book

    In the centerpiece story, an eighteenth-century Eno Indian tells of the fiery fate of his adopted father, English explorer John Lawson. In the surrounding stories, the age-old conflicts between newcomer and old-timer play out as twenty-first century retirees, carnies, runaways, heartbroken women, and farmers stumble into new lives and new insights in Ambler County, North Carolina. "Hudson's prose is pure as birdsong," says novelist Doris Betts. "These fine stories of change and discovery are a field guide to the human species in transition."

    But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.

    It is not just another day: it is the culmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... From the Publisher 'Demonstrates a wry talent' Guardian 'A true writer of fiction...A writer whose every book has been a pleasure' Scotsman At the moment that Colonel Browne is standing in the shallow end of the swimming pool of the Hotel Alpenrose, preparing for his late afternoon dip, his daughter Charlotte, carrying a suitcase, is getting out of her car back in England, preparing to rob the ancestral home. It is not just another day: it is the cuilmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... 'Rose Tremain goes from strength to strength. The Colonel's Daughter is a winner...a riveting and satisfying read' New Statesman 'Dialogue and off-beat humour are spot on' Daily Telegraph.

    Short Stories by Ann Beattie, Ethan Canin, Joy Williams, Richard Ford, Tobias Wolff, Alice Munro, Thomas McGuane, Lord Tweedsmuir, Donald Barthelme, Raymond Carver, and many others.

    In this two-part volume, packaged with a selection of his poems, Roy explores the concepts of duality and constancy in discussions with his daughter. Presented as conversations over coffee and desserts, the talks extend to diverse topics with Lolita at one end and marine conservation at the other. In his poems, Roy and his alter-ego, Sandy, soothe and shock you in turns until you burst out of the last page, breathless and asking for more.Sabarna Roy’s characters are all around us. He has dabbled in poetry, prose, plays and non-fiction with equal elan and delved into the emptiness and futility of life reminding us of the masters in the trade.Two quotations from Sabarna Roy’s works will prove the above stated point:“A question leapt into his mind: Is it possible to achieve true happiness by living a solitary life or is it important to lead a community life where one instinctively believes that one’s own desires are insignificant compared to the desires of others and one works towards fulfillment of their desires as if they are one’s own?Many questions crossed his mind. Did he secretly crave to believe in god? Was he looking for a god to deflect his loneliness or was his loneliness actually a sense of pride, which was an obstruction between him and his god?-Forbes India

    In its harrowing chronicle of the breakup of a relationship, Interiors confirmed Cash's remarkable talents as a lyricist, with songs that were intelligent and astonishingly frank, songs that with their stark empathy transcended the self-involvement that had come to confine the work of many "confessional" singer-songwriters. The Wheel (1993) was further evidence that she had few equals in her field. As one of our most literate lyricists, Cash naturally began to turn to longer prose pieces, and in her first collection, Bodies of Water, she reveals the full breadth and depth of her talent. These stories are a series of portraits of the inner lives of women seeking self-forgiveness, resolution, and freedom in the face of the familiar betrayals of everyday existence. A mother spends a comically forlorn New Year's Eve alone with her young children. Alone in Paris, a traveler faces her loneliness as middle age approaches. A dinner party becomes a battleground of concealed disappointment. It is at the margins of reality and dreams, the boundaries between art and insanity, that Cash's characters come to learn that their redemption is to be found in facing the past, and finally, in retrieving power from it.

