Drawing on an array of suspenseful and bizarre firsthand accounts, Sandlin brings to life a place where river pirates brushed elbows with future presidents and religious visionaries shared passage with thieves—a world unto itself where, every night, near the levees of the big river towns, hundreds of boats gathered to form dusk-to-dawn cities dedicated to music, drinking, and gambling. Here is a minute-by-minute account of Natchez being flattened by a tornado; the St. Louis harbor being crushed by a massive ice floe; hidden, nefarious celebrations of Mardi Gras; and the sinking of the Sultana, the worst naval disaster in American history. Here, too, is the Mississippi itself: gorgeous, perilous, and unpredictable, lifeblood to the communities that rose and fell along its banks.  An exuberant work of Americana—at once history, culture, and geography—Wicked River is a grand epic that portrays a forgotten society on the edge of revolutionary change.

    An entrepreneur and Eagle Scout, he was even honored as 'Man of the Year" at a Kansas City charity. To some of the women he met on the Internet, he was known as Slavemaster--a sexual deviate with a taste for sadomasochistic rituals of extreme domination and torture.Masquerading as a philanthropist, he promised women money and adventure. For fifteen years, he trawled the Web, snaring unsuspecting women. They were never seen again. But in the summer of 2000, the decomposed remains of two women were discovered in barrels on Robinson's farm, and three other bodies were found in storage units. Yet the depths of Robinson's bloodlust didn't end there. For authorities, the unspeakable criminal trail of Slavemaster was just beginning... Internet Slave Master is a true story of sadistic murder in the Heartland, told by true crime master John Glatt.

    This haunting story continues to be an unsolved mystery today. Lehto conducts all the research to bring you the most accurate account of what songwriter Woody Guthrie called the "1913 Massacre."

    He was bound for a New Jersey dueling ground to settle his bitter dispute with Aaron Burr. Hamilton took just two men with him: his “second” for the duel, and Dr. David Hosack.As historian Victoria Johnson reveals in her groundbreaking biography, Hosack was one of the few points the duelists did agree on. Summoned that morning because of his role as the beloved Hamilton family doctor, he was also a close friend of Burr. A brilliant surgeon and a world-class botanist, Hosack—who until now has been lost in the fog of history—was a pioneering thinker who shaped a young nation.Born in New York City, he was educated in Europe and returned to America inspired by his newfound knowledge. He assembled a plant collection so spectacular and diverse that it amazes botanists today, conducted some of the first pharmaceutical research in the United States, and introduced new surgeries to American. His tireless work championing public health and science earned him national fame and praise from the likes of Thomas Jefferson, James Madison, Alexander von Humboldt, and the Marquis de Lafayette.One goal drove Hosack above all others: to build the Republic’s first botanical garden. Despite innumerable obstacles and near-constant resistance, Hosack triumphed when, by 1810, his Elgin Botanic Garden at last crowned twenty acres of Manhattan farmland. “Where others saw real estate and power, Hosack saw the landscape as a pharmacopoeia able to bring medicine into the modern age” (Eric W. Sanderson, author of Mannahatta). Today what remains of America’s first botanical garden lies in the heart of midtown, buried beneath Rockefeller Center.Whether collecting specimens along the banks of the Hudson River, lecturing before a class of rapt medical students, or breaking the fever of a young Philip Hamilton, David Hosack was an American visionary who has been too long forgotten. Alongside other towering figures of the post-Revolutionary generation, he took the reins of a nation. In unearthing the dramatic story of his life, Johnson offers a lush depiction of the man who gave a new voice to the powers and perils of nature.

    It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

    They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation's produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.

    But how did fast food restaurants so thoroughly saturate black neighborhoods in the first place?In Franchise, acclaimed historian Marcia Chatelain uncovers a surprising history of cooperation among fast food companies, black capitalists, and civil rights leaders, who—in the troubled years after King’s assassination—believed they found an economic answer to the problem of racial inequality. With the discourse of social welfare all but evaporated, federal programs under presidents Johnson and Nixon promoted a new vision for racial justice: that the franchising of fast food restaurants, by black citizens in their own neighborhoods, could finally improve the quality of black life.Synthesizing years of research, Franchise tells a troubling success story of an industry that blossomed the very moment a freedom movement began to wither.

