literary agent Mary Beth Conaghan finds herself in the middle of a murder investigation. At the same time, her high school friend, Lindy, shows up. Lindy was everything Mary Beth was not--a cheerleader who later married Roger Van Court, the wealthiest boy in school. But now, turned out by her husband, Lindy is living on the streets without access to her only child. Mary Beth can't turn her old friend away. But almost immediately, the women find themselves in more danger than they ever would have imagined.

    Features critical essays reflecting a variety of schools of criticism; notes on the contributing critics, a chronology of the author's life, and an index; and, an introductory essay by Harold Bloom.

    His ex-wife is demanding more money. A woman he can’t even remember accuses him of fathering her child. Newspaper reporter Mitch Corsini shrugs and takes another drink. However, when his estranged teenaged daughter mysteriously disappears, his life finally has a purpose: find the child he's neglected for too long and rekindle the love they once shared. Mitch’s quest takes him to the Virginia mountains and his ancestral home. There, he finds himself locked in a life or death struggle to save his daughter as seventy-year-old family secrets and the fate of a long-forgotten railroad worker combine to shatter the very foundations of his world.

    Picador 1988, the famous African Trilogy by the recently late Chinua Achebe, 'the man whose writing redefined Colonialism' Achebe was a towering literary figure whose work always repays the reader.

    Robinson – a former body–builder, one–time bouncer, and lifelong fight connoisseur – takes readers on a no–holds–barred plunge into what fighting is all about, and what fighters live for. If George Plimpton had muscles and had been choked out one too many times––this is the book he could have written.When Robinson and his fellow fighters mix it up, they live completely for the moment: absorbed in the feel of muscles slippery with sweat; the metallic tang of blood mingling with saliva in the mouth; the sweet, firm thud of taped knuckles impacting flesh. They fight because it feels good. They fight because they want to win. And even if they get their asses kicked, they fight because they love fighting.Fight is part encyclopedia, part panegyric to fighting in all its forms and glory. Robinson's narrative – told in his trademark tough–guy, stream–of–consciousness noir voice – punctuates this explanatory compendium of the fighting world. From wrestling, jiu–jitsu, boxing and muay thai to bar fighting, hand–to–hand combat, prison fighting and hockey fights, from the greatest movie fight scenes to how to throw the perfect left hook, Fight is a scene–by–scene tour of the bloody but beautiful underworld that is the art of fighting.With his aficionado's enthusiasm and fast–paced, addictive voice, Robinson's Fight combines compelling text with beautiful photographs to create an illustrated book as edgy and interesting as it is gorgeous.

    She sinned.' Aunt Maud's cruel words shock Rosie Quest, but they also explain the hostility that surrounds her on the run-down Wirral farm: no wonder her aunt resents having had to take in an illegitimate child. It's quite a relief to escape to her job at Shearing's garment factory, even though Beatrice Shearing is a tough employer. But when Rosie catches the eye of Ben Shearing, Beatrice is having none of it: her son is too good for a factory girl. When she fails to halt the romance by conventional methods, Beatrice resolves to try more drastic tactics, even if that means uncovering secrets best left buried...

     The second tale, "The Candle in the Cloud", is a novella of dark fantasy which follows three children who discover a magical candle that transports them to a world where a plague-cloud is destroying everything in its wake. These two tales, the first ever written by Clive, are offered here for the very first time. Their production has been lovingly supervised by Clive himself to ensure that these are not mere books, but works of art to be cherished. Complete with original illustrations and appendices on select editions, First Tales is sure to delight everyone from longtime fans to new readers. In his own words: "These two stories represent the two essential structures of fantastique literature. ’The Wood on the Hill’ is about an incursion of unearthly elements into an approximation of our world. ’The Candle in the Cloud’ is about a journey taken by people from our world into another reality. Yin and Yang, if you like. Forces pulling in opposing directions but to achieve the same end: Revelation." Clive Barker (2013)

    Even at the age of six, lively, inquisitive Elizabeth Grace senses she’s a child of privilege, “a lucky fish.” Soothing her worries by raiding the sugar box, she scampers up into the sheltering arms of the lilac-blooming syringa tree growing behind the family’ s suburban Johannesburg home.Lizzie’s closest ally and greatest love is her Xhosa nanny, Salamina. Deeper and more elemental than any traditional friendship, their fierce devotion to each other is charged and complicated by Lizzie’s mother, who suffers from creeping melancholy, by the stresses of her father’s medical practice, which is segregated by law, and by the violence, injustice, and intoxicating beauty of their country. In the social and racial upheavals of the 1960s, Lizzie’s eyes open to the terror and inhumanity that paralyze all the nation’s cultures–Xhosa, Zulu, Jew, English, Boer. Pass laws requiring blacks to carry permission papers for white areas and stringent curfews have briefly created an orderly state–but an anxious one. Yet Lizzie’s home harbors its own set of rules, with hushed midnight gatherings, clandestine transactions, and the girl’s special task of protecting Salamina’s newborn child–a secret that, because of the new rules, must never be mentioned outside the walls of the house.As the months pass, the contagious spirit of change sends those once underground into the streets to challenge the ruling authority. And when this unrest reaches a social and personal climax, the unthinkable will happen and forever change Lizzie’s view of the world. When The Syringa Tree opened off-Broadway in 2001, theater critics and audiences alike embraced the play, and it won many awards. Pamela Gien has superbly deepened the story in this new novel, giving a personal voice to the horrors and hopes of her homeland. Written with lyricism, passion, and life-affirming redemption, this compelling story shows the healing of the heart of a young woman and the soul of a sundered nation.

