Now Kahn does the same for players whose moment in the sun has not yet arrived. Good Enough to Dream is the story of his year as owner of the Class A, very minor league Utica Blue Sox. Most of the Blue Sox will never make it to the majors, but they all share the dream that links the small child in the sandlot with the bonus baby who has just smacked one out of the stadium. It’s a dream Kahn learned from his father and, in the course of a season, passes on to his daughter—hours of practice for a moment of poetry; a hard living but a touch of legend.Good Enough to Dream presents baseball unadorned, a game still sweet enough to lure grown men to leagues where first-class transportation is an old school bus and the infield is likely to be the consistency of thick soup. It is a funny and poignant story of one season and one special team that will make us hesitate before we ever call anything “bush league” again.

    Left to their own devices for 10 days or so, with neither supplies nor a means of communication, the veneer of civilization is quick to rub off.

    Not on a Southeast Asian battlefield, but on an American college campus. He died the day the bomb he planted at an anti-war protest claimed a small boy’s life—and forced Blake Wrightman to vanish. Now, after twenty-years as “Charlie Ochs,” Cape Cod lobsterman, Blake finds out that the feds are closing in. But a vengeful G-man gives Charlie a choice: face the music or help smoke out the beautiful hardcore radical who seduced him into the anti-war movement back in the ’60s. So begins a long, strange trip for the former Blake Wrightman, as he revisits the scene of a deadly revolution that didn’t end with the Vietnam War—and is about to claim a few more casualties. . . .From the Paperback edition.

    are going through a difficult adjustment to life after the accidental death of Jason's father. at a time when the family's small business was failing. The loss of Jack Michaelson has left his wife and son nearly destitute. It has also placed their lives in jeopardy. This is a story of terror, and resourcefulness in the face of terror, from a master storyteller.

    It is night. She is driving back to her apartment through the campus of a Maine college. A yellow T-bird zooms past her and hits two female pedestrians. One life is ended. One life is suspended in coma. And Kissy's life is changed forever. After the accident, three men enter Kissy's life. One is James Houston, the drunken premed student responsible for the fatal collision. On is Mike Burke, the policeman who arrived at the scene moments later. And one is Junior Clootie, a college hockey star being groomed for the pros, with whom Kissy begins an intensely sexual affair while still shaken by the aftershock of the nightmare experience.

    Although his girlfriend is pregnant, he's got no major personal problems--until the day he rolls into a small town called Furnace, where a middle-aged woman pushes a baby carriage straight into his wheels and then vanishes. The dead baby's teenage mother and other passers-by swear the wind caused the carriage to roll, and the police take Josh for a troublemaker when he insists on writing a statement to the contrary. Shaken, Josh hits the road again, only to find that it's not so easy to get away from Furnace; something inhuman is hot on his heels. A pretty hitchhiker recognizes a mysterious scrap of writing in his truck as ancient runes spelling out--on human skin--a horrific curse. From then on, all roads lead back to Furnace as Josh races to unscramble a weird puzzle involving a wealthy town councilor, the Philosopher's Stone, and a demon who will destroy Josh in three days unless he returns the runes to their rightful place.

    When Eric's sources tell him there is a spy inside the newsroom, he is tempted to cross a dangerous professional line and risk his career—possibly even his life—to find the truth.

    Tyrell, he is surprised to receive an invitation to visit the old man at his villa in the south of France. The night of their meeting, Tyrell dies, and soon after, Edward’s career mysteriously starts to soar as he earns fame, fortune and critical acclaim. But despite his achievements, Edward seems haunted, even tormented. His friend, the narrator, begins to put together the pieces of the story: an ancient, inscrutable manuscript, a beautiful, ageless woman who attaches herself to whatever writer possesses it, and a bargain to achieve success at a terrible price . . .Winner of Britain’s prestigious Guardian Fiction Prize, Alan Judd’s modern classic The Devil’s Own Work (1991) is, as Owen King writes in the new introduction to this edition, “a perfect novel about the demonic possession that is literary ambition.” This edition also features a new afterword by the author, in which he reveals the inspirations for this haunting tale.CONTEMPORARY REVIEWS“More chills in its little length than in a whole shelf of bestsellers.” – Stephen King“At once moral fable, cautionary ghost story and inspired attack on the whole hellbent drift of modern letters, this is a splendid tale, splendidly told, which Ford or Henry James would have been glad to have written.” – Robert Nye, Guardian“Wry and insightful . . . toys with the notion of demonic possession but becomes a thoroughly realistic and highly original story of revenge; a chilling cautionary tale.” – Elaine Kendall, Los Angeles Times“A brief return to the world of Faust, Mephistopheles and the Devil pact. Mr. Judd . . . achieves a deep polish.” – Robert Grudin, The New York Times Book Review“Elegantly succinct. . . . The secret of Mr. Judd’s success is instantly apparent; this tightly written story eloquently suggests more than it explains.” – Wall Street Journal“It is seldom that a novel demands such attentive reading; and seldom that a reading is so amply rewarded. Ford would have been proud to have such a disciple.” – Times Literary Supplement (London)“Judd’s creation is perfect in itself: totally true, totally real, totally right. And superbly written.” – Financial Times (London)

