Smith, providing renewed proof that this is “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a choice of the year’s most memorable poems, with comments from the poets themselves lending insight into their work. The guest editor of The Best American Poetry 2021 is Tracy K. Smith, the former United States Poet Laureate, whose own poems are, Toi Derricotte’s words, “beautiful and serene” in their surfaces with an underlying “sense of an unknown vastness.” In The Best American Poetry 2021, Smith has selected a distinguished array of works both vast and beautiful by such important voices as Henri Cole, Billy Collins, Louise Erdrich, Nobel laureate Louise Glück, Terrance Hayes, and Kevin Young.

    Why do we act this way? Johnson asks. How should we act? His best poems are examples of what the finest poetry can do: bring us closer to ourselves and at the same time put us in touch with something larger.

    In the southeast Portland neighborhood of Dickman’s youth, parents are out of control and children are in chaos. With grief, anger, and, ultimately, understanding, Dickman confronts a childhood of ambient violence, well-intentioned but warped family relations, confining definitions of identity, and the deprivation of this particular Portland neighborhood in the 1980s. Wonderland reminds us that, while these neighborhoods are filled with guns, skateboards, fights, booze, and heroin, and home to punk rockers, skinheads, poor kids, and single moms, they are also places of innocence and love.

    African & African American Studies. "I get this pinwheel relationship to wisdom & history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power & her skill so what kind of quest is it, this beautiful complex & alive work. Here's my best guess. OF BEING DISPERSED is an ur text of the fourth wave of feminism which we come to realize is ocean and women are now standing on it and amidst this clatter of voices Simone White walks." Eileen Myles "In Simone White's poetry the action is always multiple, palpable, sounding as thought, coming forward through this highly sensitized plane, sudden and hovering, exchanging centers, afflicted and added to by company. The continuous listening company demands company including imaginary self, receding boundaries, the horseman on the night's street, the live, the loved, the drunk, the words, the turnstile, the endless destructive projections people force and the rendering of that listening into irreducible depths of tone, wit, and perception constitute much of what makes OF BEING DISPERSED a masterful book. Buzzing word-love marking time beat by beat, being the ground inside and out, makes up the rest." Anselm Berrigan "Macaronic plenitude of language instantiates places and states of mind. If Edouard Glissant says that we write in the presence of all the world's languages, then we have in Simone White's OF BEING DISPERSED, an underground stream reaching the surface of the page in lines acrobatic and limber, fluent in code switch, mood shift and modes of inquiry. I read White's volume as a poetic lens on the specificities of the diaspora and the 'dispersed, ' written with baroque skepticism, feminist vision and attention to the complications of a Black yet to be storyed any/where." Erica Hunt"

    Obsessive, brilliant, linguistically playful—the mesmerizing world of The Boss is as personal as it is distinctly post-9/11. The result is a breathtaking, one-of-a-kind exploration of contemporary American culture, power structures, family life, and ethnic and personal identity.

    Writing of mothers and their children, of childhood memories, of black leaders and black Africa, the poems in My House marked a new dimension in tone and philosophy for Nikki Giovanni when they first appeared at the beginning of her extraordinary career. Emotional and autobiographical, Nikki Giovanni personalizes the political--like no one else--and brings her house in all its complexity and glory to our own backyards. At once tough-minded and playful and with such famous classics as "My House" and "Winter Poem," this reissue of Nikki Giovanni's 1972 collection will once again intoxicate those who have always loved her poems--and those who are just getting to know her work.As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960s, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America's political and poetic landscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered.Nikki Giovanni is one of the most influential black writers writing today. This, her second book of poetry, marked a new dimension in tone and philosophy-personal and autobiographical rather than political; it is also lively, loving, witty, and occasionally tough-minded. Divided into two sections, the poems center around "her" house-the rooms inside as well as outside. She writes of mothers and their children, of childhood memories, of black leaders and black Africa. This is an important book by a black woman written in and of the '70s."Nikki Giovanni has . . . become one of the most potent voices of our time. Her message is universal and the rhythm and language of her poetry can be compared favorably with that of the finest poets of the past. She is a beautiful and complete human being with a genius for describing the human condition." Minneapolis Tribune"Talent is light, but mature talent is a beacon and Nikki Giovanni has, by her own words, joined that small band of talented people who try to show us all the way to go home." Los Angeles Times

    A combined edition of the poet's early work, including Lord Weary's Castle, a collection of forty-two short poems, which won the 1947 Pulitzer Prize, and The Mills of the Kavanaughs, a narrative poem of six hundred lines, and five other long poems.

    As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

    These are poems that strike for the heart, as Sharon Olds captures our imagination with unexpected wordplay, sprung rhythms, and the disquieting revelations of ordinary life. Writing at the peak of her powers, this greatly admired poet gives us her finest collection.From the Hardcover edition.

    Fables, written in prose form, shows the reader different settings (mountains, ocean, Paris) of Zucker's travels and meditations on place. The Pedestrians brings us back to her native New York and the daily frustrations of a woman torn by obligations.That Great DiasporaI'll never leave New York & when I doI too will be unbodied—what? youimagine I might transmogrify? I'm fromnowhere which means here & so wade outinto the briny dream of elsewheres likea released dybbyk but can't standthe soulessness now everyone who evermade sense to me has died & everyone I lovegrows from my body like limbs on a rootless treeRachel Zucker is the author of Museum of Accidents, which was a finalist for the National Book Critics Circle Award. She is also the author of The Bad Wife, The Last Clear Narrative, Eating in the Underworld, and Annunciation.

    Powell, Marcus Wicker's Maybe the Saddest Thing is a sterling collection of contemporary American poems by an exciting new and emerging voice.

    A comprehensive collection by one of the most intensely musical and visionary poets writing today.

    African American Studies. Gladman wields an idiosyncratic skill with description and characters that has drawn praise and attention from her contemporaries. JUICE describes a world where seemingly minor obsessions and details (like the narrator's almost random preference for juice) can structure and develop an entire story, down to its tone and style. As her narrator puts it: So far it has been sex and leaves that keep me alive.

    Attempting to imagine the unimaginable and see the unseen, Armantrout evokes a "next life" beyond the current, and too often degraded, one. From the new physics to mortality, Armantrout engages with the half-seen and the half-believed. These poems step into the dance of consciousness and its perennial ghost partner--"to make the world up/of provisional pairs." At a time when our world is being progressively despoiled, Armantrout has emerged as one of our most important and articulate authors. These poems push against the limit of knowledge, that event-horizon, and into the echoes and phantasms beyond, calling us to look toward the "next life" and find it where we can.

    Notley's work has always been highly narrative, and her new book mixes short lyrics with long, expansive lines of poetry that often take the form of prose sentences, in an effort "to change writing completely." The title piece, a folksong-like lament, makes a unified tale out of many stories of many people; the middle section, "The Black Trailor," is a compilation of noir fictions and reflections; while the shorter poems of "Hemostatic" range from tough lyrics to sung dramas. Full of curative power, music, and the possibility of transformation, In the Pines is a genre- bending book from one of our most innovative writers.