    Jim Tomlinson’s characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost. Starkly rendered, these spiraling characters inhabit a specific place and class---small-town Kentucky, working-class America---but the stories, told in all their humor and tragedy, are universal.In each story the characters face conflict, sometimes within themselves, sometimes with each other. Each carries a past and with it an urge to return and repair. In “First Husband, First Wife,” ex-spouses are repeatedly drawn together by a shared history they cannot seem to escape, and they are finally forced to choose between leaving the past or leaving each other. LeAnn and Cass are grown sisters who conspire to help their prideful mother in “Things Kept.” “Prologue” is a voyeuristic journey through the surprisingly different lives of two star-crossed friends, each with its successes and pitfalls, told through their letters over thirty-five years. In “Stainless,” Annie and Warren divide their possessions on the final night of their marriage. Their realtor has advised them to “declutter” the house they are leaving, but they discover that most of the clutter cannot be so easily removed. The choices are never simple, and for every thing kept, something must be abandoned. Tomlinson’s characters struggle but eventually find their way, often unknowingly, to points of departure, to places where things just might change.

    Rusty, ornery, and down at the heels, Zadoorian's characters have made the wrong choices, been worn down by bad news, or survived traumatic events, but like the city they live in, they are determined not to let tragedy and rotten luck define them. Rich with detail and brimming with feeling, Zadoorian's deceptively simple stories lead readers into the inner lives of those making the best of their flawed surroundings and their own imperfections.Zadoorian's stories are drawn from the everyday events that come to define his characters' lives. A woman responsible for putting down animals at a veterinary clinic travels to Mexico to stage a ritual for her victims, a veteran returns a flag stolen from a Japanese soldier he killed in World War II, an elderly couple takes a final road trip to a mystery spot out west, and a man spends his life waiting to inherit his parents' kitschy 1960s furniture but instead sells it all. Characters also find their lives shaped by seemingly random occurrences, like the junk shop owner who must stop the stranger with a vendetta against him, the woman who becomes obsessed with her in-laws' talking dog, and the urban spelunker who finds love and acceptance with a reader of his blog. Their close connection to Detroit also infuses Zadoorian's stories with themes significant to the city, including issues of racial tension, political unease, and economic hardship.Zadoorian's writing throughout this collection is clear and vivid, never getting in the way of his characters or their stories. The unique but relatable characters and unexpected stories in The Lost Tiki Palaces of Detroit will appeal to all readers of fiction.

    Thomas presents interesting heroines: there's the girl in "Sisters" who hates her younger sibling for (among other things) her precise memory. In "Seeing Things," Maude, who "wants to be tan the whole year round," and whose "great ambition is to be whistled at on the street," is told by her younger sister, "You look ridiculous smoking with the chicken pox." And then there are the four stories about Buddy and Virginia, who have to drop out of school and get married after she gets pregnant. From sibling rivalry to marital strife, Thomas uncovers the pain, the poignancy, and the belief in love that lie in the hearts of her heroines.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.

    Widely ranging in time and place, these subversive tales -- by Grace Paley, Bessie Head, Katherine Mansfield, Elizabeth Jolley, Djuna Barnes, Colette, Angela Carter, Jamaica Kincaid, Ama Ata Aidoo, Jane Bowles and many more -- all have one thing in common: to restore adventuresses and revolutionaries to the rightful position as models for all women, everywhere. Leonora Carrington's debutante swaps places with a hyena who exchanges the cage for the ball -- and goes dressed to kill. Christina Stead's seedy seducer is eventually wrecked by the utterly conventional bride. Some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.

    From the beach towns of Normandy to the streets of New Orleans, these thirteen vignettes introduce us to a covetous French painter, a sleepless wanderer of the night, a guitar-playing gypsy, and a host of others who yearn for and dive into the turbulent depths of romantic experience.

    In this debut collection of enormously perceptive and brutally unsentimental short stories, Parsons illuminates the ache of first love, the banality of self-loathing, the scourge of addiction, the myth of marriage, and the magic and inevitable disillusionment of childhood.Taking us from hot Texas highways to cold family kitchens, from the freedom of pay-by-the-hour motels to the claustrophobia of private school dorms, these stories erupt off the page with a primal howl—sharp-voiced, bitter, and wise. Black Light contains the type of storytelling that resonates somewhere deep, in the well of memory that repudiates nostalgia.