    Then THE INTRUDER shows up on his doorstep: a malevolent psychopath who's convinced that everything Jake has should be his. Now Jake has no choice but to take matters into his own hands. And go for broke before he -- and the world he loves -- goes down ...

    Organizer, agitator, "Labor's Songster"--a rebel from the skin inwards, with an absolute faith in the One Big Union--Joe Hill fought tirelessly in the frequently violent battles between organized labor & industry. But tho songs & stories still vaunt him & his legend continues to inspire those who feel the injustices he fought against, Joe Hill may not have been a saintly crusader, & may have been motivated by impulses darker than the search for justice. Joe Hill is full-bodied portrait of both the man & the myth: from his entrance into the short-lived Industrial Workers of the World union, the most militant organization in the history of American labor, to his trial, imprisonment & final martyrdom-- his last words to the I.W.W., "Don't waste time mourning. Organize."

    They also seem to know where she lives, where she teaches, where she was born, who her lover is—even where her father plays golf on the weekends. They tell her about a mysterious worldwide Organization devoted to white slavery and what happens to those slaves who try to run away. What happens to their families and those they love.That's what Sara is now. Their slave.They show her what happens if she tries to disobey.She sleeps in a coffin-like box in the basement.She's fed according to their whim. Abused according to their whim.They involve her in a brutal murder.That's just the beginning. Because Stephen and Katherine Teach have terrible plans for Sara.And her baby.Like his novels Joyride, Stranglehold, The Girl Next Door, and Cover, Right to Life is a descent into madness and human evil which is all the more harrowing because it's based on fact. Sara's ordeal really happened to somebody just like you and me and it's one that is vividly rendered. So consider yourself warned. This is disturbing, graphic writing.Not for the timid.Like life.

    Grove Press is proud to reissue his haunting noir novel The Speed Queen. The Speed Queen is the gripping story of a twisted love triangle's drug-fueled killing spree across the desert plains, told in the voice of Oklahoma death-row inmate Marjorie Standiford, who is recounting her experiences for a best-selling horror writer researching the murders. It's a chilling, unputdownable crime novel in the tradition of James M. Cain -- a voyage into the dark soul of the American West.

    Bernie Perk, the burning pharmacist. Henry Harper, the nine-year old orphan millionaire, terrified of being adopted. The woman whose life revolves around pierced lobes. An evil hypnotist. Swindlers. Con-men. And Dick Gibson himself. Anticipating talk radio and its crazed hosts, Stanley Elkin creates a brilliant comic world held together by American manias and maniacs in all their forms, and a character who perfectly understands what Americans want and gives it to them.

    For Easterners, Cleveland is where the Midwest begins; for Westerners, it is where the East begins. In the summer of 1948, fourteen-year-old David Zielinsky can look forward to a job at the docks. Anne O'Connor, at twelve, is the apple of her political boss father's eye. David and Anne will meet-and fall in love-four years later, and for the next twenty years this pair will be reluctant star-crossed lovers in a troubled and turbulent country. A natural-born storyteller, Mark Winegardner spins an epic tale of those twenty years, artfully weaving such real-life Clevelanders as Eliot Ness, Alan Freed, and Carl Stokes into the tapestry. His narrative gifts may bring the fiction of E. L. Doctorow to some readers' minds, but Winegardner is very much his own man, and his observations of Cleveland are laced with a loving skepticism. His masterful saga of this conflicted city is a novel that speaks a memorable truth.

    Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.