The nation knows him as a sharpshooter, buffalo hunter, moving pictures pioneer, and one-time proprietor of the greatest Wild West show the nation has ever seen. Some of the stories are true, some exaggerated, and some rank among the wildest of tall tales. But for a man who has lived like Colonel Cardiff, the facts trump the myth. In the spring of 1868, Denver is the richest, wildest city west of the Mississippi. When an overweight Easterner named Dr. Bogardus rolls into town to announce a shooting contest with a $1,000 prize, ears prick up. Young Hugh wins the shoot with an ancient muzzle-loading rifle, knocking glass balls out of the air and missing only four out of one hundred targets. He is famous at nineteen, and the Colonel’s wild life is just getting started.

    It is now the depths of winter, Samuel is weeks overdue, and Deborah is getting worried. Deborah lives in Junction, a tiny town of seven Mormon families scattered along the floor of a canyon, and she earns her living by tending orchards and making work gloves. Isolated by the red-rock cliffs that surround the town, she and her neighbors live apart from the outside world, even regarded with suspicion by the Mormon faithful who question the depth of their belief. When a desperate stranger who is pursued by a Federal Marshal shows up on her doorstep seeking refuge, it sets in motion a chain of events that will turn her life upside down. The man, a devout Mormon, is on the run from the US government, which has ruled the practice of polygamy to be a felony. Although Deborah is not devout and doesn’t subscribe to polygamy, she is distrustful of non-Mormons with their long tradition of persecuting believers of her wider faith. But all is not what it seems, and when the Marshal is critically injured, Deborah and her husband’s best friend, Nels Anderson, are faced with life and death decisions that question their faith, humanity, and both of their futures.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Colonel Henry Carrington arrives in Wyoming's Powder River Valley to lead the US Army in defending the opening of a new road for gold miners and settlers. Carrington intends to build a fort in the middle of critical hunting grounds, the home of the Lakota. Red Cloud, one of the Lakota's most respected chiefs, and Crazy Horse, a young but visionary warrior, understand full well the implications of this invasion. For the Lakota, the stakes are their home, their culture, their lives.As fall bleeds into winter, Crazy Horse leads a small war party that confronts Colonel Carrington's soldiers with near constant attacks. Red Cloud, meanwhile, seeks to build the tribal alliances that he knows will be necessary to defeat the soldiers. Colonel Carrington seeks to hold together a US Army beset with internal discord. Carrington's officers are skeptical of their commander's strategy, none more so than Lieutenant George Washington Grummond, who longs to fight a foe he dismisses as inferior in all ways. The rank-and-file soldiers, meanwhile, are still divided by the residue of civil war, and tempted to desertion by the nearby goldfields.Throughout this taut saga--based on real people and events--Michael Punke brings the same immersive, vivid storytelling and historical insight that made his breakthrough debut so memorable. As Ridgeline builds to its epic conclusion, it grapples with essential questions of conquest and justice that still echo today.

    Who better to guide a wagon train from San Antonio to California than Jake Moran, the Hero of Chapultapec in the Mexican War? Trouble is, Jake's not really a hero, though he's the only one who knows it. Fifteen hundred miles of forbidding desert make Jake want to turn down the position, but the emigrants of the California Company are depending on him, and he can't let them down. The company faces thirst, cholera, and Comanche raids. In addition, Jake confronts the enmity of Tyler Hampton, wealthy promoter of the California Company, the man whose leadership position has been taken away and given to Jake. Jake may not be a hero when the company pulls out, but he better become one if they're going to survive.

    SweazyA Josiah Wolfe, Texas Ranger NovelFrom the blood he spilled during the Civil War to his beloved wife, who died in childbirth, and his daughters, who were taken by the flu, ex-Texas Ranger Josiah Wolfe thought he had seen enough death for one lifetime. Now, with an infant son and a heart full of pain, he's rejoining the Rangers as part of the Frontier Battalion. But first, his captain needs him to escort Charlie Langdon to trial.Wolfe and Langdon had a long history together as both lawmen and soldiers—until Langdon's lust for blood and money made him an outlaw. Wolfe knows his old friend has to pay. But the ride to the hangman's noose isn't going to be easy. Langdon's friends aren't going to give him up without a fight. And Wolfe's killer instinct may be his only chance to see his son again...Praise for Larry D Sweazy"Combines the slam-bang action of a good Western with the sensitivity of style and depth of character that used to be the hallmark of literary fiction."—Loren D. Estleman, five-time Spur Award-winning author"Raw, wild, and all too human...a thundering testament to just how good the Western novel can be."—Johnny D. Boggs, Spur Award-winning author"A character-rich story about a Texas Ranger haunted by dark memories, on the hunt for a former comrade-in-arms turned killer."—Elmer Kelton, seven-time Spur Award-winning author"Ris[es] to the level of a classic."—Loren D. Estleman

