For several years, Andrew Marantz, a New Yorker staff writer, has been embedded in two worlds. The first is the world of social-media entrepreneurs, who, acting out of naïvete and reckless ambition, upended all traditional means of receiving and transmitting information. The second is the world of the people he calls "the gate crashers"—the conspiracists, white supremacists, and nihilist trolls who have become experts at using social media to advance their corrosive agenda. Antisocial ranges broadly—from the first mass-printed books to the trending hashtags of the present; from secret gatherings of neo-Fascists to the White House press briefing room—and traces how the unthinkable becomes thinkable, and then how it becomes reality. Combining the keen narrative detail of Bill Buford's Among the Thugs and the sweep of George Packer's The Unwinding, Antisocial reveals how the boundaries between technology, media, and politics have been erased, resulting in a deeply broken informational landscape—the landscape in which we all now live. Marantz shows how alienated young people are led down the rabbit hole of online radicalization, and how fringe ideas spread—from anonymous corners of social media to cable TV to the President's Twitter feed. Marantz also sits with the creators of social media as they start to reckon with the forces they've unleashed. Will they be able to solve the communication crisis they helped bring about, or are their interventions too little too late?

    After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Bauder: Fundamentalism-R. Albert Mohler Jr.: Conservative/confessional evangelicalism-John G. Stackhouse Jr.: Generic evangelicalism-Roger E. Olson: Postconservative evangelicalismEach author explains his position, which is critiqued by the other three authors. The interactive and fair-minded nature of the Counterpoints format allows the reader to consider the strengths and weaknesses of each view and draw informed, personal conclusions.The Counterpoints series provides a forum for comparison and critique of different views on issues important to Christians. Counterpoints books address two categories: Church Life and Bible and Theology. Complete your library with other books in the Counterpoints series.

    He goes on to consider the importance of missions in the development of evangelicalism and the continuing emphasis placed on evangelism. Sweeney next examines the different subgroups of American evangelicals and the current challenges faced by the movement, concluding with reflections on the future of evangelicalism.Combining a narrative style with historical detail and insight, this accessible, illustrated book will appeal to readers interested in the history of the movement, as well as students of church history.

    Even among megachurches with their modern technology and huge number of members, whole generations are now missing. In order to reach the 18-35 year olds, churches need to incorporate alternative worship services into their ministries that meet the unique needs of the emerging generations. In a conversational, narrative style, author Dan Kimball guides church leaders on how to create alternative services from start to finish. Using anecdotes from his own experience at Graceland, Kimball presents six creative models, providing real-life examples of each type. Emerging Worship covers key topics including • Developing a prayer team • Evaluating the local mission field and context • Determining leaders and a vision-based team • Understanding why youth pastors are usually the ideal staff to start a new service • Recognizing the difference in values between emerging worship and the rest of the church • Asking critical questions beforehand

    It is THE book. . . . Absolutely not to be missed.' - Matthew d'AnconaSarfraz Manzoor grew up in a working-class Pakistani Muslim family in Luton - where he was raised to believe that they were different, they had an alien culture and they would never accept him. They were white people.In today's deeply divided Britain we are often told they are different, they have a different culture and values and they will never accept this country. This time they are Muslims.Weaving together history, reportage and memoir, Sarfraz Manzoor journeys around Britain in search of the roots of this division - from the fear that Islam promotes violence, to the suspicion that Muslims wish to live segregated lives, to the belief that Islam is fundamentally misogynistic.THEY is also Manzoor's search for a more positive future. We hear stories from Islamic history of a faith more tolerant and progressive than commonly assumed, and stories of hope from across the country which show how we might bridge the chasm of mutual mistrust.THEY is at once fiercely urgent, resolutely hopeful and profoundly personal. It is the story of modern, Muslim Britain as it has never been told.'Humane, heart breaking and hopeful' - Kirsty Wark'Extraordinarily researched and courageously confronting, Sarfraz Manzoor writes with a rare blend of historical depth and personal authenticity. Profoundly personal and refreshingly honest, They tells the urgent and often untold story of Muslim Britain.' - David Lammy MP

    Set between 1950 and 1963, Joe Bageant uses Maw, Pap, Ony Mae, and other members of his rambunctious Scots–Irish family to chronicle the often-heartbreaking post-war journey of 22 million rural Americans into the cities, where they became the foundation of a permanent white underclass.Combining recollection, stories, accounts, remembrance, and analysis, the book offers an intimate look at what Americans lost in the massive and orchestrated post-war social and economic shift from an agricultural to an urban consumer society. Along the way, he also provides insights into how ‘the second and third generation of displaced agrarians’, as Gore Vidal described them, now fuel the discontent of America’s politically conservative, God-fearing, Obama-hating ‘red-staters’.These are the gun-owning, uninsured, underemployed white tribes inhabiting America’s urban and suburban heartland: the ones who never got a slice of the pie during the good times, and the ones hit hardest by America’s bad times, and who hit back during election years. Their ‘tough work and tougher luck’ story stretches over generations, and Bageant tells it here with poignancy, indignation, and tinder-dry wit.