    But strange events at the house have her worried for the safety of her charges. Steeped in horrific history Rose Mansion isn't a welcome place. Floorboards creak, doors open and close, and strange sounds resonate at night. Nothing unusual for such an old house. Surely? But Ashley feels there is something else. Something dark. Something sinister. As matters begin to escalate, she begins to doubt her own sanity...

    Download your copy, and enjoy this salaciously hot romance box set today! Nicole’s Note: Sinful Like Us is a Collection of 10 stand-alone romance novellas. No cliffhanger, no cheating, plenty of steam and a guaranteed HEA. Happy reading!

    She seems to be more interested in estate management and improvement than in the more usual pursuits of young ladies. A French frigate of possibly new design has been using the period of peace to take British frigates and merchant ships illegally and spirit the captures to some unknown base. Giles is called from his bucolic pursuits to take command of a newly built frigate whose task is to find and destroy the enemy vessel and recapture her prizesWhile Captain Giles is doing this, life continues apace at Dipton so that when Giles can snatch some leave, he finds that things have not remained static. The novel tells of how events develop at sea and also on land in the early days following the abrogation of the treaty of Amiens.

    It is in the heart of the southern midlands of KwaZulu-Natal, Alan Paton country, and it is true that “… from there, if there is no mist, you look down on one of the fairest scenes of Africa.” Later I will tell you more about that landscape, and of how it changed during the course of my investigations; a spectacular backdrop of giant shapes and colours when I first saw it, a myriad dramas of human anger and violence when I left …’In the spring of 1999, in the beautiful hills of the Kwa-Zulu-Natal midlands, a young white farmer is shot dead on the dirt road running from his father’s farmhouse to his irrigation fields. The murder is the work of assassins rather than robbers; a single shot behind the ear, nothing but his gun stolen, no forensic evidence like spent cartridges or fingerprints left at the scene.Journalist Jonny Steinberg travels to the midlands to investigate. Local black workers say the young white man had it coming. The dead man’s father says that the machinery of a political conspiracy has been set into motion, that he and his neighbours are being pushed off their land.Initially thinking that he is to write about an event in the recent past, Steinberg finds that much of the story lies in the immediate future. He has stumbled upon a festering frontier battle, the combatants groping hungrily for the whispers and lies that drift in from the other side. Right from the beginning, it is clear that the young white man is not the only one who will die on that frontier, and that the story of his and other deaths will illuminate a great deal about the early days of post-apartheid South Africa.Sifting through the betrayals and the poisoned memories of a century-long relationship between black and white, Steinberg takes us to a part of post-apartheid South Africa we fear to contemplate.Midlands is about the midlands of the heart and mind, the midlands between possession and dispossession, the midlands between the past and present, myth and reality. Midlands is a tour de force of investigative journalism.

    Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love.

    . . London was good. Is good. I love London. But . . .” 1994 The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . . London Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley. South Africa A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

    You will sacrifice our rights in order to secure your peace with the Boers and shrug us off. It is for this expedience that men like Tom and Reuben and Sonwabo Pumami are dead. There will be thousands like them in the time to come. ' Against a backdrop of drought, the rinderpest pandemic, the South African War, the burgeoning gold-mining industry and the complex birth of the exploitative system of recruiting migrant labour, Shades explores the growing tensions between cultures in South Africa at the turn of the twentieth century and the deepening awareness of the black mission-educated elite, empowered by the printing press, of the need to articulate their political and spiritual beliefs. Set within the microcosm of an isolated Eastern Cape mission, Shades is not only a love story and the chronicle of a family but a sensitive and perceptive insight into the country's wider conflicts. It explores the slow but inexorable destruction of the fabric of a community, the assault on its traditions and the struggle to reconcile two faiths: the Christian and the traditional beliefs of the amaXhosa in their ancestral shades. It is the story of those far-sighted enough to seek convergence and those destined to undermine its wisdom. Primarily, Shades is an intimate tale of love, friendship, acceptance and profound loss: of life, of faith and of belonging.