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe

    Fargo lives with a gun in his fist. Guns and killing are all he knows. And Fargo likes what he knows. Want to start a revolution? Want to stop one? Send for Fargo. Want to blow a bridge, stage a prison break, rob a bank? Fargo's your man. The Army taught Fargo how to kill with pistol, rifle, machine gun. He became an expert with knives, shotguns and women on his own time. Fargo hates the quiet life. He knows he's going to get it sooner or later. He hopes it won't be too much later because he wouldn't know how to be old and comfortable. So while it lasts, Fargo plans to grab the world by the throat and take what he wants. If the world doesn't like that, it can try to stop him ... if it can.

    In Risco, Texas, John Carmack and Charley Dawson had both held the office of sheriff and built two competing basis of support. But the rivals shared a granddaughter, Lucy, born to Charley's son and John's daughter. Now, Lucy Goodnight has come back to Risco with a desperate Plea: Her banker husband has disappeared. And while most people think he was in on the bank heist, Lucy is sure he was forced to help rob the bank and is now a prisoner of a vicious outlaw gang. For Lucy, the two former lawmen will put aside their differences and strap on their guns one more. In a town where they have nothing but enemies, they must use their wits, their courage, and their skill to free an innocent man, and against a hail of hate and lead, live or die side by side...

    A man out of time, he rides a feisty chestnut mare across the New West — a once beautiful land smothered beneanth airstrips and superhighways. And he lives by a personal code of ethics that sets him on a collision course with the keepers of law and order. Now he has stepped over the line by breaking one too many of society's rules. The hounds of justice are hot in his trail. But Burnes would rather die than spend even a single night behind bars. And they have to catch him first.

    She grew up knowing that she’s among the chosen few to be saved from Armageddon. Lately, though, being saved feels awfully treacherous. Ever since they moved to the compound in Colorado, their food supplies have dwindled even while their leader, Ezekiel, has stockpiled weapons. The only money comes from the jewelry Eva makes and sells down in Boulder—a purpose she’ll serve until she becomes one of Ezekiel’s wives. But a college student named Trevor and the other “heathens” she meets on her trips beyond the compound are far different from what she’s been led to believe. Now Eva doesn’t know which is more dangerous—the outside world, or Brother Ezekiel’s plans…

    Written with compassionate tenderness and magical thinking, it explores the courage of conviction, the transformative power of grief, the desire for knowledge and the pull of home, from an exceptionally talented and original British writer. It is a radiant and timeless epic-in-miniature, an eerie, electric monument to possibility.

    Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.

    Samantha and her half brother, Benjamin, survive, but she is left traumatized, her face horribly scarred. Narrated in Benjamin’s beguilingly plainspoken voice, The Which Way Tree is the story of Samantha’s unshakeable resolve to stalk and kill the infamous panther, rumored across the Rio Grande to be a demon, and avenge her mother’s death. In their quest she and Benjamin, now orphaned, enlist a charismatic Tejano outlaw and a haunted, compassionate preacher with an aging but relentless tracking dog. As the members of this unlikely posse hunt the panther, they are in turn pursued by a hapless but sadistic Confederate soldier with troubled family ties to the preacher and a score to settle. In the tradition of the great pursuit narratives, The Which Way Tree is a breathtaking saga of one steadfast girl’s revenge against an implacable and unknowable beast. Yet with the comedic undertones of Benjamin’s storytelling, it is also a timeless tale full of warmth and humor, and a testament to the enduring love that carries a sister and brother through a perilous adventure with all the dimensions of a legend.

    It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point—“where all four of our lives made their bend”—and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one’s kin and one’s self.