    

    King’s Promised Land. Almost fifty years after Martin Luther King, Jr.’s "I Have a Dream" speech, equality is the law of the land, but actual integration is still hard to find. Mammoth battles over forced busing, unfair housing practices, and affirmative action have hardly helped. The bleak fact is that black people and white people in the United States don’t spend much time together—at work, school, church, or anywhere. Tanner Colby, himself a child of a white-flight Southern suburb, set out to discover why.Some of My Best Friends Are Black chronicles America’s troubling relationship with race through four interrelated stories: the transformation of a once-racist Birmingham school system; a Kansas City neighborhood’s fight against housing discrimination; the curious racial divide of the Madison Avenue ad world; and a Louisiana Catholic parish’s forty-year effort to build an integrated church. Writing with a reporter’s nose and a stylist’s flair, Colby uncovers the deep emotional fault lines set trembling by race and takes an unflinching look at an America still struggling to reach the mountaintop.

    and it's so pretty!" The secret was the discovery that life is helixical, two strands wound around a single axis--what most of us know today as the model for DNA.Over the course of his ministry, author Leonard Sweet has discovered that this divine design also informs God's blueprint for the church. In this seminal work, he shares the woven strands that form the church: missional, relational, and incarnational. Sweet declares that this secret is not just pretty, but beautiful. In fact, "So Beautiful"!Using the poignant life of John Newton as a touchstone, Sweet calls for the re-union of these three essential, complementary strands of the Christian life. Far from a novel idea, Sweet shows how this structure is God's original intent, and shares the simply beautiful design for His church.

    Engaging with a phenomenally wide range of ideas, issues, and thinkers from the Enlightenment to today, Eagleton discusses the state of religion before and after 9/11, the ironies surrounding Western capitalism’s part in spawning not only secularism but also fundamentalism, and the unsatisfactory surrogates for the Almighty invented in the post-Enlightenment era.   The author reflects on the unique capacities of religion, the possibilities of culture and art as modern paths to salvation, the so-called war on terror’s impact on atheism, and a host of other topics of concern to those who envision a future in which just and compassionate communities thrive. Lucid, stylish, and entertaining in his usual manner, Eagleton presents a brilliant survey of modern thought that also serves as a timely, urgently needed intervention into our perilous political present.

    Mark DeYmaz, pastor of one of the most proven multi-ethnic churches in the country, writes both from his experience and his extensive study of how to plant, grow, and encourage more ethnically diverse churches. He argues that the homogenous unit principle will soon become irrelevant and that the most effective way to spread the Gospel in an increasingly diverse world is through strong and vital multi-ethnic churches.

    Driven by the radical ideologies of Critical Race Theory and intersectionality, it has destabilized public and private life—including the Church. Many evangelicals have joined the crusade. Gripped by a desire for justice and rightly grieved by past evils like slavery, many pastors are preaching the woke gospel—identifying “whiteness” (an imaginary concept) with “white supremacy,” calling bewildered Christians to repent of their supposed guilt for the sins of past generations. But as theologian Owen Strachan makes clear, this is not true justice, nor is it true Christianity. While wokeness employs biblical vocabulary and concepts, it is an alternative religion, far from Christianity in both its methods and its fruit. A potent blend of racism, paganism, and grievance, wokeness encourages “partiality” and undermines the unifying work of the Holy Spirit. It is not simply not the Gospel; it is anti-Gospel. As Strachan traces the origins of wokeness, lays out its premises, and follows them to their logical conclusions, the contrast of that false faith with the Word of God stands out unmistakably. This succinct but groundbreaking work reveals that wokeness, like other heresies, is not really new. Nor is the antidote: Christ crucified for us.

    We either compartmentalize our faith or drift from it altogether—into a world that’s so alluring.Have you wondered lately:Why does the Western church look so much like the world?Why are so many of my friends leaving the faith?How can we get back to our roots?Disappearing Church will help you sort through concerns like these, guiding you in a thoughtful, faithful, and hopeful response. Weaving together art, history, and theology, pastor and cultural observer Mark Sayers reminds us that real growth happens when the church embraces its countercultural witness, not when it blends in.It’s like Jesus said long ago, “If the salt loses its saltiness, it is no longer good for anything…”

    Starting with this frank assessment of the current church, Michael Frost and Alan Hirsch present an alternative model for