    "No other national story holds such tremendous lessons, for the American people themselves and for the rest of mankind."In his prize-winning classic, Johnson presents an in-depth portrait of American history from the first colonial settlements to the Clinton administration. This is the story of the men and women who shaped and led the nation and the ordinary people who collectively created its unique character. Littered with letters, diaries, and recorded conversations, it details the origins of their struggles for independence and nationhood, their heroic efforts and sacrifices to deal with the 'organic sin’ of slavery and the preservation of the Union to its explosive economic growth and emergence as a world power. Johnson discusses contemporary topics such as the politics of racism, education, the power of the press, political correctness, the growth of litigation, and the influence of women throughout history. He sees Americans as a problem-solving people and the story of their country as "essentially one of difficulties being overcome by intelligence and skill, by faith and strength of purpose, by courage and persistence... Looking back on its past, and forward to its future, the auguries are that it will not disappoint humanity."Sometimes controversial and always provocative, A HISTORY OF THE AMERICAN PEOPLE is one author’s challenging and unique interpretation of American history. Johnson’s views of individuals, events, themes, and issues are original, critical, and in the end admiring, for he is, above all, a strong believer in the history and the destiny of the American people.

    The custodian of the tomb was so shaken by the incident that he willingly dedicated the rest of his life to protecting the president's corpse.In a lively and dramatic narrative, Thomas J. Craughwell returns to this bizarre, and largely forgotten, event with the first book to place the grave robbery in historical context. He takes us through the planning and execution of the crime and the outcome of the investigation. He describes the reactions of Mary Todd Lincoln and Robert Todd Lincoln to the theft - and the peculiar silence of the nation. He follows the unlikely tale of what happened to Lincoln's remains after the attempted robbery and details the plan devised by the Lincoln Guard of Honor to prevent a similar abominable occurrence.Along the way, Craughwell offers entertaining sidelights on the rise of counterfeiting in America and the establishment of the Secret Service to combat it; the prevalence of grave robberies; the art of nineteenth-century embalming; and the emergence among Irish immigrants of an ambitious middle class - and a criminal underclass.This rousing story of hapless con men, intrepid federal agents, and ordinary Springfield citizens who honored their native son by keeping a valuable, burdensome secret for decades offers a riveting glimpse into late nineteenth-century America and underscores that truth really is sometimes stranger than fiction.

    But one rogue researcher looked at the data and decided everyone was wrong. Franz Boas was the very image of a mad scientist: a wild-haired immigrant with a thick German accent. By the 1920s he was also the foundational thinker and public face of a new school of thought at Columbia University called cultural anthropology. He proposed that cultures did not exist on a continuum from primitive to advanced. Instead, every society solves the same basic problems--from childrearing to how to live well--with its own set of rules, beliefs, and taboos.Boas's students were some of the century's intellectual stars: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is one of the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans of the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now-classic novel, Their Eyes Were Watching God. Together, they mapped vanishing civilizations from the Arctic to the South Pacific and overturned the relationship between biology and behavior. Their work reshaped how we think of women and men, normalcy and deviance, and re-created our place in a world of many cultures and value systems. Gods of the Upper Air is a page-turning narrative of radical ideas and adventurous lives, a history rich in scandal, romance, and rivalry, and a genesis story of the fluid conceptions of identity that define our present moment.

    They reflect upon happy childhoods, successful community ventures, warm refuges for outsiders, and hidden oases of natural beauty. But mainly they are stories drawn from uniquely personal experiences: A girl has her bike stolen. A social worker in Pittsburgh makes calls on clients. A journalist from Buffalo moves away and misses home.... A father gives his daughter a bath in the lead-contaminated water of Flint, Michigan" (from the introduction).Where is America's Rust Belt? It's not quite a geographic region but a linguistic one, first introduced as a concept in 1984 by Walter Mondale. In the modern vernacular, it's closely associated with the "Post-Industrial Midwest," and includes Michigan, Ohio, and Pennsylvania, as well as parts of Illinois, Wisconsin, and New York. The region reflects the country's manufacturing center, which, over the past forty years, has been in decline. In the 2016 election, the Rust Belt's economic woes became a political talking point and helped pave the way for a Donald Trump victory.But the region is neither monolithic nor easily understood. The truth is much more nuanced. Voices from the Rust Belt pulls together a distinct variety of voices from people who call the region home. Voices that emerge from familiar Rust Belt cities―Detroit, Cleveland, Flint, and Buffalo, among other places―and observe, with grace and sensitivity, the changing economic and cultural realities for generations of Americans.Introduction: why the Rust Belt matters (and what it is) / Anne Trubek --A girl's Youngstown / Jacqueline Marino --The kidnapped children of Detroit / Marsha Music --Busing, a white girl's tale / Amanda Shaffer --Moundsville / David Faulk --North Park, with and without hate / Jeff Z. Klein --Love and survival: a Flint romance / Layla Meillier --A middle-aged student's guide to social work / Dave Newman --Fresh to death / Eric Woodyard --Rust belt heroin chic / Ben Gwin --Will blacks rise or be forgotten in the new Buffalo? / Henry Louis Taylor Jr --Can Detroit save white people? / Aaron Foley --Cleveland's little Iraq / Huda al-Marashi --A night at the Golden Lion Lounge / John Lloyd Clayton --Family bones / Ryan Schnurr --The fauxtopias of Detroit's suburbs / James D. Griffioen --Pretty things to hang on the wall / Eric Anderson --King Coal and the West Virginia Mine Wars Museum / Carolyne Whelan --Seed or weed: on the evolution of Chicago's Bloomingdale trail / Martha Bayne --This is a place / Kathryn M. Flinn --That better place; or, the problem with mobility / G. M. Donley --Losing Lakewood / Sally Errico --Notes from the expatriate underground / Margaret Sullivan --Confessions of a Rust Belt orphan; or, how I learned to stop worrying and love Akron / Jason Segedy --Bathtime / Connor Coyne

