenes from Village Life is a memorable novel-in-stories by the inimitable Amos Oz: a brilliant, unsettling glimpse of what goes on beneath the surface of everyday life.Translated from the Hebrew by Nicholas de Lange

    Just thirty, with a well-paid job, depression and no love life, the narrator and anti-hero par excellence of this grim, funny, and clever novel smokes four packs of cigarettes a day and writes weird animal stories in his spare time.Houellebecq's debut novel is painfully realistic portrayal of the vanishing freedom of a world governed by science and by the empty rituals of daily life.

    The trouble began in Venice ...'Mihály has dreamt of Italy all his life. When he finally travels there on his honeymoon with wife Erszi, he soon abandon her in order to find himself, haunted by old friends from his turbulent teenage days: beautiful, kind Tamas, brash and wicked Janos, and the sexless yet unforgettable Eva. Journeying from Venice to Ravenna, Florence and Rome, Mihály loses himself in Venetian back alleys and in the Tuscan and Umbrian countryside, driven by an irresistible desire to resurrect his lost youth among Hungary's Bright Young Things, and knowing that he must soon decide whether to return to the ambiguous promise of a placid adult life, or allow himself to be seduced into a life of scandalous adventure.Journey by Moonlight (Utas és Holdvilág) is an undoubted masterpiece of Modernist literature, a darkly comic novel cut through by sex and death, which traces the effects of a socially and sexually claustrophobic world on the life of one man.Translated from the Hungarian by the renowned and award-winning Len Rix, Antal Szerb's Journey by Moonlight (first published as Utas és Holdvilág in Hungary in 1937) is the consummate European novel of the inter-war period.

    Adrienne is living in a puritanical age, when the best compliment a childless woman can get is: 'You'd make a terrific mother'. That's when she goes to her friends' Labor Day picnic and accidentally kills their baby.The shock of this scene is expertly packed into two brief paragraphs. What follows is Adrienne's retreat from life and her attempt to return to it.Her sharp scepticism about the people around her is achingly funny. Yet beyond derision there is forgiveness and something along the lines of love.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    He returns home to tragic news that has also impacted another stranger, a shaken pilot on his way to another continent who seeks comfort from a journalist he meets that night. Her life shifts subtly as well, before she heads to the airport on an assignment that will shift more lives in turn.In this wondrous, profoundly moving novel, Szalay's diverse protagonists circumnavigate the planet in twelve flights, from London to Madrid, from Dakar to Sao Paulo, to Toronto, to Delhi, to Doha, en route to see lovers or estranged siblings, aging parents, baby grandchildren, or nobody at all. Along the way, they experience the full range of human emotions from loneliness to love and, knowingly or otherwise, change each other in one brief, electrifying interaction after the next.Written with magic and economy and beautifully exploring the delicate, crisscrossed nature of relationships today, Turbulence is a dazzling portrait of the interconnectedness of the modern world.

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    One plan. And the night that changes everything.Liv is the girl everyone gossips about. But when the rumors threaten to crack her relationship with her longtime boyfriend, she’s desperate to prove that not everything you hear is true.Peyton is the girl no one knows. But flying under the radar doesn’t mean she’s willing to let people walk all over her.Melanie Jane is the girl everyone wants to be or be with. Beautiful, sassy, and untouchable, she breaks hearts before hers gets broken. Most of the time.Ana is the girl no one talks to. Not after what happened at the party that ended her friendship with Melanie Jane.They have nothing in common…except for revenge.In the small town of Ranburne, high school football rules and the players are treated like kings. How they treat the girls they go to school with? That's a completely different story. Liv, Peyton, Melanie Jane, and Ana each have their own reason for wanting to teach the team a lesson—but it’s only when circumstances bring them together that they come up with the plan to steal the one thing the boys hold sacred.All they have to do is beat them at their own game.

    Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most personal, social, and artistic questions.Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Elena Ferrante. Named for an essay in Granta ("Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There's a funny phrase for this phenomenon in England: it's called being sent to Coventry"), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.