    A snake-handling preacher by the name of Glendel Buford Summerford has just tried to murder his wife, Darlene, by snakebite. At gunpoint, he forces her to stick her arm in a box of rattlesnakes. She is bitten twice and nearly dies. The trial, which becomes a sensation throughout southern Appalachia, echoes familiar themes from a troubled secular world - marital infidelity, spouse abuse, and alcoholism - but it also raises questions about faith, forgiveness, redemption, and, of course, snakes. Glenn Summerford is convicted of attempted murder and sentenced to ninety-nine years in prison. When Dennis Covington covered the trial of Glenn Summerford for The New York Times, a world far beyond the trial opened up to him. Salvation on Sand Mountain begins with a crime and a trial and then becomes an extraordinary exploration of a place, a people, and an author's descent into himself. The place is southern Appalachia - a country deep and unsettled, where the past and its culture collide with the economic and social realities of the present, leaving a residue of rootlessness, anxiety, and lawlessness. All-night video stores and tanning salons stand next to collapsed chicken farms and fundamentalist churches. The people are poor southern whites. Peculiar and insular, they are hill people of Scotch-Irish descent: religious mystics who cast out demons, speak in tongues, drink strychnine, run blowtorches up their arms, and drape themselves with rattlesnakes. There is Charles McGlocklin, the End-Time Evangelist; Cecil Esslinder, the red headed guitar player with the perpetual grin; Aunt Daisy, the prophetess; Brother Carl Porter; Elvis Presley Saylor;Gracie McAllister; Dewey Chafin; and the legendary Punkin Brown, all of whose faith illuminates these pages. And then there is Dennis Covington, himself Scotch-Irish, whose own family came down off of Sand Mountain two generations ago to work in the steel mills of Birmingham, and

    Davis, author of the phenomenal New York Times bestseller Don't Know Much About History, presents a collection of extraordinary stories, each detailing an overlooked episode that shaped the nation's destiny and character. Davis's dramatic narratives set the record straight, busting myths and bringing to light little-known but fascinating facts from a time when the nation's fate hung in the balance.Spanning a period from the Spanish arrival in America to George Washington's inauguration in 1789, America's Hidden History details these episodes, among others:The story of the first real Pilgrims in America, who were wine-making French Huguenots, not dour English SeparatistsThe coming-of-age story of Queen Isabella, who suggested that Columbus pack the moving mess hall of pigs that may have spread disease to many Native AmericansThe long, bloody relationship between the Pilgrims and Indians that runs counter to the idyllic scene of the Thanksgiving feastThe little-known story of George Washington as a headstrong young soldier who committed a war crime, signed a confession, and started a war!Full of color, intrigue, and human interest, America's Hidden History is an iconoclastic look at America's past, connecting some of the dots between history and today's headlines, proving why Davis is truly America's Teacher.

    To view it narrowly, to concentrate on the history of specific trade unions or on the careers of individuals and their rivalries, would be to miss the point that the great forces which have swept the American people into action have been the very forces that have also molded labor. Trade unionism was born as an effective national movement amid the great convulsion of the Civil War and the fight for black freedom... Labor suffered under depressions which spurred the whole American people into movement in the seventies, in the eighties, and in the nineties. It reached its greatest heights when it joined hands with farmers, small businessmen, and the black people in the epic Populist revolts of the 1890's and later in the triumph that was the New Deal. For labor has never lived in isolation or progressed without allies. Always it has been in the main stream of American life,... Labor's story, by its very nature, is synchronized at every turn with the growth and development of American monopoly. Its great leap forward into industrial unionism was an answering action to the development of trusts and great industrial empires. Labor's grievances, in fact the very conditions of its life, have been imposed by its great antagonist, that combination of industrial and financial power often known as Wall Street. The mind and actions of William H. Sylvis, the iron molder who founded the first effective national labor organization, can scarcely be understood without also an understanding of the genius and cunning of his contemporary, John D. Rockefeller, father of the modern trust. In the long view of history the machinations of J. P. Morgan, merging banking and industrial capital as he threw together ever larger combinations of corporate power controlled by fewer and fewer men, may have governed the course of American labor more than the plans of Samuel Gompers

    On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.